All animated images, however handcrafted, necessarily become digital at some stage of the production or distribution process, and thereby “computer animation.” The question is therefore what kind of tool for communication they represent and which experiences they create for the viewer. The spectrum ranges here from abstract works, music videos, essay films, and character animations, to data visualizations and physical installations, all the way to virtual realities (VR, AR, and MR).
At this year’s Prix Forum, artist talks and the discussion are focused on exploring the category of Computer Animation 2020. Among others, the questions are: What is “animation”? How do you “animate” the work?
The Electronic Theatre featuring the best of this year’s submissions is screened every evening starting at 20.30 at the rooftop KUNSTKINO in Linz, Austria.