Music
La fabrique des monstres
Daniele Ghisi (IT)
How can a machine learn to produce music? A concept album of generative music, a collection of musical monsters exploring sample-by-sample deep learning generative models, inspired by Mary Shelley’s Frankenstein and used in Jean François Peyret’s eponymous theatrical piece.
Heavy Requiem – Buddhist Chant: Shomyo + Electronics
Keiichiro Shibuya (JP), Eizen Fujiwara (JP), Justine Emard (FR)
This will be a unique collaborative performance of integrated electronic and traditional Buddhist music.
Interactions II
Martina Claussen (DE)
Voice and sound recordings, together with sound objects, weave a “sound carpet” which provides the basis for an electroacoustic journey. These textures act as a sort of humus for voices, from which they repeatedly emerge in fragmented form. Associations of the most diverse kinds and unexpected connections are evoked.
Saxophone and Live Electronics Improvisation Concert
Jérôme Nika (FR), Rémi Fox (FR)
C’est pour ça develops an electronic aesthetic while seeking to preserve the organic character of the summoned “memories” (traditional choirs, spoken voice, saxophone playing modes...).
Anschwellen - Abschwellen
Volkmar Klien (AT)
Fully erect, the clock dominates for a while and then subsides; its feathery crown sinking in front of it.
The tenor duets of Claudio Monteverdi
Ensemble Vivante (AT)
Ensemble Vivante presents the dramatically charged vocal music of a contemporary of Kepler, offering works whose texts reflect their time’s turbulence, innovation and discovery through their depictions of nature and humanity.
WM_EX10 TCM_200DV TP-VS500 MS-201 BK26 MG10
Stefan Tiefengraber (AT)
Unexpected and uncontrollable analogue signals are altered and bent by the artist to create an audio/video noise-scape. Pre-recorded (installation) or live audio signals, audible through speakers, are sent directly to CRT monitors mounted on the speakers, visualizing the signal in flickering and abstract shapes and lines in black and white to create a time-based sculpture.
Tenebrae
Roberto Paci Dalò (IT)
A solo concert for clarinet (and bass clarinet) that works with the very special acoustics and reverbs of Sankt Florian’s Marmorsaal and evokes different musical styles from Gregorian to Monteverdi and Gesualdo da Venosa. Sometimes it makes a timbral memory appear, borrowed from practices and memories of electronic musical culture. Tenebrae (Latin for “darkness”) is a religious service of Western Christianity.
The SINE WAVE ORCHESTRA stay
Ken Furudate (JP), Daisuke Ishida (JP), Kazuhiro Jo (JP), Zuiki Noguchi (JP) / The SINE WAVE ORCHESTRA (JP)
The SINE WAVE ORCHESTRA has chosen to dedicate their work to the sine wave, said to be the most basic sound and therefore called pure tone, containing neither overtone nor noise but a single frequency. This work is defined by the interplay of visitors: Each spectator is given a small device which can play a sine wave and asked to choose its frequency and position on one of the columns of copper wire in the attic.
GRAND JEU 2
Wolfgang Mitterer (AT)
Electronics are operated live and represent a second organ with multiple possibilities when coupled with a keyboard and controllers. This results in a massive expansion of sound in every direction, from Baroque to Bruckner, and beyond.
