S+T+ARTS Prize Exhibition

S+T+ARTS Prize Exhibition / Synthetic Memories / Domestic Data Streamers - Photo: Domestic Data Streamers

Exhibition

S+T+ARTS Prize Exhibition

Navigating Uncertainty 

We are living through a time defined by shifting ground: ecological limits are being breached, political and social systems are in flux, and technologies are evolving too fast for us to meaningfully grasp their implications. The idea of a stable, predictable world no longer holds true.  
Uncertainty is often described as a lack of clarity, or an absence of information, but it is more than that. It is a structural feature of the systems we have built and the crises we now face. From climate change and algorithmic governance to geopolitical instability and the emergence of quantum technologies, we find ourselves confronting forms of uncertainty that are not simply technical, but existential. These are not problems to be solved with more data or better models, they require a deeper cultural and political reckoning. This exhibition brings together artistic and research-based practices that question the systems we live within and offer new frameworks for understanding, feeling, and navigating the unknown. 
 
Climate Uncertainty  
The impacts of climate change are undeniable, yet the complexity of the ecological systems involved often makes it difficult to fully predict where, when, and how these impacts will unfold. In this section, the projects engage with the entangled realities of environmental degradation, extractivism, and loss of biodiversity, while also highlighting alternative modes of understanding and acting within ecological systems.
 
Techno-Social Uncertainty 
As the result of the unprecedented development of digital technologies, not just our tools are changing, but the structures of our society as well, yet these systems are often black boxes. This section looks at how artists and researchers show the impact of their output, make their workings visible, and imagine better futures. Some reveal the power structures behind tech, while others rethink how it could serve the public and the planet. In this view, uncertainty becomes a prompt to question and reshape how we build and use technology, underlining the need for digital sovereignty, fair infrastructure, and critical digital literacy.
 
Fundamental Uncertainty 
As quantum technologies move from theoretical physics into applied computing, they present a new layer of uncertainty—one that questions the very frameworks through which we understand reality. These technologies hold radical potential, yet for most people they remain difficult to grasp. The projects explore how culture can interpret, mediate, and expand our understanding of quantum science; they engage not only on the cognitive, but also on the emotional level. In doing so, they contribute to a broader public imagination around quantum futures—one that is open, inclusive, and critically informed.

Uncertainty is not a problem to be solved, rather a condition to be understood. It shapes the way we relate to our environment, to technology, and to each other. The works in this exhibition do not offer fixed solutions. Instead, they act as tools—ways to see more clearly, to feel more deeply, and to imagine more expansively.  
This is also the core of the STARTS initiative: fostering collaboration between science, technology, and the arts to rethink innovation in the service of a more just and sustainable future. The exhibition features the selection of the STARTS Prize and STARTS Prize Africa winners, funded by the Horizon Europe Programme of the European Union and DG CNECT in the framework of the STARTS Ec(h)o and STARTS Afropean Intelligence projects.  

Masha Zolotova (RU) / Co-Curator STARTS Prize Exhibition

  • Synthetic Memories

    Domestic Data Streamers (ES)

    Synthetic Memories uses AI to create visual representations of undocumented memories for displaced people and dementia patients. Started in 2023, it combines art, tech, and social innovation. The 2024 Barcelona exhibition attracted 10,900+ visitors. Now expanding globally through research partnerships.

  • Large Language Writer

    Lucy Li (AT), Leo Mühlfeld (AT), Alan Schiegl (AT)

    The Large Language Writer (LLW) is a tangible prototype exploring honest interactions with LLMs. Instead of hiding mechanisms behind seamless experiences, it offers a “seamful” workflow that places users within the generative process.

  • The Wild Future Lab

    Kairos Futura (KE)

    The Wild Future Lab imagines Nairobi in 2045 as a metropolis where ecological systems and urban life have been transformed through regeneration and biomimetic design. This speculative world-building project explores how design can respond to—and help facilitate—a transition toward rewilded cities.

  • Sands of Time

    Ala Praxis (NG)

    Sands of Time: Walls We Can Walk Through is a multi-sensory installation exploring sand as both a foundation of Dar es Salaam’s growth and a source of ecological harm. Blending art, science, and technology, it reveals the human and environmental cost of unchecked urban expansion.

  • Sensing Quantum

    LAS Art Foundation (DE)

    LAS Art Foundation’s Sensing Quantum is a long-term artistic research initiative exploring the intersections of quantum science, technology, philosophy, and contemporary art. The project features commissions for artists and musicians, a symposium, a publication, and an ongoing educational program.

  • Coexist

    Emergence Delft (NL)

    Coexist is the result of artistic research on quantum technology by Emergence Delft. By translating key principles like superposition and the measurement problem into a life-size, multidimensional installation, Coexist offers visitors an experience of quantum phenomena.

  • Computational Compost

    Marina Otero Verzier (ES)

    Computational Compost explores the environmental impact of data storage, proposing a synergy between technology and ecology. It consists of three poetic films and a prototype that uses heat from computers simulating the universe’s origin to power a vermicomposting machine, turning data exhaust into fertile soil.

  • AI War Cloud Database

    Sarah Ciston (US)

    What responsibilities do users and makers have in choosing AI tools, when their development can also lead to deadly outcomes at massive scales? This interactive database investigates the systems behind both automated warfare and the seemingly innocuous devices we use every day.

Presented in the context of STARTS Afropean Intelligence. STARTS Afropean Intelligence is funded by the European Union under the STARTS – Science, Technology and Arts initiative of DG CNECT under Grant Agreement No. LC-03568051. Presented in the context of STARTS Ec(h)o. STARTS Ec(h)o is funded by the European Union under Grant Agreement No. 101135691.

Please note: The program for the Ars Electronica Festival 2025 is still in progress.
We are currently preparing all the information for the website and plan to put the full program online in the coming days – stay tuned!