New laser projectors, the most powerful graphics cards, a 3D tracking system and a whole range of new interactive programs and spectacular applications. This is Deep Space EVOLUTION.
With the CAVE, the Ars Electronica Futurelab laid the foundation for this experiential environment in the 1990s. “Deep Space EVOLUTION” is Ars Electronica’s next chapter when it comes to immersive visual worlds.
“Action!” The Ars Electronica Futurelab’s team shares its insights on the new video production system Deep Virtual.
Camera rolling! Ars Electronica Futurelab’s Deep Virtual video production system merges physical and virtual reality to live-stream VR from Deep Space 8K.
Analog music generates digital visualizations: Maki Namekawa, Cori O’Lan and Rubin Kodheli in a timeless night performance at Deep Space 8K.
Whether Christmas hurry or Advent lockdown, we have a suitable program for a contemplative pre-Christmas time: The Virtual Crib from St. Mary’s Cathedral in Linz.
Accordion Noise and Visual Performance 11°22’4”142°35’5” took us down to the deepest point of the Mariana Trench as part of the Ars Electronica Futurelab’s Night Performances in Deep Space 8K.
Embedded in a technical, symbolic and metaphysical universe, the audiovisual performance [ˈdaːzaɪn] by media artists Arno Deutschbauer and Micha Elias Pichlkastner alias “Sective” immersed the packed Deep Space 8K in a reloaded atmosphere.
For the most recent digitization project, too, a Gothic tomb from the collegiate church of Wilhering, researchers of the Ars Electronica Futurelab successfully used the non-contact method of photogrammetry.
An acoustic, visual and digital interpretation of Javier Alvarez’s “Temazcal” for maracas by percussion artist Elliott Gaston-Ross to live visuals by Florian Berger.
There have been many attempts to express music in words. But what happens when you transform a sequence of letters into music with the help of Artificial Intelligence?
What the medical studies of the future look like? Find out with “Virtual Anatomy” at the new JKU medSPACE, developed by the Ars Electronica Futurelab: high-resolution anatomy in 3D, where you can zoom and rotate down to the smallest blood vessel.
It’s time again to introduce you to the spectacular Deep Space 8K festival program! Whether it’s visionary ideas for the future or artistic visualizations on the big screen, there’s something for everyone.
What differentiates analog from digitally generated work?
An extraordinary artwork, created in an extraordinary period. Nocturne brings the time of the Pandemic in the Deep Space 8K.
For the first time, Pablo Picasso will visit us at the Ars Electronica Center. His work “Guernica” will be presented in Deep Space 8K at this year’s Ars Electronica Festival, and Michaela Wimplinger tells us how it was made possible.
The Spaxels were just the beginning of a long journey into the future of the Ars Electronica Futurelab
How art can make complex structures tangible
How can we inspire people to actively design our common future?
Innovative concepts for hybrid environments
In 1996, the CAVE, a room in which you can fly through the air, was created in the recently opened Ars Electronica Center.
When humans and robots work side by side, it’s not always easy.
Star photographer Dietmar Hager takes us on a journey through the summer starry sky – as seen from Austria. (German language)
Celebrate life with music, make you think with lyrics. Enjoy avant-garde pop/jazz of the collective MAMMA FATALE.
Elektro Guzzi play hypnotic techno sound with guitar, bass and drums in Deep Space 8K to the visuals of Eyup Kuş.
While the Trio Verve lets classical music sound in deep space, the visuals of Monocolor underline the musical description of a landscape.
A memorial concert for the victims of the Corona Pandemic. Maki Namekawa and Dennis Russell Davies perform, Cori O’lan contributes the visuals.
Visual media make the invisible visible; document, capture, make emotional. They capture the moment for eternity.