Media Art
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Play the Façade
The façade of the Ars Electronica Center, with its 38,500 LEDs, has been shaping the cityscape of Linz since 2009. Just one year later, the “sprucing up” of this landmark turned into something bigger, something innovative: with the façade terminal, the Ars Electronica Futurelab transformed the static museum shell into a designable medium for the…
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Dataspace
Global impacts of the Russian war on Ukraine
February 24, 2022. In the midst of a global pandemic, Russia invaded Ukraine. Until today this war in Europe continues. This also poses questions for the media as well as the general public: What is truth, what is the role of journalism, and how can art and journalism contribute in a meaningful way in the…
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Life Ink
Life Ink by the Ars Electronica Futurelab in collaboration with Wacom explores the inner mechanism of creativity in our brain and body. The joint research team developed wearable gear that captures brainwaves and body signals in real time to create a new form of ink, called Life Ink. Can the human mind and body become…
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SonoSynthesis
In the new era of creative collaboration, can machines and nature co-create art and music? In the SonoSynthesis project, a team of researchers from the Ars Electronica Futurelab brings together AI, biology, and Deep Space technologies to develop an immersive audio and visual experience created through the interaction between artificial intelligence and biological entities. The…
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Fluxels
Choreographed swarm of ground robots as a medium of art
Fluxels is a play on words inspired by an association of Spaxels, “Fluxus” and the aesthetic quality of swift, fluid movement. It is the name for a ground robot platform developed in the Ars Electronica Futurelab, conceived for swarm bot performances as part of a collaboration with NTT.
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Lazarus
For the musical’s adaption of Lazarus for the Musiktheater Linz (English with German dialogue), the Landestheater Linz engaged in a special cooperation with the Ars Electronica Futurelab, in order to utilize media art to stage the material in a special contemporary appearance.
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insight | out
insight | out, a work of media art by the Ars Electronica Futurelab, is a portrait of Oberbank AG Linz rendered on a fragmented frieze made up of eight video screens. The medium itself thus evokes the multiplicity of influences that flow into this portrait – the values that this long-established financial institution represents, the…
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Building Bridges
The Bridge is one of the main passageways connecting two building complexes on the SAP Walldorf campus and it is host to the interactive music piece Building Bridges, jointly composed with Vienna-based composer Rupert Huber. Translating the movements of the pedestrians through a compositional algorithm, The Bridge serves as stage and instrument at the same time.
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Vedaport / Monolith
The six meter tall Monolith – completed in spring 2014 – consists of 24 frameless screens, wrapped in translucent mirror panels. These panels render the Monolith almost invisible at first glance and enhance it.
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Pharus
The pharus tracking system was developed at the Ars Electronica Futurelab by researcher and artist Otto Naderer to provide interaction opportunities for any size group of people in virtually any environment.
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Murmur
by Aakash Odedra & Lewis Major
British dancer/choreographer Aakash Odedra and Australian choreographer Lewis Major teamed up with Ars Electronica Futurelab to create a dance performance blending technology such as tracking, visualisations, projections and more.
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Spaxels
Drone shows and swarm art performances
In September 2012, a new medium for physical-visual expression was born along the banks of the river Danube in Linz: The world’s first large-scale outdoor formation drone flight illuminated the night sky as part and centerpiece of the open-air music festival Klangwolke.