Creative Question Challenge: Quietly Subversive
Ciprian Mureșan (RO), Sanneke Stigter (NL), Corina Bucea (RO)

'Let us finish what we started'. This is how the UN introduces its first Sustainable Development Goal - to end poverty in all forms and dimensions by 2030. The 17 Sustainable Development Goals and their 169 targets have been described as a sprawling, misconceived mess of grandiose intentions. The title of the development agenda itself - 'Transforming our World' - oozes utopian ambition. It was adopted by 193 nations in 2015. Five years later and with ten years left, how do you think our world will transform?

Creative Question Challenge: Embodied perception and life as movement
Alexandra Pirici (RO), Paco Calvo (ES), Corina Bucea (RO)

'Let us finish what we started'. This is how the UN introduces its first Sustainable Development Goal - to end poverty in all forms and dimensions by 2030. The 17 Sustainable Development Goals and their 169 targets have been described as a sprawling, misconceived mess of grandiose intentions. The title of the development agenda itself - 'Transforming our World' - oozes utopian ambition. It was adopted by 193 nations in 2015. Five years later and with ten years left, how do you think our world will transform?

Community Creates Mobility: Participatory Speculative Critical Design beyond dream-making for the City.
Eveline Wandl-Vogt, Niki Ernst, Claudia Falkinger, Peter Zehetbauer, Wolfgang Preisinger, Elisabeth Füssl, Penesta Dika, Aleyda Rocha Sepulveda; lightning talk: Jeffrey Schnapp

Co-Envisioning Mobility Infrastructures - The challenges facing cities around the globe are complex and multidisciplinary by nature. Attempting to solve them in conventional linear ways is insufficient for addressing these manifold human-environment relationships that are at the heart of these challenges. Alternative approaches are necessary.

Affordances of spaces
Elena Cologni

Accelerating Knowledge for the SDGs: Life streamed session - The work developed from a two-year long investigation into ‘architectures of difference’, is based on a postcard in sculptor Barbara Hepworth’s collection (circa 1952), in a note she refers to this in terms of the space between people: it’s relational and social aspects. The piece also evolved from considering the punctuations found in our cities’ grounds, and how these contribute to developing a sense of attachment and belonging, which is at the basis of wellbeing (eg. Lived Dialectics, 2016, MuseumsQuartier, Vienna; Seeds of Attachment, 2016/18, New Hall Art Collection, Cambridge).

CURATORIAL A(I)GENTS
metaLAB (at) HARVARD

Eight experiments in the computational curation of collections - Curatorial A(i)gents consists in eight machine-learning-based experiments in and around museum collections and data sets developed by members and affiliates of metaLAB (at) Harvard, an idea foundry, knowledge-design lab, and production studio experimenting in the networked arts and humanities.

Co-Design Workshop: Humanizing the Internet of Skills
Technische Universität Dresden (DE)

The design approach of the Industrial Design Engineering Chair at TU Dresden connects a user-centered design perspective with the engineered development of product-service systems by placing the human experience at its center. Taking into consideration customers, market and corporate requirements, we are able to develop technically, ergonomically and aesthetically convincing products and innovation studies for tomorrow’s working environment. We strive for a better understanding of the design and development process. Relevant issues relate to the connection of product and service design. In addition, we apply design methods as catalyst in diverse interdisciplinary research and innovation projects. With the help of our demonstrators, interdisciplinary research is accelerated and research results are clearly communicated and successfully transferred to other researchers, industry and/or society.

STEAM Education in Europe II
Participating Gardens: Birmingham - STEAMhouse, Castelo di Rodrigo - Open Science Hub, European Platform for Digital Humanism - Creative School

What constitutes creativity and imagination is a potentially contentious point, yet an outlook that focuses on areas of intersection between the arts and sciences can lead to certain, tangible benefits. These can include techniques for collaborating across disciplines, an ability to consider varied perspectives, and skills in identifying points of common ground. Such competencies are combinatorial in nature, and if integrated into a higher education curriculum, will lead to an acceleration in transdisciplinary innovation. Join us in our Birmingham Garden as we explore approaches to STEAM education with some of the leading transdisciplinary institutions in Europe.

STEAM Education in Europe I
Participating Gardens: Birmingham - STEAMhouse, Amsterdam - NXT Museum, European Platform for Digital Humanism - STEAM INC

What constitutes creativity and imagination is a potentially contentious point, yet an outlook that focuses on areas of intersection between the arts and sciences can lead to certain, tangible benefits. These can include techniques for collaborating across disciplines, an ability to consider varied perspectives, and skills in identifying points of common ground. Such competencies are combinatorial in nature, and if integrated into a higher education curriculum, will lead to an acceleration in transdisciplinary innovation. Join us in our Birmingham Garden as we explore approaches to STEAM education with some of the leading transdisciplinary institutions in Europe.

STEAM Education in VR + AR
Participating Gardens: Birmingham - STEAMhouse, Sydney - Tactical Space Lab, European Platform for Digital Humanism - STEAM INC

Can our systems manage themselves? How can we design resilient institutional structures that are self-adaptive? In this tour we will visit a selection of participating gardens who are experimenting with institutional models that can adapt to future challenges.

OK Night 2020
OÖ Landes-Kultur GmbH AT

OK Night is a yearly presented nightline format at OÖ Kulturquartier on Ars Electronica’s Saturday. Originally conceived to present performative works from the range of Prix Ars Electronica awarded works the night also features local and international club culture.

CON- - -TACT

CON- - -TACT is an improvised performance developed during the CINETic residency program, exploring the possibilities of remote contact.

‘site inspection’ – Virtual cocktail party & FM4 Radio Show in VR
sound:frame / Eva Fischer (AT), Marijn Bril (NL), Angie Pohl (AT)

For this year’s Ars Electronica, sound:frame and Pausanio invite the audience to join an exclusive virtual cocktail party in the Area for Virtual Art’s mozilla hub space. Together we will teleport from one artist’s space to another and have a virtual toast.

'site inspection' - Virtual exhibition tour
sound:frame / Eva Fischer (AT), Marijn Bril (NL), Angie Pohl (AT)

The sound:frame curators Eva Fischer and Marijn Bril will guide through the Area for Virtual Art and talk with the exhibiting artists and some of the Area’s team members, about their approaches to virtuality and digitality.

Dialogue#4 – shifting perspectives
HKU University Of The Arts Utrecht (NL)

In Dialogue#4 we talk about shifting perspectives. With several artists involved in the exhibition we discuss the aspect of “reality” and in what way art should contribute to a broader perspective on reality. Things we take for granted are maybe not what they seem, or at least there is another way of looking at them. When looking at it this way then there is no fake news as it is just another perception of reality. In a world fixed on maintaining certainty, and thus one perspective as the truth, how can artists fight against this narrow minded view on reality?

Dialogue#2 – imagining tomorrow
HKU University Of The Arts Utrecht (NL)

Dialogue#2 is called imagining tomorrow. Nobody can deny our world is in a huge transition. We live in an age of uncertainty where we are forced to rethink basically every aspect of our society from the personal to the governmental to the spiritual. We discuss with artists how they look at the responsibility of creatives when it comes to changing the world. And, is it just about exposing the problems we face or can you do more as an artist?

Dialogue#1 – data driven art
HKU University Of The Arts Utrecht (NL)

The dialogues are moderated sessions to have a more in depth look at and discussion on the underlying themes of the works at the exhibition. Dialogue#1 is about data driven art. With artists involved in the exhibition we discuss the need to make the invisible world behind technology in our society visible.

Online Exhibition NEW CONNECTIONS
HKU University Of The Arts Utrecht (NL)

The opening night will feature several live performances all related to the theme “new connections”. This for example by revisiting and passing on music traditions through electronic means, new tactile electronic instruments and an AV show performed by live coding artists.

Workshop: Solidarity Through Sound and Time
Ivana Dama and Clinton Van Arnam

In this workshop, participants would have the unique chance to reconsider their ideas of what constitutes sound and music compositions. Throughout the day we are exposed to countless amounts of sounds and noises, but it is only valuable if we can isolate these specific sounds and separate their relationship from emory to their pure tonal structure.

Workshop: Pinecone Hygrometer, Seed Dispersal, and Fire Ecology
Helen Huang

In this lecture we will explore how seeding of plants respond to environmental triggers like fire and humidity changes. We will also learn some basic concepts in scientific research and how we can sense our environment through the observation of the plants around us.

Workshop: Psychobiotonic: Microbiome Anthropothagy
Clarissa Ribeiro

Imagine a fictional scenario in which you can choose one personality to ‘embody’ a time having access to encapsulated microbiome samples (mixed cultures i.e. microbial associations or communities) of donors that have specific personality types. “Transplanting the Self: microbiome anthropophagy” (2018-present) is a reflection on the limits of microbiome manipulation inviting the online audience to become ‘personality donors’ in a collaborative performance.