European Platform for Digital Humanism
What is Sound – Alpha blending
Luana Lojić (HR)
What is Sound: Alpha blending is an audio-visual performative search for available information on the smallest things and units ever recorded or seen based on internet stored data (ex. bits, nanobes, phonemes, photons, atoms, etc.). Its constant is made of endless improvised medial translations formed from free online available generative tools and starts with a question posed into a search engine, building informational layers of text, sound, pictures and moving images.
S+T+ARTS Talk: Art & Tech for Urban Resilience
How can artists help to create new collective imaginaries and participatory systems, spaces for reflection and criticism for the future of our cities? How can urban planners and policy makers be inspired by these scenarios and reflections on urban citizenship in the light of digital innovation? Discover the full line-up of this talk.
THE BAD WEEDS TRIPS
Rocio Berenguer (ES/FR)
In 2030, a human-plant hybrid guides us on a trip through the past, unveiling the origins of G5, the first inter-species political summit. The event was initiated by IOFLE, the Inter-species Organisation for The Future of Life on Earth. Its founders are thought to be the artist Rocío Berenguer and IA collaborator, IAGOTCHI.
EMAP group exhibition: Quarantine
Robertina Šebjanič (SI), Gjino Šutić (HR), Anna Dumitriu, Alex May (UK), Tiziano Derme, Daniela Mitterberger (AT), Taavi Suisalu (EE), Quimera Rosa (FR/AR/ES), Kat Austen (UK/DE)
Over the last few years, the EMAP/EMARE network of media arts organizations have produced a multitude of works dealing with life-science and cybernetics that examine the fragile ecological equilibrium of life on Earth. A few of these artists find inspiration from scientific discoveries like archaea, a group of unicellular micro-organisms believed to be the oldest form of life on Earth. Other sources of inspiration include the impact of pharmaceuticals on life in the water and the sonic vision of bats. These artistic explorations envision future evolution in magical and often transgressive ways.
Future Focus – Fragile Worlds II
Victoria Bradbury, Suzy O’Hara, Ayodamola Tanimowo Okunseinde, Irini Papadimitriou, Paolo Cirio
This session builds on a series of provocations and discussion following from the Art Hack Practice series, exploring artistic practices and the role of art at a time of crisis, shifting spaces of production, care and labour in a precarious world.
What Matters Now?
Sarah Petkus (US)
In the wake of the global COVID-19 pandemic, daily life has been disrupted and given room to change; from the comfort of routine to the energy that fuels the creation of electronic and robotic work.
Identifying Successful STARTS Methodologies: Exhibition and Research Project
Pei-Ying Lin (TW), Giulia Tomasello (IT), Jen Keane (UK)
The exhibition presents the activities of the project, four of the eight case studies undertaken, and includes an installation of one of this years STARTS Prize 2020 Honorary Mention, Pei-Ying Lin’s Virophilia (2018-2020), an installation of Future Flora by designer Giulia Tomasello and winner of the STARTS Prize 2018 for Artistic Experimentation, alongside work from designer Jen Keane’s This is Grown project who received an Honorary Mention in 2019.
From Glass to Glass to Glass
Nye Thompson (UK)
For my new work /artefact, I took possession of a large area of Mars, using Google Earth and satellite survey data to build a supertall border wall around my claim.
Expanded Animation Symposium at UCA
The symposium Synaesthetic Syntax examines the interactions between animation and audio from a scientific perspective. Researchers and artists were asked to submit contributions on the subject of Synaesthetic Syntax: Sounding Animation/Visualising Audio. This scientific/artistic survey is kicked off by the media artist Rose Bond, who offers insights into her artistic work in public spaces, followed by panel discussions on the topics of "Hearing Color Seeing Sound", "In Front of Your Eyes and Ears", and "The Kinaesthetics of Music and Vision".
Artificial Intelligence and its False Lies
Mika Satomi (JP/AT)
In this tour, Mika walks you through her process of making Artificial Intelligence and its False Lies, from the first questions she had and how one led to the next, to interviewing scientists and finally teaching herself how to make an artificial neural network. She also attempts to explain how neural networks work, because she was shocked to learn there is no actual intelligence inside the black box!
S+T+ARTS at UCA: Understanding complex data in COVID times + Fashion: Materialising Numbers
As a specialist arts institution, UCA is 100% creative. UCA students develop their skills and thinking in environments that replicate the studios found within the creative industries, alongside peers on courses spanning arts, business and technology.Oscar-winning film makers and animators, world-renowned fashion designers, television presenters and Turner-Prize nominees are just some of UCA's high-profile graduates who have enriched the world with their creative talents. Taught and guided by experienced, industry-connected academic staff, students reap the benefits of studying at the highest-ranked creative specialist in the UK.
Leonardo S+T+ARTS: A conversation on "What's next? Art-Science ideas emerging from lockdown."
Camille Baker (CA/UK), Danielle Siembieda (US), Aurelie Delater (FR) and Marie Albert (FR)
During lockdown, Leonardo and STARTS collaborated to exchange and reflect, together with their wider communities, on how COVID-19 is impacting Art-Science/Art-Technology innovation and co-creation.
Beyond Human Perception
María Castellanos & Alberto Valverde (ES)
The artwork is a video installation that allows the audience to visualize the reactions of humans and plants to a common stimulus: live music. The installation is the result of several sessions where the brain activity of humans was measured jointly with electrical oscillations in plants, using a sensor developed by the artists.
skip-the-line entrance
Daniel Hengst (DE)
Skip-the-line entrance, a collaborative guide to a speculative berlinDiscover a whole new Berlin. Join us on this journey and visit four local artists.
Serpentine Galleries
Championing new ideas in contemporary art since 1970, the Serpentine has presented pioneering exhibitions for half a century from a wide range of emerging practitioners to the most internationally recognised artists of our time. Across two sites only 5 minutes apart, in London’s Kensington Gardens, the Serpentine Galleries present a year-round, free programme of exhibitions, education, live events and technological innovation, in the park and beyond.
Tagtool Connect
Bei ihrem vierten Auftritt beim Festival Ars Electronica präsentieren OMAi die erste öffentliche Online-Multiplayer-Tagtool-Session, bei der sich ausgewählte internationale Künstler*innen über das Internet zusammenschließen, um spontane Projektionskunst zu schaffen.
Viral Fiction
Forms of Ownership (INT)
Money and law shape much of our everyday life. In a hyperbole of social sculpture, our artistic practice is anchored in approaching these systems as artistic and creative mediums in themselves.
How to make an Ocean?
Kasia Molga (PL/UK)
Can human tears sustain sea life? Kasia Molga will narrate her journey from the conception of the project, inspired by dealing with personal grief; through the impact of COVID-19 on her initial idea; through the crazy set up of a make-shift wet-lab; to learning how to cry on cue; her efforts to keep tiny sea creatures alive in her tears; and attempts to develop an AI moirologist ―a crying bot to help us all shed some tears.
Machine folk music school
Bob L. T. Sturm (US)
“Machine folk music school” is led by Bob L. T. Sturm (US) via video conference. He teaches an AI-generated folk tune in the aural tradition. All musical instruments are welcome. (Come with your instrument!)
Folk the Algorithms
Bob L. T. Sturm (US)
Sturm builds, learns from and collaborates with AI systems trained on transcriptions of traditional music. These systems effectively generate an unlimited supply of new tunes imitating traditional ones. Sometimes these tunes are perfect as they are, and sometimes they are imperfect in interesting ways, but they all lack the credentials of “real” traditional tunes.
