With the 5th VH AWARD, futuristic film projects by Asian media artists will once again come to Linz in 2023 and can be experienced during the Ars Electronica Festival.
A fresh perspective on media art and on tackling global challenges will once again be brought to the Ars Electronica Festival in Linz in 2023 by artists from Latin America.
Within the framework of the European Platform for Digital Humanism the Ars Electronica Festival 2023 will once again display works created in collaboration with partner organizations and realized with funding from the European Union.
One focus of the Ars Electronica Festival 2023 is the representation of Swiss artists who will be present in Linz in the form of innovative projects as well as in person.
Massive Binaries by Andy Gracie, winner of the Randa Art|Science residency, illustrates two different narratives of opposing spheres orbiting each other.
In the anniversary year of the University of Arts Linz, the Campus Exhibition once again invites visitors to reflect and admire many international contributions and original, contemporary as well as inspiring works.
To find out how POSTCITY as a venue affects the exhibition concept of Prix Ars Electronica and S+T+ARTS, read on.
In 2023, the Golden Nica in the Prix Ars Electronica category New Animation Art went to South Korean artist Ayoung Kim for her project “Delivery Dancer’s Sphere”.
In Isala scientists and citizens join forces to study the vaginal microbiome and create a database that challenges the social and medical bias surrounding the female body and intimate self-care.
In this guest article Juergen Hagler elaborates on the development of the animation category and talks about the theme of animation as an important part of the Ars Electronica Festival 2023.
This year’s Golden Nica in the category Artificial Intelligence & Life was awarded to Winnie Soon for their Unerasable Characters Series.
“Virtual Anatomy” by Ars Electronica Futurelab, JKU and Siemens Healthineers scores a silver medal at the Triple E Awards.
This year’s Digital Humanity Award winners are the grassroots organisation Masakhane, which specialises in bringing African languages closer to the technology industry.
After a COVID-19 driven digitalization push, ChatGPT is currently rocking the established habitus of teaching methods and learning objectives. How can we teach learning with “future technologies”?
The second part of the festival trailer illustrates who has held the power over truth for the last 2500 years, and to whom that power has been passed.
“Pollinator Pathmaker” by Alexandra Daisy Ginsberg is this year’s winning project in the Artistic Exploration category of the STARTS Prize.
Suhun Lee has been selected as the first curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest article, she describes her personal impressions of the Prix Ars Electronica Jury Weekend.
Here is the first festival trailer that illustrates how the truth about our universe and especially our planet has changed over the last 1000 years.
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to the collective Atractor + Semántica Productions, for their project A Tale of Two Seeds: Sound and Silence in Latin America’s Andean Plains.
NAWAREUM – Sustainability Museum and Multimedia room in the hotel DAS MORGEN
In an interview with artist Dorotea Dolinšek, we discover the secrets of the microbiome and how our symbiotic relationship with microorganisms affects our well-being.
Artificial intelligence and ChatGPT are part of the question “Who owns the truth?” that this year’s Ars Electronica Festival is addressing.
“School and Space 2023” symposium: The fascination for the infinite depth of space inspires young and old for science and technology.
The inventor of the Klangwolke is dead. An obituary for Walter Haupt, who died in Munich on May 17, 2023 at the age of 88.
Digitization is not only changing our definition of truth, but also the question of what ownership means in today’s digital world.
This year, the Ars Electronica Festival is addressing questions about nature and the concept of ownership in addition to the question “Who owns the truth?”