Well, in any case, Búi Bjarmar Aðalsteinsson thinks it’s possible. His project is a breeding ground for flies whose larvae can be harvested and processed into foodstuffs. “Fly Factory” is now on display in the “EARTH LAB – Artists as Catalysts” exhibition in Moscow.
Since today the Ars Electronica Center Linz is officially the Austrian “European Space Education Resource Office”, short ESERO. We have spoken with Clara Cruz Niggebrugge, ESERO Project Coordinator of the ESA Education Office.
Linz Art University’s Time-based and Interactive Media bachelor’s program offers students the opportunity to create interactive works especially for Deep Space 8K at the Ars Electronica Center. Read more about it in this interview with the program director, Prof. Gerhard Funk.
“Can you hear me?” was a temporary network that artists Christoph Wachter and Mathias Jud set up above the rooftops of the German government district in Berlin to downright force intelligence agencies to listen in on what they and thousands of other people were saying. Besides getting the agents’ attention, the artists are also the…
The Ars Electronica Futurelab is serving as scientific associate in conjunction with an innovative five-year series of special exhibitions at the TMW. Three exhibitions are planned for this „Weiter_Gedacht_“ series that premieres on June 8th and will run from 2016 to 2021.
Reading postings on the “refugee crisis” by friends on “social” media sites like Facebook reveals the propagation of base prejudices as well as numbing euphemisms, empathy and posturing alike. Simon Hadler, a journalist with the ORF–Austrian Broadcasting Company, talked to us about the public debates on refugees and asylum-seekers. He’ll go into this topic in…
The idea of tycoons and governmental institutions being able to know more about us than ourselves by tracing our internet behavior, is a rather frightening one. But in reality, they know less than we think – that point has been proven by Mark Shepard, Julian Oliver and Moritz Stefaner with their project “False Positive” which…
Does safeguarding our security really necessitate totally sacrificing our right to privacy and allowing government watchdogs to have access to all of our information? William Binney, former tech director at the US’s National Security Agency (NSA), sketches a possible alternative and issues a warning about the use of social media and clouds.
By the time we set up our own Facebook account—by then, at the very latest—many of us are very much aware of the advantages and disadvantages inherent in our digital coexistence. Marleen Stikker founded her first Digital City all the way back in 1994. Now she’s one of the five Prix Ars Electronica jurors who…
March 13, 2016 is the deadline for entries to Ars Electronica’s search conducted under the auspices of the European Commission for innovative projects at the nexus of science, technology and art. Alexander Mankowsky, a futurist on the staff of Daimler AG and a STARTS juror, recently talked to us about the trailblazing role of art…