Ars Electronica Festival
-
Masakhane – “We build together”
This year’s Digital Humanity Award winners are the grassroots organisation Masakhane, which specialises in bringing African languages closer to the technology industry.
-
Who Owns the Truth? – Part 2
The second part of the festival trailer illustrates who has held the power over truth for the last 2500 years, and to whom that power has been passed.
-
“Pollinator Pathmaker” – living art for insects
“Pollinator Pathmaker” by Alexandra Daisy Ginsberg is this year’s winning project in the Artistic Exploration category of the STARTS Prize.
-
Digital Innovation in Education
The Music Middle School Eggenburg wants to prepare its students for a technological future by using the latest technology.
-
Reflection on the Prix Ars Electronica Jury Weekend
Suhun Lee has been selected as the first curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest article, she describes her personal impressions of the Prix Ars Electronica Jury Weekend.
-
Who Owns the Truth? – Part 1
Here is the first festival trailer that illustrates how the truth about our universe and especially our planet has changed over the last 1000 years.
-
Soundscapes of the Andean plain
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to the collective Atractor + Semántica Productions, for their project A Tale of Two Seeds: Sound and Silence in Latin America’s Andean Plains.
-
From OpenAI to AI Regulation
Artificial intelligence and ChatGPT are part of the question “Who owns the truth?” that this year’s Ars Electronica Festival is addressing.
-
Walter Haupt 1935 – 2023
The inventor of the Klangwolke is dead. An obituary for Walter Haupt, who died in Munich on May 17, 2023 at the age of 88.
-
The question of truth
Digitization is not only changing our definition of truth, but also the question of what ownership means in today’s digital world.
-
Dawning of a New Era: Nature, Technology and the Shaping of Our Future
This year, the Ars Electronica Festival is addressing questions about nature and the concept of ownership in addition to the question “Who owns the truth?”
-
Fakes, conspiracies & the role of AI systems
In addition to the question “Who Owns the Truth?”, this year’s Ars Electronica Festival also deals with topics such as fake news, manipulated reporting and AI systems
-
Once again in POSTCITY
This location is large, spectacular, and lies in the city center: Ars Electronica Festival 2023 will once again take play in POSTCITY!
-
Polychoros – Night Performances
Human and virtual dancer in a duet of self-realization: an expressive dance performance in Deep Space 8K.
-
![a.ni.i.la.sjɔ̃ [annihilation] – Night Performances](https://ars.electronica.art/aeblog/files/2023/01/52345808964_2154d36ab3_3k-1-1000x500.jpg)
a.ni.i.la.sjɔ̃ [annihilation] – Night Performances
When humans and industry threaten the planet: a dystopian performance as an immersive experience in Deep Space 8K.
-
SonoSynthesis – Night Performances
Humans, AI and microorganisms compose together: SonoSynthesis presents a hybrid future of art at its world premiere.
-
Man-Machine Music – Night Performances
How can we use AI as a creative resource in the future? An audiovisual interpretation of an AI composition invites reflection.
-
Maki Namekawa with Life Ink – Night Performances
When creativity becomes visible: a unique performance of pianist Maki Namekawa, visualized live by her brain waves and body signals.
-
Society? That’s us!
It’s the third pillar of Ars Electronica, and we’re all a part of it: In part three of our annual review, we’ll tell you what the “Society” in our name stands for.
-
That’s why we are so fascinated by technology
We experiment, develop and tell stories with technology. The first part of Ars Electronica’s 2022 Year in Review shows how.
-
More than just survival: “Work of the Future”
How will future generations earn income – and how can work serve a common good? An open discussion at the Futurelab Day.
-
How to build creative resilience for a planet B
To save Earth, humanity needs to join forces. The Futurelab Day provided unique perspectives on how to proceed.
-
What is the “Humanity of the Future”?
Technological possibilities give hints of a new humanity. The Ars Electronica Futurelab invited artists and researchers to discuss what comes next.
-
How to create "Media of the Future"
Let’s explore issues instead of just reacting to the media – but how? Experts shared ideas at the Futurelab Day.
-
The court which the future calls for
As part of the Festival University 2022, the International Environmental and Climate Court was created – a place for information, storytelling and discussion.
-
Diverse, fresh, exciting: Futurelab Day 2022
How the Ars Electronica Futurelab celebrated the Festival with guests and the public – open, multifaceted and always surprising.
-
It’s a Wrap(-Up)! – This was the Ars Electronica Festival 2022
The Ars Electronica Festival 2022 is in the books! Join us as we look back on five days of unique exhibitions, exciting performances, moving lectures and countless events.
-
The Ars Electronica Festival 2022 in pictures
This is by far only a small excerpt of the many impressions with which the 2022 Ars Electronica Festival in Linz thrilled us in five days.