Jens Hauser is a curator, a scholar in media & cultural studies, and a journalist who writes about cultural matters. He’s curated some of the best-known exhibitions at the interface of art and biology. 2015 he was a juror in the Hybrid Art category.
Seppo Gründler, 2015 Prix Ars Electronica juror, discusses the criteria that entries in the Digital Musics & Sound Art category have to fulfill, and tells where he finds motivation for his compositions.
Hybrid Art jurymember, Susanne Jaschko, talks about “prozessagenten”, current trends in transdisciplinary art, and her initial impressions of this year’s Ars Electronica Festival location.
The 25 international experts have concluded their deliberations and named the recipients of the five Golden Nicas and other honors. Here’s a look back at the 2015 Prix jury meetings, one of the most exciting weekends in the Ars Electronica year.
Which tools Sergei Kasich utilizes, how the Russian sound artist works, and some of the experiences he’s had in conjunction with many art projects carried out in Russia—these are a few of the talking points covered in this interview with the 2015 Prix Ars Electronica juror.
Animated films are his passion! Rob O’Neill, a 2015 Prix Ars Electronica juror and character technical director supervisor at DreamWorks Animation, talks about current trends in character design and what filmmakers have to do to build up a portfolio that really makes people sit up and take notice.
No fewer than 2,703 entries from 77 countries were submitted for prize consideration to the 2014 Prix Ars Electronica. This year’s competition will honor excellence in six categories. Here, Ars Electronica’s Emiko Ogawa gives us a brief overview of the composition of the juries.
Irini Papadimitriou and Michel van Dartel, two jurymemebers of the Prix Ars Electronica 2014, were in search of something new and exciting in the category Interactive Art. They told us in an interview how these search proceeded.
The selection process to determine the 2014 recipients of a Prix Ars Electronica, one of the world’s most important media art prizes, has been concluded. 25 international experts put in three days of intensive work to choose the winners.
This year’s recipients of the Prix Ars Electronica will be selected this weekend. The juries’ three days of deliberations begin today at the Ars Electronica Center Linz, where the many entries will be viewed and assessed by the jurors.
Symbolic picture The prejury for Prix Ars Electronica 2012 scans through hundreds of submission, here you can see the jury of the category “Digital Communities” (symbolic), consisting of Ingrid Fischer-Schreiber, Peter Kuthan and Romana Leopoldseder.
New technology shall create something new! Pierre Boulez 2010: “It’s like architecture: In that moment, when you not only work with wood, stone and concret, but with steel, glas and other materials, you have many more possibilities.” While judging 640 (Music) submission for the ICMC2000 (International Computer Music Conference) I didn’t listen to a lot…
In the last 10 years we have been committed to creating a space dedicated to the reflection and creation in the intersection of art, science and technology at the National University of Tres de Febrero (Argentina). It has been a great challenge as the domain appeared limitless, allowing an immense possibility for research. Consequently, a…
The Jury for Prix 2012, Round 2: This time it’s Leila Nachawati talking, she’ll look for interesting projects in the category “Digital Communities”.
From April 20th to 22nd 2012, the jury of Prix Ars Electronica 2012 will meet in Linz to decide on the winners of the Golden Nicas 2012. The weekend will be interesting, fascinating, but also tiring. Hundreds of projects want to be evaluated and rated, a daunting task. To give you a look behind the…