Seit 2016 veranstaltet die Anton Bruckner Privatuniversität im Rahmen des Ars Electronica Festivals den Sonic Saturday. Dieses Jahr organisieren wir ein Künstler*innentreffen während des Festivals, um einen informellen und praxisorientierten Austausch zwischen Künstler*innen zu ermöglichen, die an unterschiedlichen Projekten arbeiten.
Resonating Hope: Audible Manifestations / Artists’ meeting @ ABPU
Seit 2016 veranstaltet die Anton Bruckner Privatuniversität im Rahmen des Ars Electronica Festivals den Sonic Saturday. Dieses Jahr organisieren wir ein Künstler*innentreffen während des Festivals, um einen informellen und praxisorientierten Austausch zwischen Künstler*innen zu ermöglichen, die an unterschiedlichen Projekten arbeiten.
Thema des Symposiums
Im Einklang mit dem Festivalthema „HOPE – who will turn the tide“ liegt der digitale Ars Electronica-Musikfokus der Anton Bruckner Privatuniversität auf der Reise in die Welt der klanglichen Exploration und Inspiration. Während Musik eher als Vermittler von Emotionen denn als Träger von Wahrheit gesehen werden kann, scheint ihre Fähigkeit, Hoffnung und Widerstandskraft zu wecken, grenzenlos.
Die unzähligen Klangbilder eröffnen einen Spielraum voller Möglichkeiten und Transformationen. Während wir das komplexe Zusammenspiel von Klang und Emotion erforschen, reflektieren wir über die tiefgreifenden Auswirkungen hörbarer Manifestationen auf das kollektive Bewusstsein und Empfinden, wo Musik als Katalysator für Handlungen wirken kann.
Resonating Hope: Audible Manifestations untersucht, wie Musik in Gruppen auf Resonanz trifft, wie sie Grund zur Hoffnung gibt und worauf diese Hoffnung beruhen könnte. Durch die dynamischen Klangtexturen der elektroakustischen Kunst navigieren wir die Feinheiten menschlicher Emotionen und Sehnsüchte.
Überblick der Artists’ Meetings
SA 7.9.2024 10:00 – 21:30 | Anton Bruckner Private University
| 10:00 – 13:00 | Tangible Music Lab Brunch (Tabakfabrik) |
| 15:00 – 15:20 | Lecture-performance (Studiobühne) |
| 15:20 – 15:40 | Lecture-performance (Studiobühne) |
| 15:40 – 16:10 | Lecture-performance (Sonic Lab) |
| 16:10 – 16:30 | Lecture performance (Studiobühne) |
| 17:00 – 17:50 | Workshop (Sonic Lab) |
| 18:00 – 18:50 | Workshop (Sonic Lab) |
| 15:00 – 20:00 | Listening Room (ProduktionsStudio) |
| 15:00 – 20:00 | Sound Installations (Kleiner Saal & Foyer) |
| 20:00 – 21:30 | MEDIUM SONORUM concert |
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Brunch at the Tangible Music Lab
We will open the doors of our Tangible Music Lab for those attending this year’s Ars Electronica Festival. If you are interested in visiting us, we will prepare some demos, snacks and drinks on Saturday, September 7th from 10 am until 1 pm at the Tangible Music Lab location in the Tobacco Factory Linz.
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Digital Wind Chime Making: Exploring How the Power of One (Performer) Can Be Legion in the World of Rain Gods
Yunyu Ong (AU), Taikoz (Ryuji Hamada) (AU)
Curiosity does not always kill the cat, sometimes it creates a god. Welcome to the world of „When the rain god sings, storm lions are born“. In this piece, Multimedia Composer/Sound Designer/ UTS-Dolby Spatial Audio researcher Yunyu leads you into a supernatural world of cats, thunder and new gods.
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Lighthub
Boris Shershenkov (RU)
The Lighthub project explores the essence of electric lights, which differs fundamentally from natural light sources. The designs of technogenic light streams are based on human visual inertia. They carry a significant amount of information hidden from the eye but located within the temporal limits of our auditory perception.
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LISTENING ROOM
During the symposium, the ABPU’s ProduktionsStudio will become the space for the Listening Room. This studio with its 20.2 speaker array will allow visitors to perceive multichannel music in a relaxed way. Visitors can enter, exit and move freely through the space, gaining access to 29 selected fixed-media pieces from the call for contributions.
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MEDIUM SONORUM CONCERT
Dive deep into freshly made immersive electronic music with the 20.4 system of the Sonic Lab. This is a concert designed to perceive spatial music selected from the call for contributions that relates to Resonating Hope: Audible Manifestations. The program shows a variety of styles of multichannel music from around the world.
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Spatial Entanglements – A Relational Musical Instrument
Florian Goeschke (AT)
Spatial Entanglements combines a periphonic loudspeaker dome and several tangible interfaces that invite an audience to interact playfully with immersive audio. The interfaces, sound processing software and speaker system together form a relational musical instrument that invites participants to temporarily form a spatial audio ensemble.
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The Makings of Empire: The Echo Chamber Escape Room
Yunyu Ong (AU)
Participants explore the workings of echo chambers through an apocalyptic drinking song titled Empires. They partake in an immersive experience that delves into the manufacturing of identities and perceptions.
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Zen of Aggression: Composing the Transformational Hybrid
Berk Yagli (CY)
The lecture-performance will focus on musical hybridity and critical methods developed for the hybridization of electroacoustic and metal music (part of the presenter’s PhD research). These methods are formed to build a blueprint for hybrid composers (not only specific to metal and electroacoustic but for other genres as well that combines spectromorphological-focused music with harmony…
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Zur toten Pappel
Sam Erpelding (LU)
Zur toten Pappel is an eco-acoustic artwork about the soundscapes of the Danube floodplains. From spring to winter, it tells of the daily and seasonal patterns of the floodplain forests, wild meadows, and shorelines. Three-dimensional sound reproduction and ecological sound art aim to raise ecological awareness and draw attention to sonic health and anthropogenic impacts…
Anton Bruckner Private University (AT)
The Anton Bruckner Private University is an open and innovative center for the arts, where the performers and teachers of tomorrow receive an individualized education in music, drama and dance. As one of the seven Austrian universities for music and drama, and one of the four universities in Linz, the Bruckner University sees its role both as a training ground for performing, teaching and academic research, and as an important agent in the development and communication of the arts.