Online
Complex Thoughts Lab
In the post-coronavirus scenario, The Complex Thoughts Lab invites to think outside the box to put together a model of the new world after COVID-19. Are we willing to rethink our nature, the concept of well-being? Will we be able to commit ourselves to bequeath a better world to future generations? The students share ideas to build a world model facing the next generations and transforming the Covid-19 crisis into an opportunity.
Cellular Seeds – Inexorable futures
Alejandra Marinaro (AR)
The Latinamerican Bioarte Lab (LatBioLab) explores more than 12 years of Bioart in Argentina. From ‘The Biosphere Project‘, Joaquín Fargas (AR), a simple way to show the world ecosytem, until ‘Colony‘, Darío Sacco (AR) that connects technology with biology and ‘Cellular Seeds - Inexorable Futures‘, Aleandra Marinaro (AR) that generates a new kind of “tech-life“. The Biosphere Project launches the adoption program of small worlds: ¨Adopt a World, adopt your World¨.
Q&A with Man & Wah
Moderated by independent curator and creative director working in the field of digital/new media arts, Lubi Thomas (AU/UK), this live Q&A event will explore the creative practice and process of artists Man & Wah. Covering topics of nature, the cosmos, information and interdisciplinary artistic practice, Man & Wah will respond to live questions alongside a discussion with Lubi about their narrative video piece, CELESTON, and physical exhibition at Museum of Brisbane.
Cellular Seeds - Live Interaction with the artist
Alejandra Marinaro (AR)
Live interaction with the artist The existence of destiny is an inherent question about the human condition and many believe it to be unique. Meet the artist behind Cellular Seeds. Link to enter will be available in alejandramarinaro.com
Scratch-Introduction: Rocket launch!
You can`t get to space without the help of computers – so here’s an introduction for children (10-14 years) who want to learn programming. Via the free online platform Scratch we will animate an interactive rocket launch.
A sketchnote-workshop online - our experience
Participatory workshops with students offer exciting new perspectives for scientific communication, but what happens when they have to be done remotely? In this online seminar we will explore the challenges and opportunities provided by shifting a Sketchnote workshop with students to an online format.
Space in the classroom? - It's not rocket science!
Everybody loves space, but how can teachers include space topics in class? This online seminar offers simple experiments as supplements to “normal” STEM-lessons and introduces extracurricular learning centers that offer deeper dives.
Live Program of Telluric Vibrations, UCLA Botanical Gardens – Los Angeles
Enjoy the extensive live Program of Telluric Vibrations, UCLA Botanical Gardens – Los Angeles
Fargas open studio
Joaquín Fargas (AR)
Live interaction with the artist Visit the studio in real time and talk with the artist. Meet the robots Glaciator and Rabdomante. Link to enter will be available in joaquinfargas.com
Dialogue Between Deserts
Joaquín Fargas (AR)
Two robots (Glaciator and Rabdomante) placed in two symbolic spaces ―Rabdomante in the Atacama Desert and Glaciator in Antarctica― aim to sensitize us to our human condition and our relationship with Earth Gaia. Glaciator Glaciator is a robot made in Antarctica. Made up of solar panels, it compacts and crystallizes snow, turning it into ice and then adhering it to glaciers to help them grow and regain the mass they lost as a result of thawing. Rabdomante Design and realization: Elia Gasparolo The combination of nature and technology allows Rabdomante to generate a new life cycle in the desert, drawing water from the atmosphere in the driest place in the world.
Drums Radio
Aurore Balsa (FR), Delphine Dora (FR), Ambre Dourneau (FR), Romain Gaudillière (FR), Céline Jiang (FR/CN), Pauline Mikô (BE), Nina Queissner (DE), Natalia Rivera Riffo (CL), Victor Villafagne (FR)
The DDD is a conceptual analytical system where the association of three words in D creates a tridimensional investigation space. As sound matter is a mechanic wave working in three dimensions, we assign it to a tridimensional physical space. Thereby, we want to construct a autonomous reflective space where sound projects itself.
Dance the distance
Ariella Vidach (IT), Claudio Prati (CH), Paolo Solcia (CH), Riccardo Santalucia (IT), Sebastiano Barbieri (IT), Francesco Luzzana (IT), Giovanni Landi (IT)
Live Guided Tour in a Dance Virtual Studio. MEET’s second project Dance the distance is a live guided tour through a virtual dance studio. Participants as avatars will be able to meet the virtual dancers and join an open rehearsal for a VR dance performance in progress.
Sounding Linz - DIE LINZER KLANGWOLKE 2020
presented by Sparkasse OÖ and LINZ AG
Kreative Kraft aus der Region, große künstlerische Expertise und besonders viel Interaktion mit der oberösterreichischen Bevölkerung - das Brucknerhaus Linz schafft gemeinsam mit heimischen KünstlerInnen und den Kooperationspartnern Universität für künstlerische und industrielle Gestaltung Linz und Ars Electronica auch in außergewöhnlichen Zeiten Einzigartiges: Eine Liebeserklärung an Linz.
CNMAT ODOT
John MacCallum(USA), Jeff Lubow (USA)
In diesem Workshop geben wir eine kurze, praktische Einführung in ODOT, eine dynamische, multiparadigmatische Programmierumgebung, die mit Open Sound Control arbeitet. ODOT wurde Anfang 2007 an der CNMAT entwickelt und hat sich zu einer leistungsstarken und robusten Suite von Werkzeugen entwickelt, die in einer Vielzahl von Kontexten nützlich sind, von der Signalverarbeitung für Gesten bis hin zur computergestützten Komposition. Während dieses Workshops werden wir den aktuellen Stand des Pakets und die Zukunft des Projekts diskutieren.
ORCHIDEA with Composer and Lead Researcher at CNMAT
Carmine Cella
Carmine Cella is available to host a live online demonstration/workshop for ORCHIDEA, a framework for static and dynamic computer-assisted music orchestration. Orchestration consists largely of choosing combinations of sounds, instruments, and timbres that support the narrative of a piece of music. The ORCHIDEA project assists composers during the orchestration process by automatically searching for the best combinations of orchestral sounds to match a target sound, after embedding it in a high-dimensional feature space.
Live Performances in occasion of the AIxMusic Opening ceremony
Edmund Campion, CORAIL with Steve Adams of the Rova Saxophone Quartet, and Andrew Blanton, WAVEGUIDE, Claudia Hart, Edmund Campion
Edmund Campion, CORAIL with Steve Adams of the Rova Saxophone Quartet, and Andrew Blanton, WAVEGUIDE, Claudia Hart, Edmund Campion WAVEGUIDE - 2017 - percussion, distributed audio and electronics: Music composition and performance by Andrew Blanton Text by Yvette Granata Composition and software by Andrew Blanton Special thanks to Neal Riley for technical support. CORAIL - version 2020 - improvising saxophonist and interactive computer system: Composition and computer environment design by Edmund Campion, Director, CNMAT Tenor Saxophone by Steve Adams Software contributions by Manuel Poletti, Matthew Wright, Edmund Campion (and a host of others) This concert is being streamed live from the Center for New Music and Audio Technologies (CNMAT) and made possible by CNMAT Researcher and Technical Director, Jeremy Wagner
CALM #2 | Decomposition (2020)
José Bidegain (CL), Futuro Fósil (CL)
Performative installation that reconfigures the value of the parts that constitute us as a living ecosystem. From the micro-political action of the arts and the organic macro of the fungi kingdom, this transmedial live experience uses sound to create new perspectives for physical and spatial perception.
COPY PASTE Curator's Tour
Antonio Roberts (UK)
Video recorded lecture with Q&A from the curator Antonio Roberts will guide us through each work at the Piksel Cyber Salon exhibition. If you are an artist, then you have no doubt copied the work of others. This copying can range from using pages from a magazine in a collage to adopting the style of another artist, or simply being inspired by their work. This natural process of copying, taught to us at every stage of our artistic development, is burdened with a very complex and messy set of laws and social conventions which define and limit how we can use copying in our practices. They don't account for exceptions or nuances, and come from a historical world in which artworks were scarce physical objects, not translating well into a world in which culture is abundant and can be accessed and copied at will.
Lecture: Authors of the Future. Re-imagining Copyleft
Constant (BE)
Video recorded lecture with Q&A from the artists The Authors of the Future. Re-imagining Copyleft, by Constant (BE), seeks to address burning issues around licensing and collective creative practices. How can we limit predatory practices without blocking the generative potential of Free Culture? What would a decolonial and feminist license look like, and how could we propose entangled notions of authorship? Constant is a non-profit, artist-run organisation based in Brussels since 1997 and active in the fields of art, media and technology.
Digital Exhibition Sojourner 2020 – A conversation among all artists
Through the ages, artists, writers, and filmmakers have been inspired by space. Their visionary depictions of space as an environment for people have influenced the scientific and engineering feats we know so well today. How will artists continue to inspire the future of space exploration? What are the opportunities and challenges in the creation of art for our interplanetary futures?
