Ecology
What We Eat
Laurie Frick (US)
As part of Heartbeat of the Earth, a series of online interactive artworks interpreting climate data, data artist Laurie Frick’s work examines the impact of individual foods on the environment using hand-drawn data visualisations, color coded and sized by CO2 output.
Coastline Paradox
Timo Aho (FI) & Pekka Niittyvirta (FI)
As part of Heartbeat of the Earth a series of online interactive artworks interpreting climate data, using Google Maps and Street View, artists Pekka Niittyvirta and Timo Aho visualize the predicted sea level rise – and the number of people likely to be displaced – in more than 200 different locations between the years 2000 and 2300.
Timelines
Fabian Oefner (CH)
As part of Heartbeat of the Earth, a series of online interactive artworks interpreting climate data, artist Fabian Oefner explores the retreat of the Rhone and Trift glaciers in Switzerland over the last 140 years by using precise digital coordinates and special drone captures.
Diving into an Acidifying Ocean
Cristina Tarquini (IT/FR)
As part of Heartbeat of the Earth, a series of online interactive artworks interpreting climate data, digital artist Cristina Tarquini invites us to dive into our acidifying oceans using data from NOAA. Cristina Tarquini (IT) created an interactive data visualisation, inviting you to dive into the ocean and explore the impact of rising temperatures & in turn rising CO2 levels on marine life, over time.
Diving into an Acidifying Ocean – Q&A
Cristina Tarquini (IT/FR), Frédéric Gazeau (FR) & Freya Murray (UK)
Join the Q&A with the artist who created the online experiment and the scientist who advised her.
The Thoughts Behind the Artworks at Prisma Garden
PRISMA Garden showcases five distinct Indonesian artists whose work depicts their restlessness and hope around the current Indonesian situation in Indonesia.
I Bet I Love My Garden
Naufal Abshar (ID)
The young and talented Indonesian artist Naufal Abshar longs for the return of greenery to the city it has been replaced by the concrete jungle. He projects his interpretation of the ideal Jakarta from his imaginary gardens artworks.
Virtual Tour journey of Tea Plantation in Indonesia
Motionbeast (ID)
A tour of an expansive and beautiful tea plantation in West Java, telling the story of one of Indonesia’s best-known natural assets and its incredible journey from mountain to coffee tables in every corner of the world.
String Composition - Series 6
Rubi Roesli / Biroe (ID)
In this intervention, an architect plays with lines that no longer represent buildings, but interact with real space directly.
Art for Future: CO-IMAGINATIONS and CO-PRODUCTIONS for TOMORROW’S WORLD
Filmuniversity Babelsberg KONRAD WOLF (DE), Institute for Art and Innovation (DE)
Workshop - The zone that enables life and makes the planet unique is thinner than previously thought. How should we shape the future positively when conventional visions mainly depict hopeless and bleak dystopias? What we collectively want, what we can imagine, is strongly shaped by the media that surrounds us in our visual-addictive century. Can we imagine futures that serve the common good as well as the regeneration of the planet? How can we create synergies to work less, but be productive together?
Transmedia Storytelling: Camilla Plastic Ocean Plan - Exhibition Opening + Guided Tour Video
Filmuniversity Babelsberg KONRAD WOLF (DE)
Exhibition Opening + Guided Tour Video - The project started at Filmuniversity Babelsberg because the worldwide media often present environmental problems in a way that makes us feel gloomy and hopeless. Consequently, people start ignoring facts. However, what about the future we want to live in? Can’t we use the expertise of storytelling in movies to design pictures of a desirable world? New things are very often created by a combination of things that have never been combined before.
Supraspectives
Quadrature (DE)
Audiovisual installation, developed with local (citizen) science and astronomy community during an Art-and-Science Residency at the Medialab of Tabakalera, Spain.
Tabakalera San Sebastian and Ars Electronica Linz
Tabakalera (ES)
Tabakalera is celebrating together with Ars Electronica its 5 years celebration. This installation will be the centerpiece of the program to celebrate the fifth anniversary, during the weekend of Sept. 11 and 12.
Acquired Immunity. Art and Biology at Cultivamos Cultura
The Microdocumentaries and Q&A of Acquired Immunity art and biology at Cultivamos Cultura
Acquired Immunity Exhibition
Acquired immunity displays artworks arising from our residencies and invited artists. We bring together artworks that were created as a response to challenges from the local environment: natural, social, and other artists. A response that we compare to the way the immune system responds to new challenges.
Acquired Immunity Guided Tour 1 - with live Q&A
Marta de Menezes
This episode features a guided tour of the exhibition by curator Marta de Menezes, followed by a live Q&A.
Acquired Immunity Guided Tour 2 - with live Q&A
Adam Zaretsky
This episode features a guided tour of the exhibition by invited artist Adam Zaretsky, followed by a live Q&A.
Acquired Immunity Guided Tour 3 - with live Q&A
Luis Graça
This episode features a guided tour of the exhibition by immunologist Luis Graça, followed by a live Q&A.
Art and Science of the Political Ecology of Disasters
José Luis de Vicente (ES), Joana Moll (ES), Andy Gracie (UK), Israel Rodríguez (ES), Ingrid Guardiola (ES), relator Vanina Hofman (AR)
ROUNDTABLE: Catastrophes and vulnerability have brought us to the forefront the urgency of acting against the consequences of the Anthropocene. We will explore all the possible futures ahead, facing the interactions between biological and ecological systems, but also the media ecology, within a relational ecology of practices where art, science and technology collide.
On Bio_Sonic_Agencies.
Brandon LaBelle (US), Robertina Šebjanič (SI), Oscar Martín (ES), Vanessa Lorenzo (ES), Laura Benítez (ES).
ROUNDTABLE: In a world dominated by the visual, could contemporary resistances be auditory? What is the materiality of sound? How does the materiality of sound affect listening? What resistances can be configured from working with biomaterials and sound? Do these bio_sonic_agencies open up other possible spaces that do not exist in the visual regime?
