Sound Art
Two Hands Performance
Two Hands is a combination of Korean traditional shamanism and contemporary media performance, raising the question of whether future technology can dominate the human mind and soul. Alluding to Roy Ascott's Technoetic Arts, which talks about the connection between technology and spiritual means, Two Hands focuses on the spiritual experience that will present a new possibility to expand the limits of technology.
robodrum
Das Projekt robodrum ist ein Roboter-Setup, das aus vier mit Trommeln ausgestatteten KUKA-Roboterarmen besteht. Es geht nicht darum, eine menschliche Leistung exakt nachzubilden oder besser oder schneller als ein Mensch zu sein. Stattdessen handelt es sich um ein algorithmisches System, das es den Besucher*innen ermöglicht, akustische Spuren zu hinterlassen.
Rebecca Merlic - The City as a House
VENT gallery (AT)
Vast amounts of pictures, sounds, videos and 3D scans are organized as environments in Rebecca Merlic’s The City as a House, in form of an interactive visual novel. A work about the experiment of a white European 30-year-old heterosexual human living in Tokyo without inhabiting a private apartment over a period of time. A speculative exploration of the possibilities of abolishing known forms of habitation.
Pluvial
Kerstin Ergenzinger (DE)
Die sono-taktile Architektur Pluvial folgt der assoziativen und physikalischen Qualität des Regenrauschens.
The Welcome Chorus
Yuri Suzuki (JP)
Ein Werk, das aus 12 interaktiven Hörnern besteht und bei Turner Contemporary, einer Galerie für zeitgenössische Kunst in Kent, Großbritannien, aufgestellt wurde. Es verwendet zwei Methoden - eine besteht darin, Texte und Melodien von Musikern in die KI einzuspeisen und die andere besteht darin, eine kurze Melodie zu erzeugen.
What is Sound – Alpha blending
Luana Lojić (HR)
What is Sound: Alpha blending is an audio-visual performative search for available information on the smallest things and units ever recorded or seen based on internet stored data (ex. bits, nanobes, phonemes, photons, atoms, etc.). Its constant is made of endless improvised medial translations formed from free online available generative tools and starts with a question posed into a search engine, building informational layers of text, sound, pictures and moving images.
Pianographique
Maki Namekawa (JP/AT), Dennis Russell Davies (US), Cori OʼLan (AT)
Pianographique ist eine fortlaufende künstlerische Zusammenarbeit der Pianistin Maki Namekawa und dem Pianisten Dennis Russell Davies mit dem Visualisierungskünstler Cori O'Lan.
Acts of Substitution without Bodily Contact: Making Music in the Age of Quarantine
The Telharmonic Orchestra (AT) feat. Richard Garet (US) & Daniel Neumann (US/DE)
The Telharmonic Orchestra wurde 2020 von zehn Komponisten/Musikern während der COVID-Sperre 2020 an der Anton Bruckner Universität Linz gegründet.
Neltokoni in cuícatl
hexorcismos AKA Moisés Horta Valenzuela (MX)
Neltokoni in cuícatl (dt.: Talismane in der Poesie) ist eine mehrkanalige audiovisuelle Poesie-Performance, die von einem körperlosen KI-System angetrieben wird, das aus drei generativen Tiefenlernmodellen besteht, die an präkolumbianischen Klangformen, Poesie und Bildern trainiert wurden.
Master Class Audio Design Goes Interactive
Master Class Audio Design @ St. Pölten University of Applied Sciences (AT)
Die Masterklasse Audiodesign des Studiengangs Digital Media Production ermöglicht es, die große Bandbreite des Audiodesigns zu erfahren. Dies geschieht durch Fokussierung auf vier Projekte, die von jeder Student*in über die vier Semester eigenverantwortlich konzipiert, entwickelt, geplant, umgesetzt und evaluiert werden. Aus den diesjährigen Semesterprojekten wurden drei ausgewählt, die im Rahmen des Ars Electronica Festivals präsentiert werden.
Machine folk music school
Bob L. T. Sturm (US)
Die "Machine Folk Music School" wird von Bob L. T. Sturm (US) per Videokonferenz geleitet. Er lehrt eine KI-generierte Volksmelodie in der klanglichen Tradition. Alle Musikinstrumente sind willkommen.
Folk the Algorithms
Bob L. T. Sturm (US)
Sturm builds, learns from and collaborates with AI systems trained on transcriptions of traditional music. These systems effectively generate an unlimited supply of new tunes imitating traditional ones. Sometimes these tunes are perfect as they are, and sometimes they are imperfect in interesting ways, but they all lack the credentials of “real” traditional tunes.
Musik als Erlebnis im Zeitalter von künstlicher Intelligenz und kreativen Computern
Kingston University and Durham University (UK), New York University (US), Hochschule für Musik und Darstellende Kunst, Stuttgart (DE), University of Music and Performing Arts of Vienna (AT), KTH Stockholm (SE)
In diesem Panel werden wir erörtern, wie KI menschliche Kreativität fördern beziehungsweise einschränken kann. Wie kann KI beim Musizieren eingesetzt werden? Sollte KI überhaupt zum Musizieren verwendet werden? Sollte mit KI gemachte Musik einen Warnhinweis tragen? Inwieweit ist KI nur ein Marketinginstrument? Was kann KI zur eigenen kreativen Praxis beigetragen? Was sind die ethischen Fragen im Zusammenhang mit KI beim Musizieren? Welche potentiellen Gefahren birgt die KI für die Musik (MusikerInnen als auch HörerInnen)? Wie könnten wir Risiken reduzieren?
Journey: Adriatic Garden | aqua_forensic 2.0
Adriatic Garden | aqua_forensic 2.0 connects two places by the Adriatic Sea: Dubrovnik (HR) and Koper (SI) and gives special attention to our commitment to the values of care, compassion, environmental justice, action-taking and cooperation with the Adriatic Sea and its creatures. The project framework is the aqua_forensic, an ongoing art and science research method developed by Robertina Šebjanič (SI) and Gjino Šutić (HR), which sheds light on the presence of invisible anthropogenic chemical pollutants in the water environment.
The SonoAdriatic tales
The Adriatic Garden will host a wide array of activities: exhibitions, installations, panel discussions, workshops, and much more, while enabling audiences to immerse themselves in the underwater world of the sea. Art, science and citizen science coalesce within the framework of Adriatic Garden | aqua_forensic 2.0, opening up a wider discussion about our solidarity and empathy with waters beyond human perception. Within the project, we would like to give special attention to the values of care, compassion, environmental justice, action-taking and cooperation with the Adriatic sea and its creatures.
PSM presents Catherine Biocca
PSM Gallery (DE)
Within her body of work, Catherine Biocca frequently shapes environments that insinuate total autonomy from the viewer’s reality. It is almost as if, by visitation, we are actually intruding upon private property or a theater stage, interrupting the very happenings taking place. Her characters, often recognizable as anthropomorphized assemblages, are consistently active and presently conscious within their surroundings.
The Sonic Adriatic Garden
In this 40-minute-long program, we will present fragments of compositions by selected artists, which showcase the above or underwater sonic scapes of the Adriatic Sea. All of the featured sound works can be listened to in their entirety within the sonoAdriatic tales program. The Sonic Adriatic Garden is a special part of the project, devoted to the sonic wilderness of the Adriatic Sea, which offers the audiences a chance to immerse themselves into under/above water soundscapes of the region. Audiences are invited to open their ears and listen to the vast array of sounds, among them the sound mapping of the Korčula Island, an artist’s reflection on the tides, the circulation of the water body, and the melodies of diving in submerged caves of the Quarner bay area. Some of the tales deal with underwater noise pollution and showcase the human sonic impact on the underwater habitat and marine life, as well as the presence of morphologies hidden in the palimpsests of memory of the places once heavily exploited in the name of urbanization, tourism and industrial progress that marks the Adriatic Sea
Axis - Harvesting isolation
Víctor Mazón Gardoqui (ES/DE)
7-day trip from Punta Arenas, 32-hour waiting in front of the Yelcho scientific station Waiting on the high seas for a favorable climatic window to continue sailing, supposes a dislocation of space and time. The parallel 66° 33′ 46″ passes in front of us. A still image exposed to 24 hours of light, on a 360° horizon. The staticity of the sea in the bay of Yelcho. An abrupt and mountainous environment added to the roar of the katabatic winds generates a rupture of perception in scale and distance. The wait. Advancing a small way to the base. Space for registration. The devices -through their sensors- capture the sense of place. A viewing angle of 46° in contrast with the spherical and immersive recording of the hertziosphere, where the alterity of bodies and anthropogenic frequencies in contrast with the autochthonous ones.
Tapatia-Tech-ila- Rhapsody
Paris Alejandro Díaz Miranda (MX)
Tapatía Tech-ila Rhapsody is an audiovisual piece based in Mexican culture and the current accelerated life rhythm; that presents a triad of conceptual frameworks: Past+Present+Future of humanity; Art+Technology+Science as means to re-shape our destiny; and Classical+Folkloric+Contemporary musical identity of a culture/country/society.
Gallery
Austrian Cultural Forum Tokyo (JP)
(Re)Visit Japan on a tour through a digital gallery with 100+ artworks created by artists from Austria.
