Scientists
Re-FREAM round #1 presentations: Ganit Goldstein
Ganit Goldstein (IL), hosted by Re-FREAM (INT)
Join this session to hear more about Ganit Goldstein’s Re-FREAM project WeAReAble.
Re-FREAM round #1 presentations: Youyang Song
Youyang Song (CN), hosted by Re-FREAM (INT)
Join this session to hear more about Youyang Song’s Re-FREAM project Cooking New Materials.
Re-FREAM round #1 presentations: Elisabeth Jayot
Elisabeth Jayot (FR), hosted by Re-FREAM (INT)
Join this session to hear more about Elisabeth Jayot (FR) and her Re-FREAM project Fragments Garments.
Re-FREAM round #1 presentations: Jef Montes
Jef Montes (NL), hosted by Re-FREAM (INT)
Join this session to hear more about Jef Montes (NL) and his Re-FREAM project Marinero.
Fashion. Technology. Responsibility.
On Sept 9th 2020, STARTS Lighthouse pilot Re-FREAM kicks off this session with a keynote questioning our attitude to the clothes we wear and how we can rethink the systems and conditions of their production. The keynote is followed by three artist teams presenting the outcomes and prototypes realised within their residencies in the context of Re-FREAM.
The Grid: Full Festival Experience
The Grid (US/EU), Gray Area (US), Codame (US), ZERO1 (US), MUTEK.SF (US), EUNIC Silicon Valley (US), EUNIC Washington DC (US), EUNIC New York (US), Ars Electronica AIxMusic Festival (AT), STARTS, European Commission (EU), Center for Humane Technology (US), Salesforce (US)
By mobilizing artists, technologists, and policy makers from around the world, Exposure reimagines interdisciplinary and international collaboration to overcome deadlock and siloed thinking. Through 4 days of art, panels, performances, interactive experiences, talks, and workshops, Exposure works towards shaping technological development for the benefit of all. Be part of it and join in on four livestreams!
AIxLITERATURE: Poetry Is A Machine
The Grid (US/EU), Vikram Chandra (IN/US), Bryan McCann (US), Andrew Piper (CA), M Eifler (US), Clemens J. Setz (AT), Clara Blume (AT/US), Vanessa Chang (US/SG/AU)
How does the algorithmic contour the lyrical? Nearly a century ago, William Carlos Williams declared, “A poem is a small (or large) machine made out of words.” As artificial intelligence becomes a writing tool, his words take on a new resonance. Some critics of algorithmic literature decry the incursion of automation into this essentially human creative practice.
AI x MUSIC: Artificial Creativity or Enhanced Humanity
The Grid (US/EU), Christine Payne (US), Monica Dinculescu (US), Ali Nikrang (AT), Clara Blume (AT/US)
The music industry was transformed drastically over the past couple of decades. For better or worse, these developments are tied to technological advancements and a rapidly adapting consumer behavior. Tech companies are invested in a future where AI forms an indispensable part of the creative process. Recent breakthroughs are already paving the way for music that is entirely created and performed by algorithms. But does that make AI an artist?
Thematic Curated Exhibtions I: Leonardo Da Vinci – Art & Science. Then & Now
Isabelle Jennifer Frank (US/HK)
To commemorate the 500th anniversary of the artist’s death, this exhibition presents original drawings by Leonardo da Vinci from the Pinacoteca and Biblioteca Ambrosiana. The drawings are accompanied by five machines modeled on Leonardo’s designs, and by the works of contemporary artists – most of them faculty at SCM CityU HK – reflecting on Leonardo’s persistent legacy and influence into the digital age.
WADS (↑ ← → ↓) Exhibition in Mozilla Hub
RISE ITICA (CY)
WADS, a digital garden of commoning formed by 21 local artists, sets out to explore the potential of digital hubs as grounds of artistic and technological co-creation. The digital exhibition is created and experienced in the online environment of Mozilla Hubs and will be accessible through the Ars Electronica Digital Platform.
Can we do the same with less - AI in 64 Kb
Philippe Esling (FR)
This hands-on workshop for the AIxMusic Hackathon by Philippe Esling (FR) introduces techniques for lightweight AI, demonstration of embedded technologies and a 64 Kb competition for an AIxMusic hackathon project challenging the current limits of AI and inspired by the Demoscene and the 64Kb competitions.
AI Creative Agents: The Man I Love
Hervé Sellin (FR), Remi Fox (FR)
The Musical Representations team in the STMS laboratory at IRCAM is working on "cyber-human" systems. Just as cyber-physical systems create a continuity between the digital logic of computers and the physical world by capturing, modeling, and modifying it, they establish a creative continuity between machines and musicians using mathematical modeling and artificial intelligence.
Little Etudes for Piano
Elaine Chew (US/GB)
Little Etudes is a series of short piano pieces based on cardiac electrical anomalies. Aberrant electrical activity in the heart can cause the heart to beat irregularly. Abnormal heart rhythms form interesting musical patterns, which raises the question of whether all natural-sounding musical rhythms have a physiological basis.
Three Ladies Project
Georges Bloch (FR)
Billie Holiday, Édith Piaf and Elisabeth Schwarzkopf are three great ladies of music, born in 1915. Could we make them sing together? This was the subject of a performance conceived for the music festival Le pietre che cantano in L'Aquila (Italy) in 2015. Using DYCI2Lib software, the three ladies finally sing The Man I Love together. ImproteK, the earlier version of DYCI2Lib, already made it possible to intelligently link the harmony of the base material used (called "memories") to the harmonic progression of the reference song (called "scenario").
Talk: Frontiers of Music and Artificial Intelligence
IRCAM (FR)
Artificial intelligence plays an increasingly prominent role in music composition, performance, and production. How does this benefit or undermine musicians? Where are such developments taking us? Two young protagonists at the leading edge of AIxMusic will debate the limits and future directions of AIxMusic, tackling topics ranging from classic questions of AI takeover to therapeutic and gaming applications to discussions of lightweight deep AI, of uncertainty and unknown models and dimensions.
Talk: Musical Generativities (Facilitated by H.Vinet)
IRCAM (FR)
Techniques for the automatic generation of music – which have long been focused on systems ruling the score – are now being deployed at all levels of sound representation: signal, gesture, symbol, form. Sound synthesis using deep networks constitutes a radical break with conventional modelling approaches. How do composers handle these emerging possibilities?
What We Eat
Laurie Frick (US)
As part of Heartbeat of the Earth, a series of online interactive artworks interpreting climate data, data artist Laurie Frick’s work examines the impact of individual foods on the environment using hand-drawn data visualisations, color coded and sized by CO2 output.
Coastline Paradox
Timo Aho (FI) & Pekka Niittyvirta (FI)
As part of Heartbeat of the Earth a series of online interactive artworks interpreting climate data, using Google Maps and Street View, artists Pekka Niittyvirta and Timo Aho visualize the predicted sea level rise – and the number of people likely to be displaced – in more than 200 different locations between the years 2000 and 2300.
Timelines
Fabian Oefner (CH)
As part of Heartbeat of the Earth, a series of online interactive artworks interpreting climate data, artist Fabian Oefner explores the retreat of the Rhone and Trift glaciers in Switzerland over the last 140 years by using precise digital coordinates and special drone captures.
Diving into an Acidifying Ocean
Cristina Tarquini (IT/FR)
As part of Heartbeat of the Earth, a series of online interactive artworks interpreting climate data, digital artist Cristina Tarquini invites us to dive into our acidifying oceans using data from NOAA. Cristina Tarquini (IT) created an interactive data visualisation, inviting you to dive into the ocean and explore the impact of rising temperatures & in turn rising CO2 levels on marine life, over time.
