Live public event

That Unseen Vibrance

Yolande Harris

Can our conscious listening effect the world around us? That unseen vibrance. These are dense vibrations, larger than our bodies, larger than our eardrums. They work through us. They present as oceanic. I have a sense of being inside the sound, submerged in another medium, molten, or perhaps growing wings. Of enormous pressure depth yet vibrance shimmer. To dive into the oceanic with our own airborne sounds, feet on the ground, ears underwater. What animal could hear like this?

Breathe to flow

Anna Nacher

The way we, as humans, participate in the vibrational fields and flows of energy of the Planet Earth is embodied practice, even if the process often remains somewhat mysterious, unnoticed or unacknowledged. This workshop will explore how a human vocalization, which is nothing else than amplified and conscious breathing, can become a practice of inquiry into the planetary water cycle.

Marco Barotti Exhibit

Marco Barotti (IT)

Exhibition

Art-Technology-Architecture

CERTH (GR), Refik Anadol (TR/US), Maurice Benayoun (HK/FR), Tyson Hosmer (UK), Anastasios Tellios (GR), Stefanos Vrochidis (GR), Georgakopoulou Nefeli (GR)

Architecture today is a multidisciplinary knowledge platform, combining input from engineering, the humanities, and the environmental, cognitive and social sciences.

DATA TOUR D’ITALIE PANEL

Panel guests: Federica Fragapane (IT), Michela Milano (IT), Iolanda Pensa (IT), Valentina Tanni (IT), Moderated by: Federico Bomba (IT)

How can data help us in better understanding environmental and social challenges? Data are not good or bad, they simply are. Their aim is, or it should be, empowering our knowledge about the complex ecosystem we live in. But they do not speak for themselves: someone - or something - must present them in a shape so that they can produce new awareness.

MOSS

Marco Barotti

The central element of the kinetic sound sculpture is a dome overgrown with moss, its movement driven by readings of nitrogen oxide concentrations at various locations on our planet. Moss is regarded as a bio-indicator of air pollution, and this forms Barotti’s first collaboration with a living organism.

Un suono in estinzione

NEUNAU (IT)

Un suono in estinzione is an art & science project aimed at monitoring climate change implications on alpine glaciers through an artistic exploration.

Un millesimo di millimetro

Giovanni Muzio (IT)

Un millesimo di millimentro speculates about a near-future where microplastics are so pervasive in the oceans that they become part of the evolution of marine microorganisms.

ENTU

Emanuele Balia (IT), Fabrizio Casti (IT), Sandro Mungianu (IT)

Researchers and artists will collaborate to return open data in the form of music, images and words, through the use of AI algorithms, to offer a highly perceptive, visual and sound return of the effect that pollution and development, understood as pressure anthropogenic, have on wind, rain and the environment.

Hum of the Earth

Liliia Akivenson (RU), Evgenii Savenko (RU)

A sound performance based on a joint project that arose from two elements: noise, and an anthropological interest in how people react to the spontaneous invasion by «unthinkable sound» of their private and hermetic sound reality. Every audible sound has its source, but what could we do with the sudden appearance of unfamiliar disturbing noises that persistently change everyday life towards total unrecognisability? The mythologeme of the «Hum of the Earth» interests artists as a vantage from which to interpret non-everyday noise and its contexts: from the subjective-affective to the mass-eschatological.