Die Preisträger*innen 2023

There are many people who have not been players due to their disabilities. But the idea for one person can be a powerful force to move the world forward, just like the alleged inventor of the typewriter who built it in order to communicate with a blind friend. Our challenge is to shift the social…

Critical Climate Machine is a project that quantifies and reveals the mechanisms of misinformation on global warming. The project consists of a data sculpture and a sound installation. The sculpture analyzes myths about climate change, using natural language processing. Its software monitors and debunks false arguments originating from Twitter.

FANGØ is a defense weapon against surveillance capitalism. Disguised as a mobile phone charger, it operates as a microcontroller that takes control of the smartphone in which it is plugged into. Making random searches and liking random posts on popular social platforms, it aims to deceive data brokers and disrupt the data capturing process.

Future Materials is a multidisciplinary knowledge platform that promotes and disseminates knowledge about sustainable materials. Its core aim is to support the transition towards ecologically-conscious art and design practices.

Geo-Llum aims to reimagine the role of public lighting in green urban areas with a symbiotic relationship between the artificial and the natural world, focusing on a deeper understanding of microorganism community such as fundamental collaborators in the city ecosystem.

Zooming into our micro-level surroundings, dust is the most common but a rather invisible component. However, it carries a wealth of information from global ecology through atmospheric activity. Through working with atmospheric scientists and based on eco-philosophical research and scientific modeling, we started an art project named Hyper-Dust and decided to search for the Sahara…

Imagine you could obtain an ‘impossible’ image of any object or phenomenon that you think is important, with no limits on spatial, temporal, energy, signal/noise, or cost resolutions. What image would you create? (the answer can be a hypothetical image of course!)

Inside the NYPD’s Surveillance Machine is an interactive data visualization revealing the shocking reach of facial recognition technology in New York. The experience allows users to plot a walking route through New York City and discover how much of this route might be exposed to surveillance through facial recognition.

It Could Be You is a thought-provoking art project that explores privacy and identity in contemporary technology. Using machine learning and pentesting or ethical hacking, the project generates fictional personal data through synthetic data frameworks and, by gathering messages from various online forums and chatrooms, it raises questions about privacy and protection.

Dutch artist Thijs Biersteker has developed a machine that shows the emissions associated with everyday online activities from video chats and emails to trading NFTs as visible puffs of CO2.

A big number of audiences online nowadays is mainly algorithms. Algorithms are trained on the auditory information that is produced and uploaded by humans. In Not allowed for algorithmic audiences, a digital assistant situated in an Athenian apartment exhibits an odd behavior.

The (m)Otherhood of Meep (the bat translator) is an AI interpreter for grey-headed flying foxes, drawing from scientific research on flying fox vocalizations to interpret their voices into poetic form in real-time. It aims to evoke an interspecies bridge between species at the center of human/wildlife conflicts.

The Glacier Trilogy is an immersive artwork investigating glaciers as the starting point of fluvial systems and the future of water in climate crisis. A product of advanced computational technologies (such as generative adversarial networks, atmospheric sensors or realtime ice-fluid simulation for 8K) combined with sculpture materials and human creativity, The Glacier Trilogy stimulates an…

No longer existing in the wild, ‘Encephalartos woodii’ is one of the rarest and most endangered plants on Earth. One male specimen was found in 1895 in the Ngoye Forest, South Africa. It was removed from the wild and its offsets have been propagated in botanical gardens worldwide. However, these specimens are all clones of…

The More The Better (Two Truths and a Lie) is a multimedia installation exploring the relationship between foreign languages and trustworthiness. The work consists of 100 videos in the 100 most prevalent languages on the internet, looping on used devices and hanging from a single metal structure.

The project TRACEWASTE observes and visualizes garbage movements from a citizen’s perspective to explore future urban life in the context of waste management. It tracks discarded objects using geolocation methods, providing insights into waste whereabouts, transport durations, distances, and emissions. IoT devices (0G) in a low power wide area network track various types of waste…

Transient is an audiovisual concert for two motorized pianos and video projections by Quayola and Andrea Santicchia aka SETA. A real-time improvisation in which the artists collaborate with complex algorithms in order to generate compositions of a delicate anthropic and technological balance. The custom software simultaneously generates sound and images, creating perfectly synchronized synesthetic alliterations.

Urban Data Forest reimagines the city as a site of data storage in plants and trees. It explores the possibility of how DNA data storage technology could transform urban spaces, bringing nature and data back to the city.