Technology
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That’s what the new Deep Space EVOLUTION program looks like
New laser projectors, the most powerful graphics cards, a 3D tracking system and a whole range of new interactive programs and spectacular applications. This is Deep Space EVOLUTION.
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Deep Space EVOLUTION: From the Cave into the Deep Space
With the CAVE, the Ars Electronica Futurelab laid the foundation for this experiential environment in the 1990s. “Deep Space EVOLUTION” is Ars Electronica’s next chapter when it comes to immersive visual worlds.
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How to dive into hybrid reality
“Action!” The Ars Electronica Futurelab’s team shares its insights on the new video production system Deep Virtual.
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Virtual Reality beyond Deep Space 8K
Camera rolling! Ars Electronica Futurelab’s Deep Virtual video production system merges physical and virtual reality to live-stream VR from Deep Space 8K.
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Origami, robotics and a new world of music
How do origami and robotics create music? The Ars Electronica Futurelab’s new video presents the world of oribotic instruments.
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Throwback: Spaxels
Spaxels are autonomous drones that can be moved freely in space to form dynamic, three-dimensional figures in the night sky.
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Throwback: Paro the robot seal
Paro, an assistant robot with the appearance of a seal, was a visitor magnet at the Ars Electronica Center for years.
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25 years of Futurelab – “What a journey!”
Exhibition, workshops, performances and the question of the future: This is how the Ars Electronica Futurelab celebrated its anniversary on the “Futurelab Day” 2021.
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Artistic Journalism: “There Is No Planet B”
Global Warming and Human Responsibility: In this lecture, Hideaki Ogawa explores the role of art as a media of communication.
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Future Christmas
Whether Christmas hurry or Advent lockdown, we have a suitable program for a contemplative pre-Christmas time: The Virtual Crib from St. Mary’s Cathedral in Linz.
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Artistic Journalism meets Future Alchemists
“Alchemists of the Future”: In this second of three lectures about “Artistic Journalism” for Keio University SFC in Japan, Hideaki Ogawa addresses the role of art as a media of communication.
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Throwback: Humphrey the flight simulator
Howering just a few meters above the lobby of the Ars Electronica Center, an installation called Humphrey promised a very special kind of experience which was connceted to a deeply human desire.
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Artistic Journalism meets Artificial Intelligence
“Understanding AI”: In this first of three lectures about “Artistic Journalism” for Keio University SFC in Japan, Hideaki Ogawa addresses the role of art as a media of communication.
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Digitization of cultural heritage
For the most recent digitization project, too, a Gothic tomb from the collegiate church of Wilhering, researchers of the Ars Electronica Futurelab successfully used the non-contact method of photogrammetry.
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Throwback: Telegarden
The Telegarden was an art installation that allowed web users to plant, water, and monitor the progress of seedlings in a garden from a distance.
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Temazcal – The art of percussion
An acoustic, visual and digital interpretation of Javier Alvarez’s “Temazcal” for maracas by percussion artist Elliott Gaston-Ross to live visuals by Florian Berger.
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Sounding Letters – AI and human intelligence in concert
There have been many attempts to express music in words. But what happens when you transform a sequence of letters into music with the help of Artificial Intelligence?
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Deepfake: When the Moon Landing failed
Halsey Burgundy and Francesca Panetta discovered the prepared speech for U.S. President Nixon in the archives and recreated it in a deceptively realistic way.
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Throwback: The Cloud in the Web
33 years after the very first Linzer Klangwolke in 1979, which marked the beginning of the Ars Electronica Festival, Ars Electronica got the chance to create the 2012 Klangwolke.
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Throwback: Robots and Androids are among us
In 2009 and 2010, the Ars Electronica Center had special visitors of a somewhat different kind.
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The Future of Medical Studies, Today
What the medical studies of the future look like? Find out with “Virtual Anatomy” at the new JKU medSPACE, developed by the Ars Electronica Futurelab: high-resolution anatomy in 3D, where you can zoom and rotate down to the smallest blood vessel.
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Deep Space LIVE: TEXTA “Mehr oder Weniger”
TEXTA gave an upfront presentation of the new album “Mehr Oder Weniger” at Deep Space 8K on October 1 – accompanied by live visuals of the collective “Tagtool”.
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Humanity and Robotinity
A society that is changing along with its technology needs a new form of humanity
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Deep Space 8K: Festival Highlights
It’s time again to introduce you to the spectacular Deep Space 8K festival program! Whether it’s visionary ideas for the future or artistic visualizations on the big screen, there’s something for everyone.
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Creative (Artificial) Intelligence
What differentiates analog from digitally generated work?
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Nocturne 2021: the Pandemic on big screen.
An extraordinary artwork, created in an extraordinary period. Nocturne brings the time of the Pandemic in the Deep Space 8K.
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“Rethinking GUERNICA” inside Deep Space 8K
For the first time, Pablo Picasso will visit us at the Ars Electronica Center. His work “Guernica” will be presented in Deep Space 8K at this year’s Ars Electronica Festival, and Michaela Wimplinger tells us how it was made possible.
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Images of fear and glimmers of hope – new technology is possible
A wide variety of projects at this year’s Ars Electronica Festival on the theme of “Another Tech is possible” demonstrate how new technologies and inventions can help us to deal with challenges in the future.