In 2004, the Ars Electronica Futurelab designed an interactive computer-controlled visualization for the opera “Das Rheingold” by Richard Wagner.
How do origami and robotics create music? The Ars Electronica Futurelab’s new video presents the world of oribotic instruments.
Spaxels are autonomous drones that can be moved freely in space to form dynamic, three-dimensional figures in the night sky.
City Puzzle by the Ars Electronica Futurelab was an interactive simulation environment that let you create virtual urban landscapes.
To kick off the new year, the Ars Electronica Futurelab is giving very special futurologists a chance to have their say.
Analog music generates digital visualizations: Maki Namekawa, Cori O’Lan and Rubin Kodheli in a timeless night performance at Deep Space 8K.
Gulliver’s World, the further development of Gulliver’s Box, was a multi-user mixed reality system developed by the Ars Electronica Futurelab.
Exhibition, workshops, performances and the question of the future: This is how the Ars Electronica Futurelab celebrated its anniversary on the “Futurelab Day” 2021.
This is the question posed by participants in a new training program for cultural producers that provides insights into the way Ars Electronica works.
Share your future visions with the world – “Memo Futurum” makes this happen until the end of the year. Only in 2046 they will be recalled.
Whether Christmas hurry or Advent lockdown, we have a suitable program for a contemplative pre-Christmas time: The Virtual Crib from St. Mary’s Cathedral in Linz.
Accordion Noise and Visual Performance 11°22’4”142°35’5” took us down to the deepest point of the Mariana Trench as part of the Ars Electronica Futurelab’s Night Performances in Deep Space 8K.
Howering just a few meters above the lobby of the Ars Electronica Center, an installation called Humphrey promised a very special kind of experience which was connceted to a deeply human desire.
Embedded in a technical, symbolic and metaphysical universe, the audiovisual performance [ˈdaːzaɪn] by media artists Arno Deutschbauer and Micha Elias Pichlkastner alias “Sective” immersed the packed Deep Space 8K in a reloaded atmosphere.
For the most recent digitization project, too, a Gothic tomb from the collegiate church of Wilhering, researchers of the Ars Electronica Futurelab successfully used the non-contact method of photogrammetry.
An acoustic, visual and digital interpretation of Javier Alvarez’s “Temazcal” for maracas by percussion artist Elliott Gaston-Ross to live visuals by Florian Berger.
There have been many attempts to express music in words. But what happens when you transform a sequence of letters into music with the help of Artificial Intelligence?
In this video tour of the “Alchemists of the Future” exhibition, Hideaki Ogawa takes you on an extraordinary journey into the future.
On its anniversary on September 9, the Ars Electronica Futurelab celebrated the lab’s visionaries. With talks and discussions, guided tours and performances – and lots of new ideas for the future.
What the medical studies of the future look like? Find out with “Virtual Anatomy” at the new JKU medSPACE, developed by the Ars Electronica Futurelab: high-resolution anatomy in 3D, where you can zoom and rotate down to the smallest blood vessel.