Volkmar Klien, co-curator of the AIxMusic Festival as well as of the Sonic Saturday at the 2019 Ars Electronica Festival, on the relationship between AI and music.
For the new exhibition “Understanding AI” at the Ars Electronica Center, a team of researchers, artists, and developers from Ars Electronica Futurelab designed installations that explain how artificial intelligence actually works. Learn more about it in this interview.
Music is probably the most emotional art form of all. If we observe people talking about music, recalling their experiences and memories, a difference to their usual style quickly becomes apparent. They touch their hearts, lower their voices, look inside, let their emotions run free. Music is an art form that expresses our feelings in…
Feel global environmental data, experience it with your own senses and be connected to the Blue Planet even more intensively as a human being: This is the aim of The Wandering Mind project by the artist duo slow immediate. In a few weeks their residency will start in Argentina and Austria – organized by the…
Everything is new at the new Ars Electronica Center! From the foyer on down, there are new spaces with a new interior to marvel at. But it’s not just impressive architecture — the exhibition opens up a totally new glimpse into the future. One topic it can’t leave out is artificial intelligence, and the Understanding…
It’s almost as if you were there: immersive media let us dive deep into images and videos – sometimes to the point where we completely forget the world around us. In order to transform this new kind of media from a niche phenomenon to a widespread practice, the Ars Electronica Futurelab and four partners from…
With “Project Alias,” Bjørn Karmann and Tore Knudsen of Denmark demonstrated a simple yet effective way to take back control over our own private sphere, which earned them the STARTS Prize of the European Commission. We talked with both of them about privacy, parasitic fungi, and the appropriate narratives.
Submissions for the European Commission’s STARTS Prize will be accepted until March 11th, 2019. The artist Şerife Wong, one of this year’s jurors, talks about where she sees similarities between science, technology and the arts and explains to us – in her role as an ethics consultant – how we can deal with artificial intelligence…
The newly founded European ARTificial Intelligence Lab offers an exciting residency in Argentina and Austria for artists working in the fields of artificial intelligence and neuroscience. Mariano Sardon from Muntref Centro de Arte y Ciencia tells us more in this interview.
The submission phase for this year’s Prix Ars Electronica ends on March 11, 2019! We took this opportunity to take a closer look at the new “Artificial Intelligence & Life Art” category.
After his visit to the Ars Electronica Festival, Roberto Viola, Director General of DG CONNECT (Directorate General of Communication, Networks, Content and Technology) at the European Commission, talks in this guest article about how important it is to involve art in the further development of AI technology.
Style transfer technology, actually a byproduct of deep learning, is the main attraction here. In “Creative AI – Style Transfer,” artist-researcher Ali Nikrang shows how artificial neural networks transform a video into an artistic-picturesque world. You can see it at the Ars Electronica Festival September 6-10, 2018.
“The Fractured Mirror,” anthropologist and digital ethnographer Beth Singler’s talk at the Ars Electronica Festival’s Theme Symposium on September 7, 2018, will elaborate on artificial intelligence’s effects on us human beings. She gives us an introduction to her topic in this interview.
The 3-D short film entitled “Physicians’ Colleague, Patients’ Helper: The Cognitive Computer” will be running in Deep Space 8K at the Ars Electronica Center beginning in May. This film explains how deep neural networks can facilitate the evaluation of medical data, and how this is changing both the physician’s role and the doctor-patient relationship.
They usually perform their tasks in huge factories or on construction sites, executing identical routines thousands or millions of times, over and over again. Or they vacuum our apartments, fully automatically. But things are different at the Ars Electronica Center. The Creative Robotics exhibition that opens on May 9, 2018 will show how robots are…
A monk who’s also an expert in artificial intelligence is one of the speakers at the 2017 Ars Electronica Festival’s Opening Symposium as well as the artificial intelligence Theme Conference. Zenbo Hidaka will discuss the latest technologies, artificially intelligent machines, and spirituality on September 7th and 8th. Here, he provides some initial insights into his…
Artificial intelligence is the theme of this year’s Ars Electronica. The 2017 media art festival’s encapsulating motif is provided by the “Beyond Humans” research project. The respective roles played by the android and the chimp depicted in this image were elaborated on by the project’s scholarly director, Ramiro Joly-Mascheroni.
September 7-11, 2017, POSTCITY Linz will be the setting of a stimulating, comprehensive confrontation with the reality and the vision of artificial intelligence. We talked to Ars Electronica Artistic Director Gerfried Stocker about this year’s festival theme.
March 13th is the deadline for submitting works of media art for 2017 Prix Ars Electronica prize consideration. In this interview, sound artist Emre Erkal, one of this year’s jurors in the Digital Musics & Sound Art category, talks about sounds, architecture and artificial intelligence.