Forgotten feelings and false memories
In the residency program "STEAM Imaging IV", Turkish artist Zeynep Abes is tracing the secrets of memory.
Tools to Confront Unbalanced Realities
What rights do you have in the location of your residence? In his work, artist Irakli Sabekia deals with the spatial and social memory of people who have been forcefully displaced.
State of the ART(ist): “Art is neither warlike nor peaceful”
We are convinced that we need art as a space where contradictions can be possible. But how do you deal with these contradictions in times of war? What influence does this have on curation and how does one implement the theme of political persecution in an Open Call?
Circular Records for Circular Futures
Can records be made from biomaterials? Artists Kat Austen and Fara Peluso think so and will work on developing a low-carbon alternative to vinyl during their S+T+ARTS Residency.
It's a wrap! This was the first ArtScience Residency enabled by Art Collection Deutsche Telekom
AI, bias, listening infrastructures and art: Laura Welzenbach, Head of Ars Electronica Export, is looking back at the first year of the ArtScience Residency enabled by Art Collection Deutsche Telekom.
Artificial intelligence as a meta-researcher
An international collective experimenting between art and science. A multidisciplinary educational organization to explore the origin and nature of life in the universe and the evolution of intelligence. The beginning of a wonderful friendship.
He lets mini-robots make music
An interview with this year's EMAP Residency Artist: Moritz Simon Geist!
The Voice of the Future
As part of the ArtScience Residency Program enabled by the Art Collection Telekom artist Kyriaki Goni is working on a project that focuses on the voice of digital assistants and the problem of surveillance.
The Future Is Coded
Travel restrictions raise new challenges for cross-boundary artistic/scientific research. Residencies at the Ars Electronica Futurelab remain a source of mutual inspiration.
Step into Space
Wanted: Our place in the universe. Found: A team that combines humans and AI to answer fundamental questions. Sarah Petkus and Mark J. Koch aim to educate artificial intelligence to become an individual.
Tears for the Sea
She spent most of her childhood on merchant marine vessels and has developed an ever closer relationship with nature through her proximity to the sea. During her EMAP/EMARE residency, as a media artist, Kasia Molga tells how she came to her project "How to make an Ocean?", how personal grief and COVID-19 gave her work new impulses and why she came up with the idea of collecting her own tears.
A entire tree with branches and leaves, but as small as a potted plant: a bonsai becomes the symbol of "In Vivo", which illuminates the border region between life and death. Behind it are the two artists Ernest Wu and Jake Tan from Singapore, who are working on their interactive installation as part of the artist residence "STEAM Imaging II" by Fraunhofer Institute. The work will be presented next year at the Ars Electronica Festival.
The Wandering Mind: Feel the Pulse of the Earth
Feel global environmental data, experience it with your own senses and be connected to the Blue Planet even more intensively as a human being: This is the aim of The Wandering Mind project by the artist duo slow immediate. In a few weeks their residency will start in Argentina and Austria - organized by the European ARTificial Intelligence Lab.
The Wandering Artist Project
For her proposal to send a robot with artistic skills into outer space, robotics engineer Sarah Petkus was the recipient of an Honorary Mention from the 2016 art&science@ESA. In this interview, she talks about her plans for her upcoming residency at the European Space Agency (ESA) and the Ars Electronica Futurelab, about humane robots, and the essential elements that actually constitute a robot.
The Journey to Mars
Even if signals aren’t being received from the Schiaparelli Test Lander on that evening, we nevertheless had an absolutely fascinating time at the ESA Mission Control Centre in Darmstadt, where we followed the decisive moments of the Mars landing in the company of scientists and artist Aoife Van Linden Tol. Here, we present a few impressions of the journey.
On Absurd Landscapes and Habitable Exoplanets
The artists collective Quadrature began Part 2 of their art & science residency at the Ars Electronica Futurelab a few days ago. The three artists spent the first part at the European Southern Observatory (ESO) in Chile in late May. To find out what they experienced, why they found everything there absurd and what they think about habitable exoplanets, read this interview.
Aoife Van Linden Tol: Explosions as Creative Forces
Violent explosions are sources of particular fascination to artist Aoife Van Linden Tol. An art&science residency is giving her the opportunity to visit the European Space Agency (ESA) and Ars Electronica Futurelab to soak up a healthy dose of inspiration for her next project. In this interview, she talks about, among other things, the fact that there’s a lot more to explosions than destructive force.
SPARKS project trilogy on touring exhibition
The first series of SPARKS exhibitions running in four European cities showcases four artist-in-residency recipients’ highly individualistic takes on the subject of Responsible Research and Innovation and the fascinating ways they developed them further at the Ars Electronica Futurelab.
“We won’t soon be taking another trip so close to outer space!” Now, that sure hits the nail on the head as a succinct description of the once-in-a-lifetime opportunity this Residency provides. An artists’ collective—Jan Bernstein, Juliane Götz and Sebastian Neitsch—got the nod from the European Digital Art & Science Network’s jury and departed for Chile in late May 2016 to get a close-up look at the European Southern Observatory’s (ESO) locations there and get acquainted with scientists on site. We accompanied them on their trip.
Quadrature: "We feel a bit like explorers ourselves"
And indeed, their concept was a great discovery for the jurors too. Under the aegis of the European Digital Art & Science Network, an artists’ collective named Quadrature will spend several weeks at the European Southern Observatory (ESO) in Chile and then at the Ars Electronica Futurelab, and present the results of their work at the 2016 Ars Electronica Festival.
Becoming a resident with sparking ideas
We are pleased to announce the names of the artists who will be coming to the Ars Electronica Futurelab to develop exhibits for the Sparks project!