Das Programm „Pianographique – Music and Images by Humans and Machines“ wurde am 21. September 2023 im Rahmen des renommierten multidisziplinären Festivals transart23 in Bozen, Südtirol, präsentiert. Es vereinte zwei aktuelle künstlerische Forschungsprojekte der Ars Electronica, die sich der kreativen Verschmelzung von Instrumentalmusik und digitalen Technologien widmen.
Music made by man and machine: For the Big Concert Night at the 2019 Ars Electronica Festival, Ali Nikrang, Key Researcher at the Ars Electronica Futurelab, added to Gustav Mahler’s unfinished Tenth Symphony – together with an artificially intelligent algorithm.
“Il mondo della luna – The World in the moon” by Joseph Haydn at the 2009 international Bruckner Festival “Il mondo della luna” has been performed in the Brucknerhaus by the Bruckner Orchestra Linz under conductor Martin Sieghart.
As a follow-up to their “Das Rheingold – Visionized” pilot project, the Ars Electronica Futurelab again collaborated with artist Johannes Deutsch on a performance of Gustav Mahler’s Symphony Nr. 2 in C minor as an interactive visualization in three-dimensional space.
Following the successful virtual staging of Richard Wagner’s Das Rheingold (2004) and Gustav Mahler’s Symphony Nr. 2 in C Minor (2006), the series of projects was carried on by a collaborative effort of Ars Electronica Futurelab and the Brucknerfest with a performance of Le Sacre du Printemps (“The Rite of Spring”).
On September 26th and 28th, 2004, a concert performance of Richard Wagner’s Das Rheingold under the direction of Dennis Russell Davies and the Bruckner Orchestra Linz took place in the Great Hall of the Brucknerhaus Linz with an interactive 3D visualization by Johannes Deutsch and Ars Electronica Futurelab.