The project prompts reflection on reality and knowledge, blurring physical and virtual lines to show that meaning transcends boundaries. Dancing with data in virtual spaces suggests dynamic, participatory interaction with information.
This installation reflects the philosophical concept of perception as a mirror of reality. Just as the sea reflects light, the artwork reflects not only physical light but also, metaphorically, the less visible aspects of marine life.
This work reflects on the crisis of invasive species in the Mediterranean, immersing us in the marine habitat to empathize with the ecosystem’s situation and contemplate our and other species environmental footprint.
This artwork highlights interconnectedness in ecosystems showing that all life forms, visible or invisible, are linked and vital. It emphasizes the balance of opposites within nature and the value of species unseen by humans.
Just as substances in water can obscure its transparency, lack of awareness can cloud our understanding of environmental issues. This SciArt work suggests a dialogue about the boundaries between our activity and natural processes, inviting us to think that all parts of the universe are interconnected.
Das Linz Institute of Technology (LIT) der JKU präsentiert acht Projekte, die jeweils die Synergie zwischen künstlerischer Erforschung und wissenschaftlicher Forschung demonstrieren. Diese Projekte zeigen, wie Kreativität wissenschaftliche Entdeckungen vorantreiben kann und wie wissenschaftliche Herausforderungen wiederum künstlerische Innovationen inspirieren können.
After handling human fates, the Moiræ turn to exercise their power over a rudimentary AI: a cellular automaton. Synthetic lives are born from chaos and randomness harvested from the environment, and as the three Greek goddesses of fate spin, measure, and cut, the synthetic lives unravel like holes punched into a long strip of paper.
The Right to Be Forgotten questions existing data collection practices in which the excessive sharing of personal data is a technological norm. It explores the options for deleting one’s online identity from cyberspace.
Throughout my work in the photo lab, I have been turning everyday visual imagery into abstract art. I replaced the negative film with an electric display. The found images go through a transformation that can be linked to a spontaneous process and cannot be repeated.
Resonating Stories redefines the contemporary reading experience by combining language, code, visual notation, and sound to create an alternative reading experience for Don DeLillo’s novel White Noise.
Exploration of data-ism through an installation that bridges physical and digital spaces, featuring non-human digital entities called data-humanoids. It reflects the fragility of human data-based identity.
I explore the transformation of our attitude to physical materials with the rise of digital technology through this interactive woven installation that reacts to its environment and starts to move without any touch.