Polysocial Realities: the Emancipatory Potential of Technology to Build Communities
Pintian Liu, Jenn Leung, Arshiya Vij, Serra Ozdemir, Jyles Rodgers

A student-led panel conversation, exploring the following themes through the lens of technology: community building; expanding subjectivities; polysocial or parasocial; revolutionary movements; traces of communication; presence and/or absence; deferral and difference, mismatch and incongruity; provocative/viable/safe spaces; identity (politics); xenofeminism; (machine learning) bias.

Branch Magazine Symposium: Solarpunk and Other Worlds
Host: Christine Lariviere (CA) Climate Communications; Speakers: Luiza Prado (BR), artist, writer, and researcher, Sarah Friend (CA) artist and software developer, Jay Springett (UK) strategist and writer

Welche Art von Geschichten sollten wir im Zusammenhang mit einer durch den Klimawandel veränderten Welt erzählen, und welche Rolle spielen Technologie und Internet in dieser Erzählung?

Branch Magazine Symposium: Welcome and Opening Plenary
Hosts: Michelle Thorne (US/DE) Editor, Branch Magazine and Senior Program Officer, Mozilla, Chris Adams (UK/DE) Editor, Branch Magazine and Director, The Green Web Foundation

Wir träumen von einem nachhaltigen und gerechten Internet. Wie könnten wir die digitale Welt technisch, politisch und ästhetisch verändern? Kann das Internet bis 2030 frei von fossilen Brennstoffen werden? Wie sieht ein kohlenstoffbewusstes Internet aus?

Art in the Cloud | Panel Discussion IV
Theodora Barat (FR), Kattie Fan (HK), Linda Lai (HK), Jonathan Kemp (UK/AU), Alexey Marfin (UK), Kingsley NG (HK), Royce NG (AU/HK), Alvaro Cassinelli (UY/HK), Elke Reinhuber (DE/HK)

The development of media art and the online art space are both tightly enmeshed with technological innovations of their times. Art in the Cloud is a curatorial research that explores how the sudden growth of online art spaces contributes to the transformation of the presentation of media artworks. Specifically, we question how inherent characteristics such as interactivity and immersion shift in online exhibitions? How does today's online space contribute to, or limit artistic creativity?

Art in the Cloud | Panel Discussion III
Joseph Chan (HK), Marco Donnarumma (DE), David Rodriguez Gimeno (ES), Vvzela Kook (HK), Ray LC (US/HK), Lin Pey-Chwen (TW), Tamas PalWaliczsky (HU/HK)

The development of media art and the online art space are both tightly enmeshed with the technological innovations of their times. Art in the Cloud is curatorial research that explores how the sudden growth of online art spaces contributes to the transformation of the presentation of media artworks. Specifically, we question how inherent characteristics such as interactivity and immersion shift in online exhibitions. How does today's online space contribute to, or limit, artistic creativity? What are some of the unexpected challenges that artists have encountered? What are some of the new potentials that emerge from the technological impediments we come across?

Art in the Cloud | Panel Discussion II
Jeffrey Geiringer (US/HK), Joanna Hoffmann (PL), Tobias Klein (GR/HK), Cédric Maridet (FR/HK), Ellen Pau (HK), Yu-Chuan Tseng (TW), Ken Ueno (US), Alvaro Cassinelli (UY/HK)

The development of media art and the online art space are both tightly enmeshed with the technological innovations of their times. Art in the Cloud is curatorial research that explores how the sudden growth of online art spaces contributes to the transformation of the presentation of media artworks. Specifically, we question how inherent characteristics such as interactivity and immersion shift in online exhibitions. How does today's online space contribute to, or limit, artistic creativity? What are some of the unexpected challenges that artists have encountered? What are some of the new potentials that emerge from the technological impediments we come across?

Art in the Cloud | Panel Discussion I
Tuçe Erel (DE), Ryo Ikeshiro (JP/UK/HK), Vincent Ruijters (Nl/JP), Tsui Ka Hei, Haze (HK), Elaine Wong (HK), Viola Yip (HK/GR), Damien Charrieras (FR/HK)

PATH Z: DIALOGUES AND ENCOUNTERS
Paul Merchant (GB), Catalina Valdés (CL), Green Art Lab Alliance – Cocina CoLaboratorio, Pollinaria, Fundación Mar Adentro, Undecided Productions, Polyco Contemporary Art Initiatives, Temporary Art Platform, Yasmine Ostendorf (various countries in South America, Asia and Europe)

Bringing together art and science practitioners and cultural actors to touch upon different forms of collaboration within the field of art & ecology, visitors will be able to tap into pre-recorded encounters and navigate through an interactive visual map created within a Miró board to hear the voices of practitioners across latitudes and longitudes.

Robots are people, too
Miha Turšič (NL/SI), Madeline Gannon (US), Francesco Rea (IT), Miquel Cantero (ES), Maria Eugenia (Xenia) Beltrán (ES)

During the event, Waag showcases collaborative robotics as they are getting developed through the VOJEXT project.

Uncanny Dream: Artist-talks with exhibition participants
Gray Cake (Kate Pryanik, Sasha Serechenko) (RU), Mitry Grankov (RU)

Gray Cake (Kate Pryanik, Sasha Serechenko) (RU) the “Dreams of the Machine” artists work with the phenomenon of AI and, starting from the concept of human consciousness, they ask the question of the existence of “algorithmic unconscious”. Mitry Grankov – “Art translator”. Using the phone camera, the translator is asked to “translate” real works of art from museum collections into different languages.