Performances

Dilan group

Boshra Khademlou, Vahideh Moghari, Saba Shirazi, Neda Ravaei, Nasim Sabet, Ghadam Rosa, Ghasem Zadeh, Rozhin Ebrahimi

Performance of Sama, an Iranian dance based on ritual movement and mystic resonance between a person and God. it also resembles a symbolic relationship between Earth and sky.

GOLTAM

Ideh Abootalebi (IR)

A performance showing different expressions of a person in the modern era of Iran, living in and out of herself, trying to get to something like a definition of existence.

Establishing foundations for becoming professional in theater based on Student theater

Reza Kianian (IR), Dr Ghotbedin Sadeghi (IR), Dr Esmaeil Shafiee (IR), Moein Mohebalian (IR)

There are some interviews about student theater subjects with famous artists in cinema, theater and performing arts of Iran, particularly about (acting journey, academic life, experimental life, Interview of Moein Mohebalian with Reza Kiyaniyan, actor, theater director and writer), (University theater committee/theatrical society, Interview with Professor Ghotbedin Sadeghi, director, author, researcher, translator, faculty member of university) interview with associate professor Esmaeel Shafiee, Director, researcher, author, and faculty member of Tehran art university about student university theater. All the artists come from Iran.

Sonic Garden - Wed. Sep 8

Pantea and Momo Zeli (IR) – Vedad Famourzadeh (IR)

This mixtape represents the progress of Everyday, an artistic research project led by pantea and momo zeli. The project aims to foreground the unheard sounds of everyday cultures; sounds which are less acknowledged and explored in the creative musical heritage, sounds which embody local knowledge, cultural practices of the vernacular, and ecologies - many of which were not made for musical purposes in the first place. Through the project recordings are being highlighted that denote a blurred line between everyday sounds and musicality.

EVA London

Terry Trickett (GB), Dr Jon Weinel (GB), Dr Sean Clark (GB)

At the EVA (Electronic Visualisation and the Arts) conferences, ‘music’ as an international language, is taking an ever-increasing role in promoting the exchange of ideas across the worldwide community. EVA London acts as a focal point for this, promoting new adventures into the music visualisations of the future.

Journey

Clara Francesca, Anne Wichmann

XRE's Journey of A Portal in A New Digital Deal

PostSensorium. Hearing Notes

Krista Dintere (LV), Ivo Taurins (LV), Lauris Smits (LV), RIXC (LV), LiepU MPLab (LV)

Our senses have always been “mediated” – the sound can't be heard without the “medium” of water or air. With more recent enhancements of immersive and sensing technologies, our 'sensoriums' have intensified and become more mediated than ever before (Caroline A Jones, 2006). The 'constructivist' potential of the sound has been used to a large extent in music or radio, whereas 'experiential' capabilities such as sensual and immersive properties of the sound have been mainly explored by art practices that emerge outside of purely musical environments.

Bio Ink Experience

Ars Electronica Futurelab (AT)

In der Natur leben wir mit vielen Organismen zusammen und interagieren mit ihnen. Die Arbeit mit ihnen hilft uns, andere Wesen und uns selbst besser zu verstehen. Unsere Bio-Ink-Forschung überwindet digitale und menschenzentrierte Technologien, indem wir das Konzept lebender Tinte erforschen, die in einer kreativen Symbiose mit der Natur und anderen Organismen frei wächst. Im Rahmen der Forschung werden biologische Tinten aus verschiedenen Mikroorganismen im Biolabor hergestellt.

Chosho Hakkei in Rittor Base - Live Performance ver

evala (See by Your Ears) (JP)

“Chosho Hakkei in Rittor Base - HPL ver,” which won Prix Ars Electronica 2021 Digital Musics & Sound Art Honorary Mentions, originated from three works presented in the sound exhibition ”Chosho Hakkei”' held in 2019 at Nakazu Bashoen Garden and Marugame Museum of Art in Kagawa Prefecture.

CoBot Studio

LIT Robopsychology Lab, Johannes Kepler Universität Linz (AT), Center for Human-Computer Interaction, Universität Salzburg (AT), JOANNEUM RESEARCH – ROBOTICS (AT), Polycular OG (AT), Österr. Forschungsinstitut für Artificial Intelligence OFAI (AT), Blue Danube Robotics GmbH (AT), Ars Electronica Futurelab (AT)

Wenn Menschen und Roboter zusammenarbeiten, ist das nicht immer einfach: Verbreitete Skepsis und fehlende Paradigmen in der Kommunikation werden in Zukunft für neue Herausforderungen am Arbeitsplatz sorgen. Wie kann Vertrauen und Akzeptanz entstehen? Wie können Arbeitsumgebungen für Menschen und Roboter gestaltet sein?