This year’s Digital Humanity Award winners are the grassroots organisation Masakhane, which specialises in bringing African languages closer to the technology industry.
“Pollinator Pathmaker” by Alexandra Daisy Ginsberg is this year’s winning project in the Artistic Exploration category of the STARTS Prize.
Suhun Lee has been selected as the first curator in residence for the Curatorial Residency Program enabled by ARKO. In this guest article, she describes her personal impressions of the Prix Ars Electronica Jury Weekend.
This year’s Golden Nica in the category “Digital Musics & Sound Art” goes to the collective Atractor + Semántica Productions, for their project A Tale of Two Seeds: Sound and Silence in Latin America’s Andean Plains.
In an interview with artist Dorotea Dolinšek, we discover the secrets of the microbiome and how our symbiotic relationship with microorganisms affects our well-being.
Digitization is not only changing our definition of truth, but also the question of what ownership means in today’s digital world.
Experts from around the world met in Linz to agree on the Golden Nicas of the Prix Ars Electronica 2023.
Ownership and truth in the age of artificial intelligence – the Ars Electronica Festival 2023 will explore this spectrum of topics and the questions they raise.
With “Horst Schlager,” the Ars Electronica Center infiltrates a media art figure into Facebook’s extremist underground in order to understand and communicate political grievances.
Mastodon as the perfect alternative to Twitter? Find out why we chose the platform and whether we agree here.
What do jackets made of orange peel, parasites for smart home devices and the monitoring of our oceans have in common? That’s right! They all characterize the enormous thematic scope of the S+T+ARTS Prize.
For the third round of the ArtScience Residency Rainald Schumacher met artist Špela Petrič, the winner of the 2023 edition, for an interview.
The European Union Prize for Citizen Science recognizes the achievements of Citizen Science initiatives in Europe, but what exactly is being sought and why is Citizen Science so important? Find out more here!
The year 2022 is coming to a close, and that means it’s time once again to look back on the Ars Electronica Themes 2022.
In the second part of our Year In Review, we turn our attention not only to art, but also to the exciting stories of the people behind it.
Citizen Science has many faces, Elias Silber is one of them: His commitment optimized the energy balance of Ars Electronica within a minimum of time.
We experiment, develop and tell stories with technology. The first part of Ars Electronica’s 2022 Year in Review shows how.
Ars Electronica as a platform for art, technology and society and collaborative projects sponsored by the European Union belong inseparably together. Why is that so? We’ll tell you here:
Migration and displacement pose some of the biggest humanitarian challenges of our time. The winner of this year’s ArtScience Residency enabled by Art Collection Deutsche Telekom, Irakli Sabekia, addressed the issues of spatial justice in his project the “Archive of Spatial Knowledge”.
The new exhibition about the Kepler Observatory at the Ars Electronica Center shows that amateur astronomers can still contribute to scientific achievements today.
This is by far only a small excerpt of the many impressions with which the 2022 Ars Electronica Festival in Linz thrilled us in five days.
In the residency program “STEAM Imaging IV”, Turkish artist Zeynep Abes is tracing the secrets of memory.
With “Songs for Amelia Earhart,” Laurie Anderson and Dennis Russell Davies, together with the Brno Filharmonic Orchestra and cellist Rubin Kodheli, pay tribute to the pioneer of the skies and tell of her last flight around the world.
From climate change to microbiology and artificial intelligence: the most experimental ideas from the Ars Electronica Futurelab will once again be presented at this year’s festival.
This year, Ars Electronica Garden Partners will not only be on display online, but will be invited to actively contribute their perspectives and projects to the Festival’s core program, which will take place in Linz.