Since September, the new exhibition “Me and the Machines” has been awaiting you at the Ars Electroncia Center.
How the Ars Electronica Futurelab celebrated the Festival with guests and the public – open, multifaceted and always surprising.
The Ars Electronica Festival 2022 is in the books! Join us as we look back on five days of unique exhibitions, exciting performances, moving lectures and countless events.
Opening at the Ars Electronica Festival 2022: The brand-new Life Ink exhibition aims to explore the secrets of creativity.
On the last day of the festival, the focus will be on art. But as always, there will also be a variety of exciting projects on contemporary topics such as climate change, robotics or crisis management waiting for you.
The Saturday of the festival awaits you with numerous inspirations for jointly taking steps towards a future in which we meet inevitable challenges as a global community.
What are the highlights of the Friday of the Ars Electronica Festival? We’ll give you some interesting insights into the packed program.
The first day of the Ars Electronica Festival awaits you with exciting performances and lots of art, technology and new inspirations.
Ars Electronica has set itself the goal of taking its social responsibility seriously. One expression of this is the create your world program.
This year, Ars Electronica Garden Partners will not only be on display online, but will be invited to actively contribute their perspectives and projects to the Festival’s core program, which will take place in Linz.
Contemporary Latin-American Art combined with technology: The CIFO-Ars Electronica Awards offer a new perspective on media art and tackling global challenges.
… or pink doves? The Ars Electronica Festival’s Kunstunicampus attempts to think the seemingly impossible, to vision the unthinkable. Above all, the aim is to enable images and metaphors that carry a creative power within them and inspire us to create our own picture of our world.
The exhibition took a closer look at the European particle physics laboratory CERN, covering its history, daily activities and the ambitious goals of the global research project.
“STUDIO(dys)TOPIA” explores how humankind can transform sustainable practices into action and serves as a metaphor for our present, in which the concepts of dystopias and utopias find themselves in a changed reality.
Latin American art meets media art: A new collaboration between CIFO and Ars Electronica aims to support the Latin American art scene and to bring a number of outstanding artists and projects closer to the international audience.
Hardly any other technology currently leaves us as perplexed as artificial intelligence. The exhibition “Mission AI” at the Deutsches Museum Bonn now also conveys a deep understanding.
At the Ars Electronica Center’s VRLab, it was possible to immerse yourself in virtual worlds and superimpose data on our reality.
The exhibition “Creative Robotics” traced how industrial robots, outside their original use, became a medium of artistic and creative expression and a catalyst for the implementation of innovative ideas.
The exhibition “The World in 100 Years” paid tribute to great thinkers and activists who were ahead of their time and worked for a vision of the future.
The interaction between the Atacama sky and clouds with the local audience in Linz: these Chilean artists will represent their home country at the Ars Electronica Festival 2022.
The exhibition “Spaceship Earth” dealt with the question of what we can learn about our planet by observing it.
Two years late, TIME OUT is entering its next round. Students from the Linz Art University’s “Time-Based and Interactive Media Arts” program are showing selected works at the Ars Electronica Center.
With the CAVE, the Ars Electronica Futurelab laid the foundation for this experiential environment in the 1990s. “Deep Space EVOLUTION” is Ars Electronica’s next chapter when it comes to immersive visual worlds.
The exhibition Mirages & miracles at the Ars Electronica Center staged augmented reality in a virtuoso and imaginative way.
MIT-Medialab’s inFORM application addressed the question of how to get the digital back into the physical world.
Outside is winter, inside we harvest our own grain. Three months we have struggled, spent more than 400 euros, but harvested less than 800 grams of barley.