Events / Concerts / Performances

MOREOVER

Wobbly (US), Jennifer Walshe (IE)

Schalten Sie ein für die Enthüllung, das Auspacken und die Präsentation des MOREOVER-Infomercials für 2020. Was ist MOREOVER?

Moon Machine Field Trip

Tobias Euler (DE), Thies Mynther (DE), Veit Sprenger (DE)

The Moon Machine ist eine mobile Musikinsel, eine Bastelarbeit aus pneumatischen Instrumenten und mechatronischen Klangmaschinen, Sonnenschirm, Signalhörnern und akustischen Kollisionswarngeräten.

Aotearoa New Zealand Hub

The exhibition in Mozilla Hubs features 25 projects from New Zealand's technologists, artists and University researchers. visit www.ars.nz

Corona Improv Sessions

Many International Artists (INT)

Die Corona-Improv-Sitzungen begannen im globalen Lockdown. Jeden Sonntag kamen die Performer telematisch zusammen, um gemeinsam Musik und visuelle Werke an weit entfernten Orten zu produzieren.

WAHAWAEWAO

Gibson / Martelli (UK), Carol Brown (NZ) and Russell Scoones (NZ)

Movement and landscape in flux, five figures wander across the landscape of Central Otago. Between the rocks and crevices, they move. In this moving image installation, we explore our persistent longing for belonging in an age of virtual travel. Filmed in the raw physical landscapes of Central Otago and the Motion Capture Studio of CoLab AUT in Auckland, we map between radically different scapes.

Tagtool Connect

Bei ihrem vierten Auftritt beim Festival Ars Electronica präsentieren OMAi die erste öffentliche Online-Multiplayer-Tagtool-Session, bei der sich ausgewählte internationale Künstler*innen über das Internet zusammenschließen, um spontane Projektionskunst zu schaffen.

SPLEEN MACHINE

Alex Braga (IT)

SPLEEN MACHINE dokumentiert die jahrelangen Forschungen von Alex Braga auf dem Gebiet von A.I. und die Kreation eines neuen Musikinstruments namens A-MINT, das der Schlussstein der sogenannten ‘Augmented Music’ ist.

Hege Tapio and Norwegian BioArt Arena

NOBA - Norwegian Bioart Arena (NO)

Introduction of NOBA – Norwegian Bioart Arena with our team, facilities and our collaboration partners across Norway. Featuring Hege Tapio (NO), Annike Flo (NO), Nora Vaage (NO), Solveig Arnesen (NO), Hanan Benammar (FR/DZ), Simon Daniel Tegnander (NO), FAEN-Female Artistic Experiments Norway (NO), Eva Bakkeslett, Centre for Genomic Gastronomy (NO/US) ,The Dinghy AiR (NO) , Steven Barstow(NO) , Marita Isobel Solberg and Trond Ansten (NO), Elind Rui Blix (NO) , NIBIO- The Norwegian Institute of Bioeconomy Research (NO)

NOBA- Norwegian BioArt Arena

NOBA - Norwegian Bioart Arena (NO)

Introduction of NOBA – Norwegian Bioart Arena with our team, facilities and our collaboration partners across Norway.

Human Oil – the last oil

Hege Tapio

Watch our premiere of Humanoil, a recorded performance by artist Hege Tapio, followed by the introduction of NOBA – Norwegian Bioart Arena. NOBA is the hub for the expanded field of bioart in Norway, and exists to bridge the gap between artists and scientists working on ecology, biology, technology, activism and art.

Bias, for bass clarinet and Interactive Music System

Artemi-Maria Gioti (GR), Szilárd Benes (HU)

Ein neuronales Netz, das darauf trainiert ist, meine eigenen ästhetischen Urteile zu simulieren, ist verantwortlich für die Entscheidungen des Computers während seiner Interaktion mit dem Musiker: d.h., ob es die von ihm gespielten Klänge "spiegelt", neues Klangmaterial vorschlägt oder einfach nur schweigt.

Machine folk music school

Bob L. T. Sturm (US)

Die "Machine Folk Music School" wird von Bob L. T. Sturm (US) per Videokonferenz geleitet. Er lehrt eine KI-generierte Volksmelodie in der klanglichen Tradition. Alle Musikinstrumente sind willkommen.

Folk the Algorithms

Bob L. T. Sturm (US)

Sturm builds, learns from and collaborates with AI systems trained on transcriptions of traditional music. These systems effectively generate an unlimited supply of new tunes imitating traditional ones. Sometimes these tunes are perfect as they are, and sometimes they are imperfect in interesting ways, but they all lack the credentials of “real” traditional tunes.

Gala Mariachi Dron

Ars Electronica Garden Tequila, Oficina de visitantes y convenciones, Cámara Nacional de Comercio, SwarmPixel Thiret/Creative and Producer Director

This piece is a tribute from Mexico to Austria inspired by the world-renowned project Spaxels (pixels in space) by Ars Electronica Futurelab. What we will see is a spectacular collaboration between Mariachi artists, technologists and scientists with the objective of remembering the beauty and love of our country through our music that reflects our passion and the union to face any future.

Hybrid Tech-ila: Imagining landscapes through neural networks.

GAN breeder, Pedro H. Baez by AI/THEIA

Hybridization of art is -more and more- a common subject for artists seeking inspiration and tools for extending their imagination. GAN breeder is an open source Neural Network that processes images and reinterprets them to produce new results. By choosing a selection of images, the curator can partake onto a different result.

The Sonic Adriatic Garden

In this 40-minute-long program, we will present fragments of compositions by selected artists, which showcase the above or underwater sonic scapes of the Adriatic Sea. All of the featured sound works can be listened to in their entirety within the sonoAdriatic tales program. The Sonic Adriatic Garden is a special part of the project, devoted to the sonic wilderness of the Adriatic Sea, which offers the audiences a chance to immerse themselves into under/above water soundscapes of the region. Audiences are invited to open their ears and listen to the vast array of sounds, among them the sound mapping of the Korčula Island, an artist’s reflection on the tides, the circulation of the water body, and the melodies of diving in submerged caves of the Quarner bay area. Some of the tales deal with underwater noise pollution and showcase the human sonic impact on the underwater habitat and marine life, as well as the presence of morphologies hidden in the palimpsests of memory of the places once heavily exploited in the name of urbanization, tourism and industrial progress that marks the Adriatic Sea

Pangardenia Boat Trip

Saint-Petersburg is a city built on swamps and full of water. We don’t have much greenery rooted in soil, but we do have underwater “gardens” (microbiome of Neva, Fontanka, Krukov Kanal, etc.) and deeply layered swamp life in the city’s depth. This path will lead us through water nomadic gardens of the city and its outskirts. It will be a site-specific artistic boat-trip that collaborated with boat-drones whose task is to collect eco-data.

Evgeniy Molodsov: Ramus

Cultural institutions such as universities and museums are locked. Used to be full of activities and people, today they are abandoned gardens. We will visit these semi-closed, semi-live spaces and share this experience online to recreate them in virtual spaces and to find new ways for growing knowledge and art.

Boris Shershenkov: Short glimpse through the curtain (2020)

The Russian term Parniki means greenhouses but they hold a connotation of hot closed space for plants, mostly southern such as tomatoes. Because of the cold climate and less natural light in Saint Petersburg we need to create an artificial climate for growing most plants. On this path we visit artists at their homes; explore indoor gardening; autonomous existence; creating gardens for spaceships and any other types of "capsuled" life.

Science Gallery Detroit Presents Shigeto

Shigeto

Artists take on pseudonyms for a multitude of reasons, but in Zach Saginaw’s case those reasons run deeper than most. Shigeto is Zach’s middle name as well as his grandfather’s name: a tribute to the Japanese branch of Zach’s family tree. Shigeto also means “to grow bigger”—appropriate, given Zach’s premature birthweight of less than a pound. Today, Shigeto stands for Zach’s vividly beautiful electronic music. Beat-driven, but given to richly textured sound design; rhythmically fractured, but melodically sumptuous, Shigeto’s music is a bridge between the past and present, bringing the artist face to face with a creative legacy that spans decades.