Mozilla Hub

Emilie Trice & LAST/RESORT present Garden del Rio Grande
LAST/RESORT (US)
Garden del Rio Grande pays homage to the geographic region around the Rio Grande River, which runs from central Colorado along the U.S./Mexico border to the Gulf of Mexico. Our garden contemplates how technology can reconnect us to the land and amplify indigenous voices, while questioning to what extent can art and design fortify sustainable ecologies. Through emerging technology we seek to reverse-engineer the past in order to reimagine the future.

Meet the S+T+ARTS Community: Art & Sience Collaborations
Ingeborg Reichle (AT), Michael Sauer (AT), Robertina Šebjanič (SI), Gjino Šutić (HR)
Wenn KünstlerInnen, WissenschaftlerInnen und wissenschaftliche Forschungseinrichtungen in gemeinsamen Projekten zusammenarbeiten, führt die Kollision von Methoden oft zu neuen und spannenden Perspektiven für die künstlerische und wissenschaftliche Praxis.

Prix Ars Electronica
beim Ars Electronica Festival 2020
Seit über drei Jahrzehnten zählt der Prix Ars Electronica weltweit zu den begehrtesten Auszeichnungen digitaler Medienkunst und liefert mit den preisgekrönten Arbeiten internationaler Künstler*innen als Trendbarometer einen inspirierenden, aktuellen und zukunftsweisenden Einblick auf die Schnittstelle von Kunst, Technologie und Gesellschaft.

‘site inspection’ – Virtual cocktail party & FM4 Radio Show in VR
sound:frame / Eva Fischer (AT), Marijn Bril (NL), Angie Pohl (AT)
For this year’s Ars Electronica, sound:frame and Pausanio invite the audience to join an exclusive virtual cocktail party in the Area for Virtual Art’s mozilla hub space. Together we will teleport from one artist’s space to another and have a virtual toast.

'site inspection' - Virtual exhibition tour
sound:frame / Eva Fischer (AT), Marijn Bril (NL), Angie Pohl (AT)
The sound:frame curators Eva Fischer and Marijn Bril will guide through the Area for Virtual Art and talk with the exhibiting artists and some of the Area’s team members, about their approaches to virtuality and digitality.

sound:frame & Pausanio virtual – Area for Virtual Art
sound:frame / Eva Fischer (AT), Marijn Bril (NL), Angie Pohl (AT)
sound:frame together with Pausanio presents the Area for Virtual Art – an online platform for digital art and virtual formats. Discover current artistic approaches in virtual exhibitions and meet people in discussion programs and live events to exchange thoughts and create new ideas and concepts. The Area for Virtual Art develops into an international hub, giving a platform to current digital art forms and connecting people all over the world.

Virtual students’ exhibition “Hopes & Slopes”
VDA PhAMA (Department of Photography and Media Art at Vilnius Academy of Arts)
Made during the most intensive quarantine period works by artists from the youngest generation rethink isolation, solitude, remoteness, trauma and translate them into visual and aural vibes. All these artists are studying Animation or Photography and Media Art (PhAMA) at Vilnius Academy of Arts. - An exhibition by a group of young artists titled Hopes & Slopes is a place for a safe walk among what has fallen out a few months back.

Open Studios of LTMKS/Letmekoo.lt artists
Akvilė Anglickaitė, Tomas Daukša, Saulius Leonavičius, Tomas Martišauskis, Emilija Škarnulytė and others
Artists of Lithuanian Interdisciplinary Artists’ Association open up their working studios and invite to explore contexts of heterotopias, technological mythologies, structured commonism, hybridised beings.

CareLine
Matthias Janitsch, Simon Krist, Gabriel Neuberger / HTL Rennweg (AT)
Um die betreuten Personen morgens, mittags und abends mit Essen zu versorgen, beschäftigen Pflege- und Betreuungseinrichtungen Personal, das mit Servierwägen mehrere Male am Tag das zubereitete Essen sowie Besteck, Teller und Gläser von der Küche in den Speisesaal transportiert. Bei dem gesamten Prozess muss daher nicht nur eine weite Strecke zurückgelegt, sondern auch viel Zeit investiert werden, insgesamt nachgewiesene 1,5 Stunden pro Tag. Da sich Pflege- und Betreuungseinrichtungen rund um die Uhr und sieben Tage die Woche um die dort wohnhaften Personen kümmern, nimmt der Prozess in Summe rund 550 Stunden im Jahr in Anspruch. Diese Zeit könnte durchaus besser genutzt werden, um beispielsweise eine intensivere Pflege und Betreuung zu ermöglichen.

Postmasters presents Nicola Verlato, Donato Piccolo and Kristin Lucas
Paulina Bebecka - Postmasters Gallery, PostmastersROMA, Rome (IT)
In the current uncertain climate of physical disconnection, hyper digital connection and distortion of life as we know it, I wanted to express that humanity is still at the very core of our increasingly technological experience on earth. The chosen artists bring about an examination of reality and the need to cherish our humanity through various digital media, such as artificial intelligence, 3D scanning, 3D gaming software, generative 360 WebXR animation, drones, and techno.

Bartlett artists’ videos
The Bartlett School of Architecture, University College London (UK)
A 1-hour collection of student project films from the Bartlett School of Architecture’s Interactive Architecture Lab, Automated Architecture Ltd/Automated Architecture Labs, BioID, Unit 24, Unit 9, Unit 14, RC14.

Evening in IAL hubs space
The Bartlett School of Architecture, University College London (UK)
Live performance / DJ set - The monotony of daily Zoom calls and Skype meetings is disrupted by using the video streams of participants to create colourful, live coded visuals which will be mixed and synced with live DJ sets from a selection of current Bartlett students and staff bringing a London soundscape to festival visitors. Lean back (or dance) and join us with a drink or two!

Alexander Whitley Dance Company
The Bartlett School of Architecture, University College London (UK)
Initiated in response to the Covid-19 lockdown, Digital Body uses motion capture technology to digitise sequences of choreography and makes them freely available online. CHAOTIC BODY brings together three composers and digital artists to collaborate with AWDC company on the creation of three short films and AR projects taking inspiration from chaos theory and the associated geometric patterns in nature.

ScanLAB Projects HUB
The Bartlett School of Architecture, University College London (UK)
Unit 9 is a design studio within the undergraduate architecture programme at the Bartlett UCL. Led by Jessica In and Chee-Kit Lai, the Unit has developed a continued interest in the performative aspects of new technologies and their expressive potentials for the design and representation of architecture.

Jason Bruges Studio (UK)
The Bartlett School of Architecture, University College London (UK)
A curated selection of talks and 360 films that provide insight into the Studio’s process and practice. Normally inhabiting physical spaces, a number of the Studio’s installations are transformed and brought to a virtual audience for the first time.

Urbanism Beyond Cognition
The Bartlett School of Architecture, University College London (UK)
Developed by Research Cluster 14, the projects showcase how data allows designers to expand their remit by design at the scale of a country or how AI can give agency to non-human ecological and robotic actors.

PG24
The Bartlett School of Architecture, University College London (UK)
PG24 is a group of architectural storytellers employing design, film, animation, drawing, virtual and augmented reality and physical modelling to rethink architecture’s relationship with time. We find inspiration in the dialogue between film and architecture, study their intertwined histories and seek the magical possibilities arising from their fusion.

BSc Unit 9 HUB
The Bartlett School of Architecture, University College London (UK)
Unit 9 is a design studio within the undergraduate architecture programme at the Bartlett UCL. Led by Jessica In and Chee-Kit Lai, the Unit has developed a continued interest in the performative aspects of new technologies and their expressive potentials for the design and representation of architecture.

Luminous Crusting, Bio-ID
The Bartlett School of Architecture, University College London (UK)
Luminous Crusting is a project that questions perceptual and environmental ‘flatness’ of synthetic materials in comparison to extremely thin, but highly expressive and performative biogenic ‘micro-crusts’. These living, grown micro-crusts are highly ordered three-dimensional structures on a microscopic level. As such, they act not only as visual enhancers through deep iridescent appearance that changes with light and viewers movement, but as a living mediator between building tissue and the environment.

Automated Architecture Labs HUB
The Bartlett School of Architecture, University College London (UK)
AUAR Labs is the research laboratory co-directed by Mollie Claypool, Manuel Jimenez Garcia and Gilles Retsin at The Bartlett School of Architecture, previously known as Design Computation Lab. As part of AUAR Labs co-directors run the studio Research Cluster 4 (RC4) in MArch Architectural Design at The Bartlett focused on automated housing. The work of RC4 believes in the agency of architecture for change. Automation is not only about robots – it is first and foremost a design project.