Liusa Wang presents aaajiao
LIUSA WANG (FR), Paris

In this video bot., the artist presents a portrait of memory built on a machine’s assumptions of how people would think a machine interprets the mind. He borrows aesthetics from existing role-playing action games such as Mother3, Adventureland, Undertale, and ROM, to create awareness of our world in 2018 – a perhaps slightly dystopian impression – and to introduce a conception of memory that sets itself apart from present understandings.

Tech-ila Master Craftsman
Oficina de Visitante y Convenciones (OFVC), Cámara Nacional de la Industria del Tequila (CNIT), Zonaga and Mad Machina

The master class is an approach to the materials, hands and stories behind each Tequila Máster "artisan", a product made by years of history and essence accompanied by new technological resources that will make understanding the future of How do we produce, transmit and collect culture? How do we create ancestral products for the future? How do we mold our worldview into an object?

Axis - Antena system
Víctor Mazón Gardoqui (ES/DE)

Audiovisual Immersive AR/VR piece Axis research builds a dialogue that both explores and critically addresses the sphere of Earth’s natural energy phenomena, in contrast to the human impact on Antarctica and its implications for living systems and their biopolitical interconnections. A series of actions with the first study for an ice logarithmic periodic antenna to capture the EM phenomena, combining reception/transmission through custom-made electronic devices and site-specific interventions on the Antarctic Hertzian space.

aqua_forensic - Underwater Interception of Biotweaking in Aquatocene
Robertina Šebjanič (SI), Gjino Šutić (HR)

aqua_forensic illuminates the invisible anthropogenic pharmaceutical pollutants—residues of human consumption. The project combines art/science/citizen science in a “hunt for a monster” and opens the discussion about our solidarity and empathy with waters beyond human perception.

Habitat 
Heleen Blanken (NL)

The environmental crisis and the destruction of habitats forces us to imagine a future in which nature can be remembered in digital form. Natural history museums seek to preserve nature physically by fixing it in time and space. How might the archiving of nature evolve in a digital context? Could it bring us even closer to nature?  Habitat is a data-driven installation that uses 3D scans of organic artefacts such as stones, corals and fossils from Leiden’s Naturalis Biodiversity Center and transforms them into a game-like, meditative environment. You are invited to reconnect with the wonder of nature as you navigate through a series of ever-evolving digital worlds, each accompanied by its own soundscape. Original installation is on display at Nxt Museum. 

Econtinuum
Kathy Steppe (BE), Thijs Biersteker (NL). Moderation: Bogomir Doringer (RS/NL) 

We do not acknowledge that collaboration with plants is paramount to our existence.  Econtinuum is a new installation by ecological artist Thijs Biersteker, in partnership with different scientists and commissioned by Nxt Museum. It visualises the latest pioneering research into plant-to-plant communication. In discussion with the artist and bio-engineer in environmental technology, we will uncover how trees work together, how to learn from each other, warn each other and share nutrients, but also how we can learn from it to improve our own communication and relationships. We can again connect with nature by using the latest technology.

Future Focus – Fragile Worlds I
Invisible Flock, Kasia Molga, Dr. Joanne Tippett, Irini Papadimitriou

This session takes viewers on a virtual studio tour and conversation with artists sharing work, and engaging with and responding to environmental change, and an exploration of how stories of a changing landscape are communicated through nature and other species.

Valparaiso Brushwood
Gustavo Celedón (CL) Marcelo Raffo (CL) Verónica Francés (ES) Cristian Galarce López (CL)

Presenting a wide range of images of Valparaíso and exploring the city, this audiovisual capsule aims to elaborate Valparaíso Brushwood Garden as a concept, showing the current socio-political situation in our country, also presenting the contents of our project, featuring the artworks and artists from the Artistic Research Center.

Exhibition VR Room: Did I invite you to exhibit here?
Verónica Francés (ES)

Did I invite you…? hits pause (II) on the imposed new normal to articulate a deeper timeline -millenia back (<<)-, while including multiple parameters -molecular or cosmic (@)- in the analysis.

Irons
Gustavo Celedón Bórquez (CL)

A documentary-essay film of an art-action made in Valparaíso, Chile, in December 2019. The country had risen without return against a ruthless neoliberal economy. On a ruin of irons, a metaphor about the ending of modernity, this small art-action makes a conjuration with the installation of a symbol that sentences a destiny of justice and equality.

plasticpreneur
doing circular (AT)

The Austrian social & environmental start-up plasticpreneur by doing circular develops, produces and sells simple mobile plastics recycling machines and teaches social entrepreneurship skills that can be used to transform plastic waste into new products.

Observing the Microscopic Gardens
Saša Spačal (SI), Toby Kiers (NL/US), Esmee Geerken (NL), De Onkruidenier (NL), Spela Petric (SI), Nicola Triscott (UK)

The nocturnal roundtable “Observing the Microscopic Gardens” features three events: 1. Artist Saša Spačal and microbiologist professor Toby Kiers discuss microbial trade agreements 2. Artist/chemist Esmee Geerken and De Onkruideniers present their microscopic garden houses 3. Artist Spela Petric and curator Nicola Triscott discuss what opinions plants and animals might have about human activity on their/our planet.

Observing the Macroscopic Gardens
Christiaan Zwanikken (NL), Raoul Frese (NL), Angelo Vermeulen (BE), Remco Daalder (NL)

The nocturnal roundtable “Observing the Macroscopic Gardens” features two talks: 1. Artist Christaan Zwanikken will talk about city-dwelling plant robots with astrophysicist Raoul Frese 2. Artist-biologist Angelo Vermeulen will talk about socializing Mars-gardens with Remco Daalder, municipal ecologist of Amsterdam

EDEN – Ethics - Durability - Ecology - Nature
Olga Kisseleva (RU)

The project EDEN Ethics - Durability - Ecology – Nature touches on a range of issues, including the protection of endangered plant species and interspecific communication between living subjects that are placed in the “inhuman”category.

Design by Decay, Decay by Design
Andrea Ling (CA)

Design by Decay, Decay by Design is a series of artifacts that exhibit designed decay. They were done for the 2019 Ginkgo Bioworks Creative Residency on how to design a world without waste. As an architect and artist, I recognize that most of what I create goes to landfill. If that is the case, let me design waste that I can live with, garbage that retains some desirability as it degrades in sight and on site. Let me design waste as nature designs it, not only as the product of breakdown and destruction but also as input for renewal and construction.

Marinero - Tailored by weather
Jef Montes (NL)

The focus of Marinero is to create an architectural blueprint that transforms organically over the course of time. The vision is to design a new kind of production system resulting in adaptive garments that grow with us individually. The weavings have a warp of monofilament and a weft of integrated variable threads. The combination of these threads causes friction and results in dynamic shapes during different meteorological conditions such as: rain, heavy wind or drought.

Ethereal Fleeting
Lukas Truniger (CH), Itamar Bergfreund (CH), Bruce Yoder (US)

Eine Serie von Wolken, erzeugt von einer maschinenähnlichen Skulptur, schwebt in ihrer Umgebung und löst sich langsam wieder in Luft auf. Dieses vermeintlich natürliche Phänomen zeigt sich in merkwürdig wiederholenden Mustern.

Machine in Flux - Wood
Sunjoo Lee (KR), Ko de Beer (NL)

A documentation and cartography of time and environment inspired by the growth mechanism of the tree’s annual rings. The machine sensitively responds to changes of light, wind, temperature, humidity and sound – and inscribes these influences using ink on paper.

Earth Water Sky Artist Residency
Haseeb Ahmed (US)

2020 Earth Water Sky artist in residence Haseeb Ahmed (Sky) will present his film “The Wind Egg” and discuss his body of work, notably on particulates and the particular narratives carried by the wind, which is also the subject of his residency at Science Gallery Venice. The presentation will be followed by a question and answer session open to the public, moderated by residency producer/curator Ariane Koek.

A Diverse Monoculture
Jip van Leeuwenstein (NL)

”A Diverse Monoculture” is a new family of artificial species, which together form a hive of new predators. These predators are used in an attempt to restore the balance within our ecosystem. The first robot predator in the family is the Dionea Mechanica Muscipula, a creature designed to attract and digest oak processionary moths. The Dionaea Mechanica Muscipula is developed to reduce the population of oak processionary moths, an increasing plague.