Sonic Saturday: Audible Denial, Sonic Unheard

Image: Tatiana Panyaeva

Sonic Saturday: Audible Denial, Sonic Unheard

Artists’ meeting @ ABU—Curated by Volkmar Klien & Enrique Mendoza

Anton Bruckner University Linz (AT)

Since 2016, Anton Bruckner University has hosted the Sonic Saturday as part of the Ars Electronica Festival. This year, the event expands into a two-day meeting featuring spatial sound concerts, live performances, and sound installations. The gathering invites people to meet on an informal basis, through listening, experimentation, and shared affect, bringing together artists and researchers in electroacoustic music, sonic art, and spatial audio practices. 
 
In line with Ars Electronica’s 2025 theme PANIC – yes/no, we listen through the crisis—not to calm it, nor to amplify it, but to sense how sound both conceals and reveals. 
 
In the face of ecological, political, and social collapse, sound may act as a carrier of panic, a tool for pacification, or an agent of denial. Is spatial audio the new velvet curtain offering comfort while the walls crack? Or can it carve out spaces for dissonance, for listening against the grain? 
 
Audible Denial, Sonic Unheard explores these tensions. As artists and listeners, we inhabit paradoxes: we perform while the ship sinks, compose while structures fail, and tune our ears to what remains unheard. In this context, does the digital music environment become a sanctuary, a spectacle, an aesthetic pleasure, or even an acoustic blindfold? 
 
Through the textures of electroacoustic music and spatial sound, we invite reflection on the forms of listening that may be complicit with denial, the sounds that are erased, filtered, or conveniently forgotten, and the subtle shifts in perception that occur when we start listening to what was previously suppressed. Sonic art traces the contours of panic, not to explain it but to stay close to its pulse.

Curated by Volkmar Klien and Enrique Mendoza

Artists’ meeting overview: 

FRI 5.9.2025 15:00–21:00 | Anton Bruckner University

15:00–20:00 Listening Room (ProduktionsStudio) 
15:00–20:00 Sound Installation (Kleiner Saal) 
15:00–20:00 Interactive Environment (Studiobühne) 
15:30–17:00 Film Projection ¡Que Viva México! (Sonic Lab) 
17:00–17:30 Mobile Live Electronics Performance (ABU Garden)  
18:00–19:00 Sensory Code Concert, multichannel experience (Sonic Lab) 
20:00–21:00 Postdigital Lutherie Concert (Live) (SonicLab)
 
SAT 6.9.2025 11:00–21:30 | Anton Bruckner University

11:00–14:00 Tangible Music Lab Brunch (Tabakfabrik) 
15:00–20:00 Listening Room (ProduktionsStudio) 
15:00–20:00 Sound Installation (Kleiner Saal) 
15:00–20:00 Interactive Environment (Studiobühne) 
16:00–17:30 Rheometer Concert curated by C-LAB Taiwan Sound Lab (Sonic Lab) 
18:00–19:00 Mexican Centre for Music and Sonic Arts Concert (Sonic Lab) 
20:00–21:30 MEDIUM SONORUM concert (Sonic Lab) 

Anton Bruckner University

Fr. 5. Sep. 2025 15:00 21:00
Sa. 6. Sep. 2025 11:00 21:30
  • Brunch at Tangible Music Lab

    Anton Bruckner University Linz (AT)

    The doors of our Tangible Music Lab will be open for those attending this year’s Ars Electronica Festival.

  • LISTENING ROOM

    Anton Bruckner University Linz (AT)

    The ProduktionsStudio of the Anton Bruckner University transforms into the Listening Room. Featuring a 20.2 speaker array, it offers visitors a relaxed space to explore 29 curated multichannel music pieces. Feel free to move through the space while immersing yourself in rich soundscapes.

  • SOUND INSTALLATION: Autonomics ter

    Kinda Hassan (LB)

    Fragmented finds are transformed into performative sonic automata in this sound installation. Two connected spaces invite visitors into a dynamic exploration of sound and perception.

  • INTERACTIVE ENVIRONMENT: Interworld

    Laura Adel (PL), Enrique Mendoza (MX) [Spatial Music]  

    In a landscape of industrial remnants, Interworld invites interaction through objects, projections, and sound. 3D-printed stones trigger shifts in image and sound, merging organic forms with digital aesthetics to explore the synergy between nature and technology.

  • FILM PROJECTION: ¡Que Viva México! 

    Sergei Eisenstein (RU), Rodrigo Sigal (MX)

    Eisenstein’s unfinished film ¡Que Viva Mexico! (1979) becomes a sonic experiment in this reinterpretation by Rodrigo Sigal. Sigal reimagines the film’s visual layers, bridging early cinematic aesthetics with contemporary sound art.

  • MOBILE LIVE ELECTRONICS PERFORMANCE: Waves

    Lara Stanic (RS/CH)

    Waves (2020/2025 revised version / 15 min) is a composition for several performers with mobile live electronics via smartphones and portable loudspeakers.

  • CONCERTS

    Anton Bruckner University Linz (AT)

    The concert program at Anton Bruckner University offers a rich spectrum of spatial music across two days. Together, these concerts offer a deep listening experience that reflects the global state of sonic experimentation today.

  • MEDIUM SONORUM CONCERT

    Zhao Jiajing (CN), Rosario Di Rosa (IT), Dominic Sambucco (IT/CA), Itza Garcia Ordoñez (MX), Daniel Neumann (DE), Ana Dall’Ara-Majek (FR), Varun Kishore (IN)

    Dive into immersive electronic music with Sonic Lab’s 20.4 system and experience spatial multichannel works from around the world exploring the theme Audible Denial, Sonic Unheard. Discover diverse sonic perspectives in an innovative concert setting.