For the Ars Electronica Festival 2015, the Linz based architect team [tp3] architects and Eddea Arquitectura y Urbanismo deal with strategic development processes of cities to present a creative approach for the future urban development.
From August 7, 2015 the images in the Deep Space will be projected in 8K resolution. 8K means pictures in impressive sharpness and color intensity. The renovations to the Deep Space 8K are already in full swing.
ARTSAT1: Invader, the world’s first art satellite, blasted off into outer space on February 28, 2014. The 2015 Prix Ars Electronica jury honored the ARTSAT: Art and Satellite Project with an Award of Distinction in the Hybrid Art category.
“What are you doing with my data?” is a question that Malte Spitz, German Green Party politician and internet expert, has been posing for years. Recently he spoke about this issue at a Deep Space LIVE event in the Ars Electronica Center.
A sensational, internationally unique experience awaits visitors to the Ars Electronica Center beginning August 7, 2015. An all-out upgrade of the venue’s technical infrastructure of the Deep Space will enable audiences to enjoy projections at 8K resolution and thus worlds of imagery at a never-before-achieved level of quality!
Many questions remain open. The Large Hadron Collider aims to answer at least a few of them. A residency under the aegis of CERN and Ars Electronica offers an opportunity to take an artistic approach to the leading edge of science and to experience the site of this huge experiment.
€1,000,000 in funding for projects to advance the internet’s impact in Austria is available from netidee [NetIdea], an initiative launched by Internet Privatstiftung Austria (IPA). This private foundation is soliciting great ideas designed to promote the possibilities of digital networking. Submission deadline is July 15, 2015.
In the context of this year’s theme of the Connecting Cities cultural project “In/Visible City” the next two artists doing a guest stint at the Ars Electronica Futurelab: Christoph Fraundorfer and Florian Born developed their project ESEL-COMPLAIN.
Under the aegis of the European Digital Art and Science Network, Ars Electronica and CERN recently announced their latest open call for applications to do an eight-week residency at CERN followed by a stay at the Ars Electronica Futurelab.
Ars Electronica is making its second guest appearance at Science Centre Singapore. The successful debut was a large-scale exhibition in 2007. Now, eight years later, the follow-up is entitled “INTERPLAY – Where Science Meets Art”.
María Ignacia Edwards is the recipient of an extraordinary opportunity under the aegis of Art & Science: a residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Linz. We accompanied her on her pre-visit in Chile.
During her residency at the Ars Electronica Futurelab and her PhD thesis, Yuri Tanaka, is looking for an approach to answer the question: how cosmic art is expressed in different cultures.
Jens Hauser is a curator, a scholar in media & cultural studies, and a journalist who writes about cultural matters. He’s curated some of the best-known exhibitions at the interface of art and biology. 2015 he was a juror in the Hybrid Art category.
This is the ultimate extravaganza! With over 195 million viewers, the 2015 Eurovision Song Contest will be one of the world’s biggest televised events. Among the featured attractions—albeit with only half a minute of air time—are the Spaxels of the Ars Electronica Futurelab in Linz.
Seppo Gründler, 2015 Prix Ars Electronica juror, discusses the criteria that entries in the Digital Musics & Sound Art category have to fulfill, and tells where he finds motivation for his compositions.
Julian Reil sends out messages sealed inside a watertight glass bottle. Thanks to SMS and an LED module, the contents of the communiqués can be composed post-launch and displayed. “Bottleneck” is featured in the TIME OUT .03 exhibition in the Ars Electronica Center.
We talked to Marcus Neustetter to find out why the naming of streets and squares is significant for the whole identity of a city and how he, a native of Johannesburg, draws parallels between the process of renaming streets in his homeland and what goes on in other cities.
The mail doesn’t ride the rails anymore. Take a look at PostCity, the prime location of Ars Electronica 2015 in Linz. By then end of May, it will already be the venue of the Festival’s lineup of preliminary events.
The lobby of a company’s head office is its business card. Ars Electronica Solutions designed the Styriaversum to extend an impressive welcome to those entering the lobby of Styria Media Group AG’s stylish new headquarters.
What is beauty, actually? With this question in mind, visitors of the Schlossmuseum Linz enter the current exhibition “The Beauty Myth” – equipped with the smartphone and the FOCUS app of the Ars Electronica Futurelab.
Media art in moving pictures will be a mainstay of the 2015 Ars Electronica Festival. For the first time, the Symposium “Expanded Animation”, the Prix Forum and the screenings of computer-animated works will be held at a single location.
Hybrid Art jurymember, Susanne Jaschko, talks about “prozessagenten”, current trends in transdisciplinary art, and her initial impressions of this year’s Ars Electronica Festival location.
POST CITY. Habitats for the 21st Century is the theme of Ars Electronica 2015. A thinker who has already been focusing intensively on our urban future is Dietmar Offenhuber. We had a chance to chat with him about cities of the future.
The Ars Electronica Futurelab starred in the opening night extravaganza of this year’s sound:frame festival at Vienna’s MAK–Museum of Applied Arts, delivering interactive highlights that rocked the venue’s stage, speakers and projection walls.
The 25 international experts have concluded their deliberations and named the recipients of the five Golden Nicas and other honors. Here’s a look back at the 2015 Prix jury meetings, one of the most exciting weekends in the Ars Electronica year.