Artists, Creators, Engineers
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How to dive into hybrid reality
“Action!” The Ars Electronica Futurelab’s team shares its insights on the new video production system Deep Virtual.
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Circular Records for Circular Futures
Can records be made from biomaterials? Artists Kat Austen and Fara Peluso think so and will work on developing a low-carbon alternative to vinyl during their S+T+ARTS Residency.
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Throwback: UFOs over Linz
In a glass pyramid, 30 meters above the Danube, Isao Tomita enchanted the visitors of the Klangwolke 1984.
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Matsudo – A city of inspiration
Matsudo International Science Art Festival 2021: How a Japanese city and its creative community cultivate the future.
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Throwback: The pioneer of the synthesizer
Robert Moog is considered a pioneer of the synthesizer. In the 80s, the American inventor honored us twice in Linz.
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Happy Birthday, Philip Glass!
Philip Glass, the most famous representative of minimal music and longtime companion of Ars Electronica, celebrates his 85th birthday – we congratulate him!
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Into the new year with our future experts
To kick off the new year, the Ars Electronica Futurelab is giving very special futurologists a chance to have their say.
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Morphologies – Digital Formations and Analog Music
Analog music generates digital visualizations: Maki Namekawa, Cori O’Lan and Rubin Kodheli in a timeless night performance at Deep Space 8K.
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Space Ink – a future of visual arts?
With the Paintbrush painting drone, the Space Ink research project is opening a new chapter in the future of art.
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25 years of Futurelab – “What a journey!”
Exhibition, workshops, performances and the question of the future: This is how the Ars Electronica Futurelab celebrated its anniversary on the “Futurelab Day” 2021.
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How to manage an organization like Ars Electronica
This is the question posed by participants in a new training program for cultural producers that provides insights into the way Ars Electronica works.
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11°22’4”142°35’5” – Noise and Visuals in Deep Space 8K
Accordion Noise and Visual Performance 11°22’4”142°35’5” took us down to the deepest point of the Mariana Trench as part of the Ars Electronica Futurelab’s Night Performances in Deep Space 8K.
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Joe Davis: In Search of Paradoxes
Just recently, Joe Davis and Sarah Khan stored 2,417 quintillion angels on the head of a pin. Reason enough to talk to the BioArt pioneer about the connection between art and science.
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Throwback: Linz Steel Symphony
In 1980, electronic music pioneer Klaus Schulze opened the Ars Electronica Festival with a concert of live recorded sounds from the Linz steelworks voestalpine.
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Creative collaboration with microscopic organisms
A chemical reaction chamber allows researchers in the second phase of the Bio Ink experiment to interact with living artworks as they grow.
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Experimental Art with living ink
Ars Electronica Futurelab’s Bio Ink research combines cutting-edge digital technologies with biotechnology to explore nature, life on the planet and the microcosm of this world.
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Bio Ink – Co-Creation with nature
Co-creating artworks together with microscopic organisms has an impact on how we perceive the world, the way we live, and what it means to be alive.
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A Picnic for a positive future
The “School of the Future -OPEN STUDIO-” in Tokyo Midtown invites visitors to the spacious garden of Tokyo Midtown for a “Future Picnic” in the greenery to reunite the people of the metropolis with themselves and nature after a year of distance.
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![[ˈdaːzaɪn] – Audiovisual Performance](https://ars.electronica.art/aeblog/files/2021/09/51443064605_0d1cf63418_o_2000x1000-1000x500.jpg)
[ˈdaːzaɪn] – Audiovisual Performance
Embedded in a technical, symbolic and metaphysical universe, the audiovisual performance [ˈdaːzaɪn] by media artists Arno Deutschbauer and Micha Elias Pichlkastner alias “Sective” immersed the packed Deep Space 8K in a reloaded atmosphere.
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Refik Anadol: “Buildings can dream”
With his large-scale visualizations and animations, media artist Refik Anadol brings incomprehensible numbers and measurement data to life and returns them to the physical world.
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When Artists make use of Artificial Intelligence
The powerful tool “artificial intelligence” is increasingly finding its way into media art. Three artists talk about how they use AI and where they see their role as artists.
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It’s a wrap! This was the first ArtScience Residency enabled by Art Collection Deutsche Telekom
AI, bias, listening infrastructures and art: Laura Welzenbach, Head of Ars Electronica Export, is looking back at the first year of the ArtScience Residency enabled by Art Collection Deutsche Telekom.
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This was Ars Electronica Futurelab’s Birthday Party
On its anniversary on September 9, the Ars Electronica Futurelab celebrated the lab’s visionaries. With talks and discussions, guided tours and performances – and lots of new ideas for the future.
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Ideas for the Future
Our world is in flux and no one knows exactly where it’s headed. But one thing is certain: In times like these, with the future coming at us at top speed, what we really need are good ideas.
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Alchemists of the Future
The DNA of the Ars Electronica Futurelab in the eighth and final episode of the 25th Anniversary Series
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Art Thinking
There are difficult questions waiting for creative answers
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Humanity and Robotinity
A society that is changing along with its technology needs a new form of humanity
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Alchemists of the Future — The Book
25 years Ars Electronica Futurelab: It’s a year full of memories — of stories and concepts, of successes and challenges. Of visions, ideas and utopias.