Rejane Cantoni and Leonardo Crescenti are the creative brains behind the kinetic installation WALL, which is currently on display in Berlin and will move to Linz in a couple of weeks. During the preparations for “Like A Second Nature”, there was time for a chat.
Harmeet Chagger-Khan, expert for digital film and media, was working for 8 weeks at the Ars Electronica Futurelab as part of a residency-program. This is her story during those 8 weeks.
Aakash Odedra, a british dancer, has teamed up with the Ars Electronica Futurelab to create a dancing performance including all sorts of technological adds such as tracking, visualizations, projections and more. During his visit in April, when he came to Linz together with his choreographer Lewis Major, there was some time to talk about the…
Ars Electronica Creative Cloud is a workshop series held in the Knowledge Capital (http://kc-i.jp/en/) of Osaka in a brand-new creative hub for innovation through a fusion of human creativity and technology. 10 creative workshops will be conducted in this cultural program curated by Ars Electronica, starting June 2013 to May 2014, including cutting-edge talk sessions…
Alistair McClymont is an artist from the UK, his “Limitations of Logic and the Absence of Absolute Certainty” is showing in Berlin in the VW Automobil Forum Unter den Linden als part of “Like A Second Nature”. Find out what he has to say about his work!
From August 1, 2013, the new exhibition “Yours Synthetically” is all about the thematic topic of synthetic biology. Matthew Gardiner has put together the artistic works.
“Like a Second Nature” is the latest exhibition Ars Electronica and VW have jointly staged in VW’s Automobilforum Unter den Linden in Berlin. The opening is set for June 6th. The exhibition design is by Jürgen Haller and Christoph Weidinger, two architects going by the name of any:time. We recently had a chance to chat…
On June 2nd, 3rd and 4th, massive floodings hit Austria. The Ars Electronica Center stayed more or less dry, here’s the story.
Miraikan’s Tsunagari-Project has landed in Linz, in the Deep Space of the Ars Electronica Center. For the first time, the visualisations of the GeoCosmos, a 6 metre wide sphere covered with millions of organic LEDs, are shown outside of the biggest technology-institute in Japan. We have talked to Maholo Uchida, curator of Miraikan and member…
Murmuration, the opening-show of the Bergen International Festival, that has been developed both by phase 7 and the Ars Electronica Futurelab, premiered on May 22nd. Check out pictures and videos of the show below, or the interview with Sven Beyer, creative director of phase 7.
Voilá, those are the Golden Nicas and Awards of Distinctions of Prix Ars Electronica 2013.
Austrian game designers and their computer games will be the stars of the show at the 2nd GamesDay@AEC on May 17th. We recently caught up with Stefan Schraml to get the lowdown on the specifics (the lineup in detail) and the big picture (what this get-together is all about).
In London, the spaxels were used for promotional purposes. The Ars Electronica Futurelab received a specific assignment and successfully carried it out. But as the voestalpine Klangwolke brilliantly demonstrated, the quadcopters can take to the air in an artistic role too. We recently had a chance to chat with Sven Beyer, artistic director of phase…
Horst Hörtner, Leiter des Ars Electronica Futurelabs präsentiert die Stationen im Linz Verändert – Zelt 2013.
Im Rahmen des Linz Verändert – Zelts haben wir Kulturdirektor Dr. Julius Stieber zum Gespräch getroffen.
[:de]Am Urfahraner Markt weichen die Autos wieder den Menschen und Buden, der Urfahraner Frühlingsmarkt hat seine Pforten geöffnet, und das heißt auch, dass das Linz Verändert – Zelt abermals die Stadt, ihre Unternehmen und ihre Menschen ins Zentrum der Wahrnehmung rückt. Horst Hörtner, Leiter des Ars Electronica Futurelab, führt durch die neuen und erweiterten Installation.
Since 1987, the Prix Ars Electronica has been one of the most prestigious prizes awarded in the world of media art. The process of deciding which works are singled out for recognition is quite elaborate. After all, there are thousands of submissions to evaluate in order to finally arrive at the most excellent and most…
The Earth, the basis of humankind’s very existence, will take the spotlight at the Ars Electronica Center beginning April 18th. Terrific new exhibits feature data, information, human beings and interrelationships. Geopulse, a gigantic interactive information graphic, and Deep Space are the high-definition settings in which to behold our Earth in a new light.
When you sit face-to-face with Tosca—that is, the duo of Rupert Huber and Richard Dorfmeister—you’re enveloped by a certain sense of composure. Both musicians have accomplishments to their credit; they’re consummate artists. But at the same time, there are these facial expressions—when they discuss their new album, upcoming concerts, expressive possibilities now available to them…
The Spaxels are flying again on April 18th in Linz, check out the video for footage from the last testflight.
Our previous destination was London. The next stop on our itinerary is Mistelbach, which isn’t a hotbed of paranoia so at least there are no security checkpoints to pass through. The reason for our trip to Lower Austria is to visit the Hermann Nitsch Museum, where a retrospective entitled SINNE UND SEIN (Sense and Being)…
Radio FRO 105.0, free radio for Linz, has been organizing workshops since 2006 at which people with—as well as without—handicaps/impairments can learn the basics of broadcasting. One of the major challenges in a studio is posed by the mixing console and its faders, knobs and switches, some of which have to be operated simultaneously and…
The Spaxels, Ars Electronica Futurelab’s current flagship project have visited London, drawing a huge Star Trek – Logo into the nightsky of England’s capitol.
In this interview, Gerfried Stocker presents the theme and content of the 2013 Ars Electronica Festival.