Saturday is go-to-market day at the 2016 Ars Electronica Festival. A whole day long, festivalgoers in POSTCITY will be able to taste and purchase organic wares produced by regional farmers, all of them members of BIO AUSTRIA. We talked to Marlene Wolfsteiner of BIO AUSTRIA about the farmers market at the festival.
The emergence of Facebook, Twitter & Co. in recent years has opened up new options for the exchange of political views. How these digital platforms are changing the political discourse, what new forms of sociopolitical participation are resulting from them, and which challenges they confront us with will be discussed at “Participation & Political Socialization…
A spectacular Spaxels show will be the lead-in to the 2016 Klangwolke, Linz’s annual outdoor extravaganza. The DRONE 100 crew has already made a name for itself worldwide; now, the record-setting quadcopter formation of the Ars Electronica Futurelab and Intel™ Corporation is making its European debut. Here, Chris Bruckmayr and Andreas Jalsovec talk about some…
This will be the first public appearance in Europe of the world’s largest autonomous drone swarm. Just before the Visualisierte Klangwolke in September 2016, the Ars Electronica Futurelab’s 100 Spaxels will display their aerial artistry in Linz. Here, Chris Bruckmayr and Andreas Jalsovec of the Spaxels crew talk about all the preparations and work that…
One of the highlights of each year’s Ars Electronica Festival is always the CyberArts exhibition, a showcase of the works singled out for recognition by the Prix Ars Electronica, one of the most important awards honoring creativity and pioneering spirit in the digital media genre. Here, Genoveva Rückert, the curator of CyberArts 2016, tells us…
The theme of the 2016 Ars Electronica Festival is RADICAL ATOMS – and the alchemists of our time. But who are these people, actually? In the theme exhibition, you’ll find out all about the artists, scientists, activists and entrepreneurs whose unorthodox approaches and inspiring projects are bound to make an impact on our future. In…
Who has access to knowledge and information online? Who controls this exchange and who can profit from it? These issues of decisive importance to our digital future are the P2P Foundation’s bread and butter. In recognition of their committed work, the non-profit organization is this year’s recipient of the Golden Nica in the Prix Ars…
The 2016 Ars Electronica Festival doesn’t kick off until September 8th but the preparations are already running at full speed. Not only does our in-house production crew have their hands full; our associates have been busy too. The staff of Linz City Gardens, for instance, has been cultivating thousands of flowers to adorn the festival’s…
The former Austrian Postal Service logistics center at Linz’s main train station is scheduled for demolition. But before it’s taken down, it will serve, one more time, as an extraordinary event location—POSTCITY, the 2016 Ars Electronica Festival’s prime venue. Martin Honzik, director of the festival, recently took us on a little preview tour of the…
The first STARTS Prize competition was conducted by Ars Electronica on behalf of the European Commission this year. The mission: recognizing excellence at the nexus of science, technology and art. Here’s an overview of the winners as well as a few very interesting runners-up and nominees.
Prof. Hiroshi Ishii is the director of the MIT Media Lab’s Tangible Media Group. His team’s mission is to envision new forms of human-machine interaction and to enable us to experience and grasp the ideas of tomorrow today. His vision of RADICAL ATOMS also inspired this year’s Ars Electronica Festival theme.
“Can you hear me?” was a temporary network that artists Christoph Wachter and Mathias Jud set up above the rooftops of the German government district in Berlin to downright force intelligence agencies to listen in on what they and thousands of other people were saying. Besides getting the agents’ attention, the artists are also the…
Mind the date: From September 8 to 12, 2016, the PostCity, the former former postal service’s letter & parcel distribution central railway station in Linz, again will be a central point of the Ars Electronica Festival.
We zoom into a world that’s incessantly in motion, one in which everything is connected to everything else and the figures are constantly morphing. This animated film by Boris Labbé has been singled out for recognition with a Golden Nica by the 2016 Prix Ars Electronica.
In this interview with Gerfried Stocker, Ars Electronica’s artistic director elaborates on the theme of the 2016 Ars Electronica Festival and provides some impressive examples illustrating it. Here’s a preview of what awaits festivalgoers in September 2016 in Linz.
MAXON, a Germany-based software developer, has been creating 3-D graphic tools since the mid-1980s. Cinema 4D is one of them. In association with Maxon, the Ars Electronica Animation Festival will showcase prizewinning works of computer animation in September 2016.