Banks, schools, shops, pubs, courtyards, playing fields, avenues and lanes, display cases, churches and their façades and roofs—these are the Linz locations at which this year’s Ars Electronica Festival will be staged. Here’s a glimpse of what awaits you September 4-8, 2014.
The 15-year-old student, Jonas Bodingbauer, developed a clock that lets you see not only the current time but also upcoming appointments. With his invention he received an Award of Distinction in the u19 – CREATE YOUR WORLD category.
“Balance from Within” is the title of the installation by Jacob Tonski, with whom he won an award in the category Interactive Art at Prix Ars Electronica 2014. In this interview he tells us what it is all about the balancing sofa.
The Australian media artist Daniel Crooks had the goal, during his artist-in-residence program at the Ars Electronica Futurelab, to overcome the limits of the screen and generate physical three-dimensional sculptures from it. Whether he has succeeded, he says, together with Otto Naderer, in this interview.
“Entangled Sparks” is the Ars Electronica Futurelab’s latest contribution to the EU’s Connecting Cities initiative. Veronika Pauser, the Futurelab staffer who heads “Entangled Sparks,” took some time out to answer a few of our questions and let us in on what the so-called LinzerSchnitte is all about.
Two examples of incredible projects that Gerfried Stocker cites as sources of inspiration for this year’s festival theme, “C … what it takes to change,” are Projekt Daniel and Solar Mamas. That’s reason enough to take a closer look at them.
The 2014 Ars Electronica Festival is set for September 4-8. This year’s festival theme is called “C … what it takes to change”. Gerfried Stocker, the artistic director of Ars Electronica, gives us his take on what it takes to change.
Nicole Grüneis of the Ars Electronica Center’s Education and Cultural Communication department designs together with her colleagues exhibitions’ supplementary program of guided tours and workshops. In this interview, she talks about mediating visitors’ encounters with “Project Genesis – Life from the Lab”.
Every year before the festival, the OK Offenes Kulturhaus im OÖ Kulturquartier invites all the artists of the CyberArts for a welcome-drink. If it’s up to the artists, Festival Ars Electronica 2013 is ready to begin.
Jeremiah Diephuis and Stefan Schraml collaborated with associates in the Linz gamer scene to launch GameStage. In this interview, the two game experts talk about computer gaming, their exhibition at the Ars Electronica Festival, and the game events coming up at FamilyDays in November.
When the CyberArts 2013 opens it’s doors on September 5th, El Campo de Cebada, winners of the Golden Nica in Digital Communities, will be part of it. It’s a self-managed camp in Madrid/Spain, cleverly showing what the urban space of the 21st century might look like. We have talked with Zuloark, the architects behind this…
The Lying World – In the endlessness of today’s universe of information, we can no longer use the truth as a criterion to judge what we can trust.
A highlight of each year’s festival is the CyberArts exhibition featuring installations, videos and performances singled out for recognition by the Prix Ars Electronica. Martin Sturm, director of the OK Center for Contemporary Art, is responsible for the exhibition’s design. In this interview, he reveals some of what awaits festivalgoers in 2013.
We’re building a user generated sculpture in Linz from old analog and digital devices, and you can help us! Tell us your ideas! Show us your vision! Send us Material! What should the sculpture look like? Show us a picture of your ideas or tell us how it could look in the comments section of our website. You…
In Occupy History, users can produce a six-second looped video using the Twitter tool Vine. Vines should show how history (and memory along with it) has been transformed by the lens of pop culture. Pictures and symbols have been given new interpretations and new connotations. A few popular examples are Hipster Hitler, Che Guevara as…
Writing for the online art project WIR SIND HIER (Opening Festival Ars Electronica 2013), David Dorrell reveals why the modern world is a sinister place, and how it could have gotten so far.
TOTAL RECALL – The Evolution of Memory starts on September 5th. The opening event is “We are here”, a transdisciplinary performance about memory, consciousness, responsibility and surveillance. We have talked to Salvatore Vanasco, one of the initiators of this project and no stranger to Ars Electronica.
In this interview, Gerfried Stocker presents the theme and content of the 2013 Ars Electronica Festival.
65000 people have THE BIG PICTURE, for 5 days they were listening to talks, explored exhibitions, saw a lot of different projects from the world of art, technology and society, have been challenged by radical ideas. In this blogpost, we want to share different views from different people, so if you have pictures, videos, audio…
Inside the Deep Space the BIG PICTURE and its oversized presentations had their reasonable space. The exhibition “Out of Control” acquiesced well into the festival like the three Klangwolken stations of the museum: The ABC workshop, where visitors had the possibility to create their own illuminated letters for the voestalpine Klangwolke, the SoundLab, our own…
Marco Palewicz (AT) presented the mix he made out of hundreds of Klangwolke Miniatures during the Picknick in the Cloud. If you’ve missed the track or simply want to listen it again, the track is now avaible on Soundcloud.
First day, and the sun is shining. The weather is not the best during THE BIG PICTURE, but at least it’s not raining the whole day.You can fly with Quadrocopters at the u19 – CREATE YOUR WORLD – Festivalstadt. You control them using a smartphone or tablet. Unfortunately, those are not the Quadrocopters that are…