Journey
Tourismus von morgen
Ars Electronica, Oberösterreich Tourismus (AT)
Im Rahmen des Langzeitprojekts „Tourismus von morgen“ wurden Einreichungen aus dem Pool der Kategorie *u19 – create your world* des Prix Ars Electronica gemeinsam mit Oberösterreich Tourismus für ein Auftragsprojekt ausgewählt.
Pandemic-Pandemonium! Curated by Kennii Ekundayo
Galeri ODUMIJE, Lagos (NG)
Pandemic-Pandemonium! is a two-part presentation centered on the collective response of Africans living in Africa vis-à-vis current prevalent issues that threaten humankind — racial discrimination, violence against women and the COVID-19 pandemic. Whilst one part makes a statement on the resilience of the human spirit in the face of the deadly coronavirus, the other focuses on the valorization of melanin-rich skin amidst the fatal hostility that accompanies it.
Viral Fiction
Forms of Ownership (INT)
Geld und Recht prägen einen großen Teil unseres Alltags. In einer Hyperbel der sozialen Skulptur ist unsere künstlerische Praxis darin verankert, sich diesen Systemen als künstlerische und kreative Medien an sich zu nähern.
How to make an Ocean?
Kasia Molga (PL/UK)
Können menschliche Tränen das Leben im Meer erhalten? Kasia Molga wird ihren Weg von der Konzeption des Projekts erzählen, inspiriert durch den Umgang mit persönlicher Trauer; über die Auswirkungen von COVID-19 auf ihre ursprüngliche Idee; über die verrückte Errichtung eines provisorischen Nasslabors; über das Erlernen des Weinens auf Kommando; über ihre Bemühungen, winzige Meerestiere in ihren Tränen am Leben zu erhalten; und über ihre Versuche, einen KI-Moirologen zu entwickeln – einen weinenden Bot, der uns allen helfen soll, ein paar Tränen zu vergießen.
Hege Tapio and Norwegian BioArt Arena
NOBA - Norwegian Bioart Arena (NO)
Introduction of NOBA – Norwegian Bioart Arena with our team, facilities and our collaboration partners across Norway. Featuring Hege Tapio (NO), Annike Flo (NO), Nora Vaage (NO), Solveig Arnesen (NO), Hanan Benammar (FR/DZ), Simon Daniel Tegnander (NO), FAEN-Female Artistic Experiments Norway (NO), Eva Bakkeslett, Centre for Genomic Gastronomy (NO/US) ,The Dinghy AiR (NO) , Steven Barstow(NO) , Marita Isobel Solberg and Trond Ansten (NO), Elind Rui Blix (NO) , NIBIO- The Norwegian Institute of Bioeconomy Research (NO)
NOBA- Norwegian BioArt Arena
NOBA - Norwegian Bioart Arena (NO)
Introduction of NOBA – Norwegian Bioart Arena with our team, facilities and our collaboration partners across Norway.
Human Oil – the last oil
Hege Tapio
Watch our premiere of Humanoil, a recorded performance by artist Hege Tapio, followed by the introduction of NOBA – Norwegian Bioart Arena. NOBA is the hub for the expanded field of bioart in Norway, and exists to bridge the gap between artists and scientists working on ecology, biology, technology, activism and art.
Journey: Adriatic Garden | aqua_forensic 2.0
Adriatic Garden | aqua_forensic 2.0 connects two places by the Adriatic Sea: Dubrovnik (HR) and Koper (SI) and gives special attention to our commitment to the values of care, compassion, environmental justice, action-taking and cooperation with the Adriatic Sea and its creatures. The project framework is the aqua_forensic, an ongoing art and science research method developed by Robertina Šebjanič (SI) and Gjino Šutić (HR), which sheds light on the presence of invisible anthropogenic chemical pollutants in the water environment.
Mediation in AIR Gallery
Pangardenia is an epidemic that has taken over the gardens and gardens that have taken over us. It vests everyone with the desire to grow or be grown by somebody else. We, St.-Petersburg artists, want to explore this phenomenon, find the new life forms generated by this epidemic and study the old ones which were preserved and hidden in the gardens. Pangardenia is made up of four paths: Parniki, Abandoned gardens, Wandering gardens, and Post(non)human gardens. One day for each path (subtheme) and a closing move of Pangardenia.
THE INVISIBLE REMAINS OF CARROWKEEL
An exploration of ancient genetics and the history of neolithic tombs as featured in NATURE in June 2020 by Trinity College Dublin geneticist Lara Cassidy (IE)
INVISIBLE Studio visits with Andy Holden and Thijs Biersteker
Andy Holden (UK) and Thijs Biersteker (NL)
Join us for a behind-the-scenes studio visit with INVISIBLE artists Andy Holden (UK) (INVISIBLE / DARK MATTER) and Thijs Biersteker (NL) (INVISIBLE - Gravitational lensing)
An Online Tour of Dublin’s Tech Infrastructure
Dublin is host to the European headquarters of many of the most powerful and influential tech companies of the modern era, and has become an important strategic location within the context of debates surrounding data sovereignty, privacy and security. By connecting our own personal interactions on digital platforms to the corporate offices in the city centre and to the data centres that surround the city, this tour critically engages with these debates, whilst also reflecting on our relationship with our personal data as it passes through the many visible and invisible networks that surround us.
Axis - Harvesting isolation
Víctor Mazón Gardoqui (ES/DE)
7-day trip from Punta Arenas, 32-hour waiting in front of the Yelcho scientific station Waiting on the high seas for a favorable climatic window to continue sailing, supposes a dislocation of space and time. The parallel 66° 33′ 46″ passes in front of us. A still image exposed to 24 hours of light, on a 360° horizon. The staticity of the sea in the bay of Yelcho. An abrupt and mountainous environment added to the roar of the katabatic winds generates a rupture of perception in scale and distance. The wait. Advancing a small way to the base. Space for registration. The devices -through their sensors- capture the sense of place. A viewing angle of 46° in contrast with the spherical and immersive recording of the hertziosphere, where the alterity of bodies and anthropogenic frequencies in contrast with the autochthonous ones.
Journey
Austrian Cultural Forum Tokyo (JP)
Come with us on a virtual journey through the past, present, and future of Japan – guided by reality, nostalgia, and fantasy. Let memories and dreams from Austria inspire your imagination.
Yasuaki Kakehi Laboratory, The University of Tokyo
Yasuaki Kakehi (JP)
Under what kind of environment do they continue to create works which are part of University lab’s research? What equipment do you use? What kind of process do students carry out? We take a deep dive into the Lab from different perspectives, including how Ars Electronica is positioned for education.
Sneak Peak into DDTlab (360° video view)
RUK – DDTlab (SI), AFormX (SI), Arctur (SI), Yaskawa (SI), STPŠ (SI)
In DDTlab we developed several projects where we linked the human brain and output devices. The NeuroFly project involves flying an airplane using only brain waves, while NeuroRobo will have you manipulating the movements of robots with thoughts.
Vertigo Bird 2020 - Climb onto the highest chimney in Europe (360° view)
Climb onto the highest point of our past to see the future. The 360-metre structure is part of the Trbovlje Power Station.
EUPHRATES
Masahiko Sato (JP), Masashi Sato (JP)
The process and how EUPHRATES create their work remains unknown. Under what kind of environment EUPHRATES continues to create numbers of works with variety in the choice of media, including educational television programs, picture books, and the video work that won the award at the 23rd Japan Media Arts Festival, which expresses a different point of view from the usual.
Valparaiso Brushwood
Gustavo Celedón (CL) Marcelo Raffo (CL) Verónica Francés (ES) Cristian Galarce López (CL)
Presenting a wide range of images of Valparaíso and exploring the city, this audiovisual capsule aims to elaborate Valparaíso Brushwood Garden as a concept, showing the current socio-political situation in our country, also presenting the contents of our project, featuring the artworks and artists from the Artistic Research Center.
(In)audible Valparaiso
Paul Hernández (CL), Marcelo Raffo (CL), Fabián Villalobos (CL), Verónica Francés (ES)
Documentary premiere followed by a talk: A brief excursion to Valparaiso streets that is shaped as an essay-documentary. This 30-minute film shows the city from the perspective of sound and silence, aiming to narrate us part of a hidden history, starting from missing or absent sounds that have disappeared by the passing of time and also, recently, due to confinement.
