Bio-ID Hyperobject
The Bartlett School of Architecture, University College London (UK)

The main concept of the film is the creation of a design platform in form of a Hyperobject – a collection of things that overlap and intersect. It creates a system to visualise the systemic complexity of Bio-ID design research in an aesthetic and visually appealing way. The film project speculates with the idea of how data can become a visual object, a visual representation shaped into a navigational object.

Lecture on Performance and Interaction
Ruairi Glynn

Dr Ruairi Glynn, Director of the Interactive Architecture Lab, will give a talk on notions of Antidisciplinarity in Design for Performance and Interaction and emerging new types of practice.

Bartlett artists’ videos
The Bartlett School of Architecture, University College London (UK)

A 1-hour collection of student project films from the Bartlett School of Architecture’s Interactive Architecture Lab, Automated Architecture Ltd/Automated Architecture Labs, BioID, Unit 24, Unit 9, Unit 14, RC14.

Evening in IAL hubs space
The Bartlett School of Architecture, University College London (UK)

Live performance / DJ set - The monotony of daily Zoom calls and Skype meetings is disrupted by using the video streams of participants to create colourful, live coded visuals which will be mixed and synced with live DJ sets from a selection of current Bartlett students and staff bringing a London soundscape to festival visitors. Lean back (or dance) and join us with a drink or two!

Heterotopias
The Bartlett School of Architecture, University College London (UK)

Roundtable + Q&A - As we collectively detangle our own perceived ‘normal’, how might this shape speculative design and the worlds that come with it? Is Heterotopia an alternative to the utopia/dystopia narrative?

Transformation & Transmission – panel discussion, presentations

A live-streamed presentation of a new selection of works from the exhibition, with live Q&A and panel discussion with the artists. These works range from films, to AR experiences, to hybrid objects, each united by the themes of anxiety, uncertainty, and distance that run through these works. During the festival, we will conduct streamed online tours of the works, show examples, and interview the authors in a live stream hosted every day (times TBC).

Alexander Whitley Dance Company
The Bartlett School of Architecture, University College London (UK)

Initiated in response to the Covid-19 lockdown, Digital Body uses motion capture technology to digitise sequences of choreography and makes them freely available online. CHAOTIC BODY brings together three composers and digital artists to collaborate with AWDC company on the creation of three short films and AR projects taking inspiration from chaos theory and the associated geometric patterns in nature.

ScanLAB Projects HUB
The Bartlett School of Architecture, University College London (UK)

Unit 9 is a design studio within the undergraduate architecture programme at the Bartlett UCL. Led by Jessica In and Chee-Kit Lai, the Unit has developed a continued interest in the performative aspects of new technologies and their expressive potentials for the design and representation of architecture.

Jason Bruges Studio (UK)
The Bartlett School of Architecture, University College London (UK)

A curated selection of talks and 360 films that provide insight into the Studio’s process and practice. Normally inhabiting physical spaces, a number of the Studio’s installations are transformed and brought to a virtual audience for the first time.

Urbanism Beyond Cognition
The Bartlett School of Architecture, University College London (UK)

Developed by Research Cluster 14, the projects showcase how data allows designers to expand their remit by design at the scale of a country or how AI can give agency to non-human ecological and robotic actors.

The Garden of Forking Paths

Online Exhibition In the time of a global pandemic, how can we exhibit and share projects, ideas andartworks with other people in lieu of a physical space? This question informed thecreation of our digital garden project that can be accessed from all over the worldwith an internet connection and a web-browser. We invite you to explore our garden at any time and from any place.

PG24
The Bartlett School of Architecture, University College London (UK)

PG24 is a group of architectural storytellers employing design, film, animation, drawing, virtual and augmented reality and physical modelling to rethink architecture’s relationship with time. We find inspiration in the dialogue between film and architecture, study their intertwined histories and seek the magical possibilities arising from their fusion.

Transformation & Transmisson - Online Exhibition

This online exhibition showcases 23 new works of interaction design from students of the MA Interaction Design Communication at the London College of Communication UAL. These works were all produced during the lockdown of March-May 2020, and demonstrate the shift from physical to digital practice demanded by the crisis, and the anxieties and uncertainties that the present and future held. The projects are hosted online and publicly accessible.

PRISM BELL / UV TOWER

Live Music Event Advancements in technology enable us to surpass the analogue restrictions ofsound production and build novel music instruments for the digital age. In thislive-event, Lia Mice will present PRISM BELL, a large scale instrument exploring thefull-body engagement of the musician. Andrea Guidi & Giacomo Lepri also presenttheir UVTOWER that uses mirrors and lasers to produce rhythm and sound.

BSc Unit 9 HUB
The Bartlett School of Architecture, University College London (UK)

Unit 9 is a design studio within the undergraduate architecture programme at the Bartlett UCL. Led by Jessica In and Chee-Kit Lai, the Unit has developed a continued interest in the performative aspects of new technologies and their expressive potentials for the design and representation of architecture.

The Digital Anthropology Lab project

Live sessions Daily live stream that will run for an hour. During the hour of streaming different events will take place which will only be announced on the day. Many visitors can log in at once and will be able to switch cameras and views to experience different aspects of the space. The sessions are also meant as Q/A for people to ask questions about the Draping Interfaces project and the Digital Anthropology Labs.

Luminous Crusting, Bio-ID
The Bartlett School of Architecture, University College London (UK)

Luminous Crusting is a project that questions perceptual and environmental ‘flatness’ of synthetic materials in comparison to extremely thin, but highly expressive and performative biogenic ‘micro-crusts’. These living, grown micro-crusts are highly ordered three-dimensional structures on a microscopic level. As such, they act not only as visual enhancers through deep iridescent appearance that changes with light and viewers movement, but as a living mediator between building tissue and the environment.

Automated Architecture Labs HUB
The Bartlett School of Architecture, University College London (UK)

AUAR Labs is the research laboratory co-directed by Mollie Claypool, Manuel Jimenez Garcia and Gilles Retsin at The Bartlett School of Architecture, previously known as Design Computation Lab. As part of AUAR Labs co-directors run the studio Research Cluster 4 (RC4) in MArch Architectural Design at The Bartlett focused on automated housing. The work of RC4 believes in the agency of architecture for change. Automation is not only about robots – it is first and foremost a design project.

Design for Performance and Interaction / Interactive Architecture Lab HUB
The Bartlett School of Architecture, University College London (UK)

IAL Hub Space showcases student projects. The space takes a critical stance on developments across art, science, and technology to spearhead thinking in the 21st century. The projects presented are films and virtual prototypes. We have come to realize that now, more than ever, boundaries which define the arts and sciences no longer hold. To address the changing political, ecological, and technological landscapes, we engage in dialogues that are unfamiliar or uncomfortable.

The History of Dark Matter Retold
Adeyemi Michael

Dark Matter by Adeyemi Michael It was during the DARK MATTER exhibition in Science Gallery London that History of Dark Matter Retold was conceptualised. Scientist and actress Laura-Joy Pieters collaborated with director Adeyemi Michael to produce a film that portrayed Laura’s birth and heritage. When speaking about what she wished to communicate with the film, Laura expressed that “The achievements of black women are all around us and are present throughout history, yet they are rarely ever seen or acknowledged, much like the nature of the elusive dark matter”.