Morphing Matter is ?
Morphing Matter Lab (US)

Als physische Verkörperung der KI ist das Morphing-Material ein neues Konzept in Wissenschaft und Technik. Allerdings sind rein technologieorientierte Lösungen oft kurzsichtig, befangen und manchmal irreführend.

On the eve of uncertainty
Charlotte Jarvis (UK)

Der Ort für unsere Tour ist meinem 39 Wochen schwangeren Körper entnommen. Die Tour befasst sich mit dem Projekt In Posse, bei dem ich mit Wissenschaftlern zusammenarbeite, um den weltweit ersten ‘weiblichen’ Samen herzustellen. Sie reflektiert auch darüber, wie die Beobachtung der Wandel meines Körpers während des Jahres 2020 - dieses wandelbarste aller Jahre - eine einzigartig ‘queering experience’ war, die meine Perspektive auf meine Praxis, Politik, das Patriarchat und die Gesellschaft verändert hat.

A Journey into Ai Hasegawa's practice
Ai Hasegawa (JP)

In diesem Video spricht Ai Hasegawa mit MitarbeiterInnen, WissenschaftlerInnen und ExpertInnen über ihre Projekte rund um Wissenschaft, Sexualität, Leben, Politik und Institutionen. Sie bespricht unter anderem ihre Ansätze zu Human X Shark, (IM)POSSIBLE BABY, The Extreme Environment Love Hotel, Shared Baby, I Wanna Deliver a Dolphin.

The future crashes into the present
Karen Palmer (UK)

Als Erzählerin aus der Zukunft nimmt Karen Palmer die ZuschauerInnen mit auf eine Reise durch eine Reihe von Sendungen aus der Zukunft und warnt uns durch ihre immersiven Filmerlebnisse vor dem, was noch auf uns zukommen wird.

Uncomfortable Clothes #01
Fashion Frictions - Otto von Busch (Keynote)

There is a friction haunting fashion. Many of the basic qualities of design shares an uncomfortable fit with the way we interact with clothes: They are irrational. They are neither functional, nor user-friendly. Fashion is difference but also sameness, the new as well as the old, the cloning of idols as well as their rejection. It is a sense of pride as much as shame. And it is not uncommon that we feel an urge to lie to others about what we wear and our recent purchases. What is going on here? How are we to deal with the shallows and depths of fashion?

Re-FREAM Exhibition

The research project Re-FREAM is exploring the interaction between the domains of Fashion, Design, Science, Craft and Technology, promoting a space for co-creation and research, where experimental projects will be connecting artists with scientists and technologists for better human centered and sustainable solutions.

Re-FREAM round #1 presentations: Witsense & Jessica Smarsch
Witsense & Jessica Smarsch , hosted by Re-FREAM (INT)

Join this session to hear more about about Re-FREAM projects Lovewear by Witsense team and Constructing Connectivity by Jessica Smarsch.

Re-FREAM round #1 presentations: Julia Körner
Julia Körner (AT), hosted by Re-FREAM (INT)

Join this session to hear more about Julia Körner’s Re-FREAM project Digital Vogue.

Re-FREAM round #1 presentations: Ganit Goldstein
Ganit Goldstein (IL), hosted by Re-FREAM (INT)

Join this session to hear more about Ganit Goldstein’s Re-FREAM project WeAReAble.

Re-FREAM round #1 presentations: Youyang Song
Youyang Song (CN), hosted by Re-FREAM (INT)

Join this session to hear more about Youyang Song’s Re-FREAM project Cooking New Materials.

Re-FREAM round #1 presentations: Elisabeth Jayot
Elisabeth Jayot (FR), hosted by Re-FREAM (INT)

Join this session to hear more about Elisabeth Jayot (FR) and her Re-FREAM project Fragments Garments.

Re-FREAM round #1 presentations: Jef Montes
Jef Montes (NL), hosted by Re-FREAM (INT)

Join this session to hear more about Jef Montes (NL) and his Re-FREAM project Marinero.

Fashion. Technology. Responsibility.

Das STARTS-Pilotprojekt Re-FREAM startet diese Session mit einer Keynote, in der unsere Einstellung zu der Kleidung, die wir tragen, hinterfragt wird und wie wir die Systeme und Bedingungen ihrer Herstellung überdenken können. Im Anschluss an die Keynote präsentieren drei KünstlerInnenteams die Ergebnisse und Prototypen, die in ihren Residencies im Rahmen von Re-FREAM realisiert wurden.

Transient - Impermanent paintings
Quayola (IT)

Transient - Impermanent paintings is an audiovisual concert for two motorized pianos and two conductors in collaboration with generative algorithms. Hyper-realistic digital brushstrokes articulate endlessly on a large-scale projection as if on a real canvas. Each brushstroke is sonified with a piano note, creating polyphonic synesthetic landscapes.

The Grid: Full Festival Experience
The Grid (US/EU), Gray Area (US), Codame (US), ZERO1 (US), MUTEK.SF (US), EUNIC Silicon Valley (US), EUNIC Washington DC (US), EUNIC New York (US), Ars Electronica AIxMusic Festival (AT), STARTS, European Commission (EU), Center for Humane Technology (US), Salesforce (US)

By mobilizing artists, technologists, and policy makers from around the world, Exposure reimagines interdisciplinary and international collaboration to overcome deadlock and siloed thinking. Through 4 days of art, panels, performances, interactive experiences, talks, and workshops, Exposure works towards shaping technological development for the benefit of all. Be part of it and join in on four livestreams!

AIxLITERATURE: Poetry Is A Machine
The Grid (US/EU), Vikram Chandra (IN/US), Bryan McCann (US), Andrew Piper (CA), M Eifler (US), Clemens J. Setz (AT), Clara Blume (AT/US), Vanessa Chang (US/SG/AU)

How does the algorithmic contour the lyrical? Nearly a century ago, William Carlos Williams declared, “A poem is a small (or large) machine made out of words.” As artificial intelligence becomes a writing tool, his words take on a new resonance. Some critics of algorithmic literature decry the incursion of automation into this essentially human creative practice.

AI x MUSIC: Artificial Creativity or Enhanced Humanity
The Grid (US/EU), Christine Payne (US), Monica Dinculescu (US), Ali Nikrang (AT), Clara Blume (AT/US)

Die Musikindustrie hat sich in den letzten Jahrzehnten drastisch verändert. Unabhängig davon, ob zum Guten oder zum Schlechten, sind diese Entwicklungen mit dem technologischen Fortschritt und einem sich rasch anpassenden Verbraucherverhalten verbunden. Technologie-Unternehmen investieren in eine Zukunft, in der KI ein unverzichtbarer Teil des kreativen Prozesses ist. Jüngste Erfolge ebnen bereits den Weg für vollständig durch Algorithmen erzeugte und gespielte Musik. Aber macht das KI zu einem Künstler?

Public Symposium: How and Why Artworks Feel?
MindSpaces (EU) and MindSpaces (HK)

Key contributors to MindSpaces EU and MindSpaces HK will present their research in the framework of Horizon2020 MindSpaces/S+T+Arts research project.

DïaloG
Refik Anadol (TR/US), MoBen / CityU HK

DïaloG is an urban media art installation developed by Maurice Benayoun (MoBen/CityU HK) and Refik Anadol (AnalogNative). In the public space (L’Hospitalet de Llobregat, Spain) two “living” entities face each other. They don’t look like the living beings we know. They don’t speak any language we know. They are aliens, strangers, immigrants. Facing each other they gradually mutate. They seem to react to their environment. Even more, they clearly desperately try to understand each other.

Can we do the same with less - AI in 64 Kb
Philippe Esling (FR)

This hands-on workshop for the AIxMusic Hackathon by Philippe Esling (FR) introduces techniques for lightweight AI, demonstration of embedded technologies and a 64 Kb competition for an AIxMusic hackathon project challenging the current limits of AI and inspired by the Demoscene and the 64Kb competitions.