24h Rave

Ein Rave ist natürlich eine Party. Aber das soziale und politische Moment, das einen Rave ausmacht, ist viel bedeutsamer. Weit weg von alltäglicher Normalität, losgelöst von jeglichen Strukturen rationalen Handelns, übernimmt die Lautstärke der Klänge den Geist, die Vibration des Basses umarmt den Körper von innen und außen. Es ist dunkel und eng oder weit und frei, man kann schreien, schwitzen oder einfach nur zuschauen und sein, wie man will. Seit 2019 sind Musiker:innen und Soundperformer:innen sowie Event- und Clubbetreiber stark von den neuen Regeln der präventiven „sozialen“ Distanz betroffen. Im digitalen Raum können zwar nicht alle sieben Sinne stimuliert werden, aber die sensitive Erfahrung im audiovisuellen Bereich können wir miteinander teilen. Im Rahmen des Ars Electronica Festivals bietet der 24h Rave eine Bühne für internationale Künstler:innen und lädt die gesamte Festivalgemeinschaft ein, eine Nacht und einen Tag rund um den Planeten gemeinsam zu verbringen und mit elektronischer Musik soziale, politische und räumliche Grenzen zu überwinden.

Schedule

Alle Zeiten sind MESZ (UTC +2).

Conceptronica, Ontologica & Phenomenologica

M. (FI/US)

This performance focuses on the default staging of digital music, which most often includes someone sitting or standing behind a computer. This is especially true in the wake of the COVID-19 pandemic, when performers and audiences alike are relegated to screen-based interactions.

Hum of the Earth

Liliia Akivenson (RU), Evgenii Savenko (RU)

A sound performance based on a joint project that arose from two elements: noise, and an anthropological interest in how people react to the spontaneous invasion by «unthinkable sound» of their private and hermetic sound reality. Every audible sound has its source, but what could we do with the sudden appearance of unfamiliar disturbing noises that persistently change everyday life towards total unrecognisability? The mythologeme of the «Hum of the Earth» interests artists as a vantage from which to interpret non-everyday noise and its contexts: from the subjective-affective to the mass-eschatological.

Absent Sitter

Gazelle Twin (UK), Kit Monkman (UK), Ben Eyes (UK), University of York Music Department (UK)

Commissioned and developed by York Mediale, Absent Sitter is a digitally abstracted live alternative to touring, created by experimental musician, composer and performer, Gazelle Twin, immersive creative collective, KMA and sound artist Ben Eyes with the University of York Music Department. The artwork explores the power of ‘collective imagination’ within an audience and the importance of ‘presence/absence’ in a live event.

Autonomy / Dependency

Ignacio Cuevas (CL), Fabián Andrade (CL)

The Republic of the Mountain is constituted as a utopian micronation, decentralized and intangible, which activates an ephemeral appearance from the foothills of the Andes towards the limits of our perception, to find out more join us in this conversation with Enrique Rivera, our art curator and get to become a citizen of the republic.

White Sample Live Set

Ignacio Cuevas | White Sample (CL)

Analog live set playing with the Autonomy/Dependency installation of electromechanical systems with plants. Music in between ambient, electroacoustic and electronica in a biological environment.

Desert Bloom presents “on the tendencies of trauma & resilience”

Desert Bloom (CA) & Austin Tufts (CA)

Long-form arrangement from composer Desert Bloom consisting of three movements, “on the tendencies of trauma and resilience” blends classical form and experimental electronic instrumentation alongside drummer Austin Tufts’ live drum improvisations. Conceptually, this piece delves into reactions to traumas experienced by women of color, the lack of a societal discourse on the subject and the concept of resilience, widely used as a scapegoat to avoid providing further support or to genuinely confront our own biases and toxic behaviors.

Lost Interferences

Proiect 2 (RO), Rezidența BRD Scena9 (RO), UNATC IL Caragiale – CINETic Centre (RO)

We sometimes get desperate, we sometimes get lonely when we lose something. Through the participatory installation Lost Interferences we collect feelings on loss. Using a deep neural network algorithm, we share those feelings as sound information. In a collective action, Constantin Basica, from the location of the Center for Computer Research in Music and Acoustics Stanford (CCRMA), with Romeo Cornelius and Maia Morgenstern, and Irina Margareta Nistro, will perform telematically.

The sound of ENTU

Emanuele Balia (IT)

The piece is a generative audio from the installation project ENTU Umanesimo Artificiale in its Garden Bologna/Fano. Data from the wind collected in Sardinia island in Italy is processed through algorithms that explore its timbral potential of the physical phenomenon. What you will se is the software interface during the live interaction by the artist, in the purest form of collaboration between man and machine.

DOWN

Stefan Tiefengraber (AT)

The sound artist Stefan Tiefengraber is presenting his latest sound-performance project DOWM. Three walkmans, three effect pedals, two mixers, a mini-synthesizer, microphones and several feedback loops create a noise-scape that ends in silence and emptiness.

In the mix: 11:68PM

11:68PM (DE)

As a music producer and co-owner of his newly founded label „What If It Works“ Berlin based artist 11:68PM explores the multiple synthesises of audio and visual expressions. In his DJ-set for ARS Electronica’s 24h Rave he steps up for a dedicated one hour journey through uptempo electronics and IDM – recorded in September 2021 at Brewery Studios in Berlin.

Warawar Kjaua – Chajnantor (extended)

Olaff Peña Pastene (CL/ES), Samuel Domínguez (CL/GB)

The audio track is a collabora1on between Olaff Peña Pastene and Samuel Domínguez, presented as an extended version of Olaff’s original song Warawar Kjaua, which uses the Tihuanaco’s civilisa1on cosmovision to interpret ALMA Observatory’s data. This is entangled with a fake field recording created using ar1ficial intelligence and slight musical interpreta1ons created by Domínguez.

Pheek/Iregui present “INVERSION”

Pheek (CA) & Daniel Iregui (CA)

In the age of Instagram, polished profiles and overly-sanitized cleanliness, INVERSION instead attempts to show the levels of spontaneity, uncertainty and questioning underlying musical creation. Daniel Iregui’s enormous black mirror, placed behind Pheek and fitted with a device allowing it to vibrate to sound, allows spectators to experience the artists’ various states of mind during an unpredictable yet intuitive journey, where everything will become crystal-clear to those with the patience to wait.

In the mix: O-Wells

O-Wells (DE)

What ties O-Wells‘ career together is a certain emotionality that gently addresses the listener from the side. This approach to music-making is naturally continued in his style of djing: Incorporating his personal history of producing ambient, breakbeat and house to fast-paced Detroit-influenced techno under his second moniker Frankfurt Bass, Lennard Poschmann draws from this rich pool to create his own musical language.

Hypogeios

Roberto Pugliese (IT), Daniel Bacalov (IT), Gilda Buttà (IT), Costanza Savarese (IT) , Alberto Popolla (IT), Gianfranco Tedeschi (IT), Alessandra Cristiani (IT), Eleonora Chiocchini (IT)

Hipogeios is an electro-acoustic project where elements from different artistic backgrounds perfectly melt together, creating a multifaceted dialogue and a klangfarben counterpoint.

[ˈdaːzaɪn]

Sective – Arno Deutschbauer (AT) and Micha Elias Pichlkastner (AT/CA)

The AV performance [ˈdaːzaɪn] conceptually revolves around the detachment of communication and interaction from the human body into a virtual and digital space and the consequences this can have for us as physical and mental beings. A phenomenon that has obviously also been accelerated by the effects of the Covid19 pandemic.

Porto Porto

Alex Tibbitts (CA/US), Quan (CA/VN), Samito (CA/MZ), Boogieman (CA), Milo Johnson (CA/US)

Porto Porto is on a mission to bring music that collectively raises our human vibrations. The stresses of isolation melt away in hearing dreamy delays of the harp mixed with an up-tempo bass and beat line. Grounded by Milo Johnson’s bass lines, and reinforced melodically with his horn and string accompaniments, the team -featuring Alex Tibbitts, Quan, Samito and Boogieman- promises to transport the listener from rain forests and remote island villages to busy urban underground.

Rave Space

Fabian Burghardt, Frank Hahn, Tom Wendland

For many years, club culture has been one of the determining factors for the famous Berlin vibe. The Garden Berlin is celebrating electronic music and club culture and is presenting an hybrid rave night, at Friday September 10th.Therefor people from all over the world are invited to join the RAVE SPACE, Berlins first virtual 3D club.

Techno is (not) dead

COOK.D (FR)

COOK.D is a French artist and music researcher at IRCAM who goes back and forth between techno and bass music. In this performance, she tries to explore the dimension where these two electronic genres coexist and offers you a set that is both percussive and melodic.

Daim™ Présente | ^^

Daim™ (FR)

For Ars Electronica 24h Rave, Daim™ will premiere an audiovisual mixtape recounting their web browsing experiments as a burlesque and danceable musical short film. Expect avant-garve jokes, popping-up beats, and many more passive-aggressive leftfield surprises.

Noise Entropy

Philippe Esling (FR)

Music can be seen as organized noise. The limit between these concepts has been shaped through centuries of evolution, but nowadays, we are continuously enforcing the fronteer to the point it has become nothing more than a blurry delimitation. Each person has its own subjective fronteer where it start considering music as noise. This performance is a battle between music and noise that takes place within each one of us.

Sound performance “Techno-soils. Vibrofabricat”

Boris Shershenkov (RU)

Sound performance “Techno-soils. Vibrofabricat „isdedicated to working with vibrationalfields of urban techno-soils. The streams of mechanicalenergy captured with the geophonesbecome audible when the equilibrium states of theauthor’s electroacoustic system of thePhonotrone type are violated.

Uncanny Dream

ildar iakubov, diana burkot, maksim silenkov

The participants of the multimedia performance Uncanny Dreams construct a disturbing image of an everyday global catastrophe, elements of which surround us during the third decade of the 21st century. Impressions of a persistent aggressive environment are assembled from multiple debris, visual images and sound patterns.

Sonic Garden

Moss (IR/FR)

Mohsen Ataei AKA Moss is a veteran Iranian underground DJ, starting electronic music back in 2000. Collecting and playing music has been an obsession with Moss since his teenage years, eventually leading him to study Audio Engineering and Electronic music production at SAE Paris. In the late 2000s, he became a member and producer of the Parisian underground cult band „Big Daddy’s Dead“ performing at most of the city’s prestigious clubs.

Sonic Garden

Farzan Badie (IR)

Farzan Badie is a DJ/music producer/audio engineer and radio host based in Tehran. He got his Diploma in Sound Engineering from the S.A.E Malaysia. Since then he has played in Iran, Germany, Hungary, Malaysia, Dubai, Cyprus and Turkey. He formed a DJ/Live act with British DJ Jules Dickens in Kuala Lumpur and worked in a public studio in Budapest for 2 years. Farzan is the co-founder and music director of “Beshknow”, an online radio and collective from Tehran.

Ceci n’est pas un mix

ATP (FR/LR)

ATP spent his 20’s playing in various free parties and festival as part of the duo Frapading with his best bro Dezaks. Together they developed their signature sound, gathering influences from tribal freetekno, psytrance and electronic madness between piles of speakers and diesel emanations. Since then ATP has been pursuing his own sonic exploration from electronic to speedcore with a strong emphasis on heavy drum beats and screeching, psychedelic synth lines.

5 Episodes

Zak Argabrite (US)

5 Episodes is an audio-visual performance work which traces the lifecycles of electronic devices: from their origins as extracted land to their eventual deaths in sacrificed lands. The performance of 5 Episodes involves a collaboration between Zak and a collection of discarded electronic devices and media from second-hand sources such as electronic waste recycling centres.

Landing

Jessica Robinson (NZ)

Landing is a soundscape exploring additive, subtractive and FM synthesis, created in Supercollider. These techniques are used to generate atmospheric textures with varying degrees of familiarity, investigating the feeling of exploration.

forme cangianti

Fabio Morreale (IT)

forme cangianti is an audiovisual live-coding composition. Before the performance, hundreds of mathematical functions were coded to govern the behaviours of the sound (Supercollider) and the visuals (shaders). At performance time, the performer gradually summoned these dormant functions, who “live code” variables of these equations. This artwork is part of ongoing research aimed at developing a visual identity to computer-generated and experimental electronic music.

trialPressure

Liam Pram (NZ)

The work explores a number of sonic environments manipulated through a custom interface utilising hand controlled pressure sensors, foot controlled potentiometers, and reactive incandescent bulbs. All gestures used for control could be conceived of as exerting pressure on the mechanism, and so the sonic and visual environments are arranged to react in some manors which may represent such a relationship. The interface utilised a Bela, a K8064 DC Controlled Dimmer, and is coded in Pure Data.