Accompany the Ars Electronica Futurelab crew on a business trip to Dubai. At a spectacular nighttime event staged to celebrate the United Arab Emirates’ 43rd National Day on December 1, 2014, the Spaxels, a swarm of LED-equipped quadcopters, got a very enthusiastic reception.
Paper isn’t the only thing that can be folded. This is the message Matthew Gardiner, artist and team member of Ars Electronica Futurelab, wants to convey. In an interview, he explains why we’ll soon be dealing quite a bit more with folding things.
A very special highlight kicked off this international surgical congress: Operations being performed simultaneously at three ORs at Linz’s Krankenhaus der Barmherzigen Schwestern (Hospital of the Sisters of Mercy) were broadcast directly to the Ars Electronica Center.
“Truths unveiled by time”, as Daniel Crooks also likes to call his “Real Imaginary Objects” were shown at the Ars Electronica Festival. For the festival he even created a room-high sculpture out of plywood.
Dr. Tom Melia, theoretical particle physicist at CERN talks about the inspiration he got by the cooperation with the Collide@CERN residency winner Ryoji Ikeda and about what it means to him to be Ikedas inspiration partner.
Do you remember when movies were run on bicycles? Meet the artist Scott Hessels in this interview about his Device Art that can be seen at the Ars Electronica Center.
“The more powerful this technology and the machines are, the more powerful is also the code that drives these machines”. Gerfried Stocker talks about the relationship between code and art.
Ars Electronica Solutions’ “Styriaversum” concept outshone a field of international competitors and was selected for the makeover of the 390-m2 lobby at Styria Media Group AG’s headquarters into an interactive brandland.
Zachary Lieberman is an artist, researcher and hacker dedicated to exploring new modes of expression and play. At the moment he works for his TRANSMIT³ residency project at Queensland University of Technology.
“We now have the chance to custom-tailor the technology to ourselves instead of the other way around.” Thomas Gnahm, organizer of the Wear it Festival and himself the wearer of an LED jacket, talks about concepts for wearables that will soon be snuggling up to users’ bodies worldwide.
Already at the 2014 Ars Electronica Festival Chloe Cheuk and Kenny Wong delighted us with their interactive installation Iris. Now under an Artist in Residence program they have born a new idea for another joint project.
The University of Applied Arts Vienna, partner of Ars Electronica, has launched an Angewandte Innovation Laboratory – an open platform for unconventional exchange among experts in the fields of art, design, science, business and technology.
Sheet metal is a material that plays a pretty pervasive role in everyday life but does so in rather low-key fashion—as housing for electronic devices, for instance, or in the elevators we ride and the cars we drive. In this interview, Harald Böck, product manager at TRUMPF Maschinen Austria, talks about the many uses of…
Derrick de Kerckhove spoke at the Festival Ars Electronica 2014 about change begins in people’s heads and we need narratives to get this going on. Narratives that update or replace old clichés and outworn patterns of thinking.
An extraordinary and daring live performance using new technologies by White Sample, raum.null, VeroVisual and voidsignal with technical devices by Michael Platz.
Gigapixel images of Paris, the world’s largest jigsaw puzzle and tours of the Museum of the Future by night—here’s a short look back at the Long Night of the Museums in the AEC.
The British artist, theoretician and visionary thinker’s oeuvre has been a formative influence on the work of many media artists worldwide. In this interview with the recent Golden Nica honoree who’s about to turn 80, Roy Ascott talks about how he connected with Ars Electronica and the dangers threatening those who create interactive art today.
Scaling and relative dimensions are what Zachary Lieberman is into now. As the first TRANSMIT³ Resident, he’s doing scientific research together with students and presenting the results on The Cube, a jumbo display in Brisbane, Australia.
A real celebration of form and geometry—the terms that the 2014 Prix Ars Electronica jury used to describe the animated film entitled “Walking City” couldn’t have been more apt. An interview with Matt Pyke, creative director of Universal Everything, the studio that took home a Golden Nica for their efforts.
“Innovation continuous to evolve and all new innovations automatically build on that what was before and so it is constantly growing and changing”, says K. Bradley Paxton, former director of the Electronic Imaging Research Laboratories at Eastman Kodak.
Flying Smart Atoms that are able to respond to touches by humans? The Ars Electronica Futurelab presented a significant development of the Spaxels during the 2014 Festival Ars Electronica.
On Music Monday, the 2014 Ars Electronica Festival ended on a pleasant note. The five-day total for all events was about 85,000 visits. Here’s a look back at one final, glorious day!
C… what it takes to change. What does it take for social innovation and renewal to flourish? With symposia, exhibitions, performances and concerts, the Ars Electronica Festival 2014 in Linz, Austria, from September 4 to 8, 2014, turned its attention to the theme of change.
Day 4 is done and the 2014 Ars Electronica Festival is nearing the end.