Music is probably the most emotional art form of all. If we observe people talking about music, recalling their experiences and memories, a difference to their usual style quickly becomes apparent. They touch their hearts, lower their voices, look inside, let their emotions run free. Music is an art form that expresses our feelings in…
To build an 80,000 square metre abandoned industrial area with structures that enable media art. The architects Jürgen Haller and Christoph Weidinger are once again taking on this seemingly unsolvable task this year at the Ars Electronica Festival 2019 in POSTCITY.
The best of 835 Prix Ars Electronica submissions in the Computer Animation category will be presented at the Ars Electronica Animation Festival. In an interview, curator and director Jürgen Hagler talks about what visitors will be able to expect this year, what trends the industry is currently experiencing and what he personally looks forward to…
Sweat and work are inseparably linked in Paul Vanouse’s installation LABOR. In an interview, the winner of the Golden Nica explained to us how odours develop and why he recreates this process in the laboratory.
Claire B, one of the two artists behind the exhibition Mirages & miracles, talks in this interview about technologies, stones, poetics and the relationship between these elements. The new exhibition at the Ars Electronica Center opened on June 25 and continues until March 2020.
It is the second most densely populated metropolis and one of the three most visited cities in Europe: Barcelona. The Innovation Bureau 300,000 Km/s, which was awarded the STARTS Prize 2019 for the “Ciutat Vella’s Land-use Plan” project, shows how new technologies can help to make urban space a place worth living in.
The Prix Ars Electronica 2019 Golden Nica in the category “Digital Musics & Sound Art” is staying in the country: for the first time, an Austrian has won the prize as a solo entrant. The Austrian composer and producer Peter Kutin studied at the University of Music and Performing Arts, Vienna, and has written and…
With “Project Alias,” Bjørn Karmann and Tore Knudsen of Denmark demonstrated a simple yet effective way to take back control over our own private sphere, which earned them the STARTS Prize of the European Commission. We talked with both of them about privacy, parasitic fungi, and the appropriate narratives.
Every year a new jury, every year an extraordinary treasure of media artworks that want to be judged. Once again this year, 20 experts from all over the world met in Linz to agree on the Golden Nicas of the 2019 Prix Ars Electronica. A brief stroll through the jury weekend.
40 years after the first Ars Electronica Festival, “Out of the Box – the Midlife Crisis of the Digital Revolution” takes us on an expedition to the artistic-scientific surveying of our modern techno-economically-influenced world. In this interview, Gerfried Stocker, the artistic director of Ars Electronica, introduces the topic that the Ars Electronica Festival in Linz…
Invisible and yet threatening. The EMAP/EMARE project “aqua_forensic” by Robertina Šebjanič and Gjino Šutić is investigating human pollution in the oceans. It is the result of their residency at Ars Electronica. The second Open Call for a EMAP/EMARE residency runs until December 3, 2018.
After his visit to the Ars Electronica Festival, Roberto Viola, Director General of DG CONNECT (Directorate General of Communication, Networks, Content and Technology) at the European Commission, talks in this guest article about how important it is to involve art in the further development of AI technology.
What a festival: 5 days, 12 locations, 614 events and 1,357 artists, scientists, technologists, entrepreneurs and activists from 54 countries made the Ars Electronica Festival from September 6 to 10, 2018 a truly extraordinary experience. With the theme “Error – the Art of Imperfection”, the media art event brought visitors from near and far to…
We’ve seen media art, marveled at performances, listened to lectures, talked to artists, programmed, crafted, hacked, danced and learned a lot – but even the biggest media art festival has to come to an end at some point. The best impressions of the fifth and last day can be found here.
The weekend at the 2018 Ars Electronica Festival ended with a bang: The Big Concert Night with the Bruckner Orchestra, performances and a dancing robot was once again one of the absolute highlights. The rest of the day was equally impressive – learn why here, with the best impressions of festival day four.
Saturday at the Ars Electronica Festival was packed with an exciting program: Emergency Error Battle, Expanded Animation, Prix Forums, ZusammenHelfen Conference, Sonic Saturday – and hundreds more events, exhibitions and performances! Here, you can find some of the best impressions.
The second day at the 2018 Ars Electronica Festival was full of lectures, panel discussions and keynotes, showed excellent media art throughout the city and ended in the evening with the roaring party that is the Ars Electronica Nightline. A few impressions of the Festival Friday can be found here.
Finally: The months of waiting have come to an end. The Ars Electronica Festival 2018 took off on Thursday, September 6, 2018, with the theme “Error – the Art of Imperfection. Here, we show you the best impressions of day one at the festival.
Rosenbauer and Ars Electronica Futurelab take a look into the future of the fire brigade: Together with artists, scientists and designers of the laboratory, the fire-fighting equipment supplier is now conducting research into the swarm control of autonomous vehicles.
It’s the second time that WKOÖ UBIT – the Economic Chamber’s group for business consultants, accountants and IT specialists – has taken over the patronage of WE GUIDE YOU tours at the Ars Electronica Festival. The chairman Markus Roth talks about why they are here again and how he deals with mistakes in his area.
“The Bien” by Stefan Mittlböck-Jungwirth-Fohringer portrays an extinct bee colony—doing so in terms of its absence. The work will be on display in Linz’s Mariendom cathedral during the Ars Electronica Festival September 6-10, 2018. Find out more in this interview.
The 2018 Ars Electronica Festival is not only an event for media art, technology and society – a wide variety of sciences are also represented at over 500 events, lectures, workshops and open labs. Find the best festival tips for scientists here.
At the Ars Electronica Festival’s Big Concert Night on September 9, 2018, Silke Grabinger and two members of her SILK Fluegge troupe will dance to Symphonie Fantastique performed by the Bruckner Orchestra in the Gleishalle of POSTCITY Linz. Find out more in this interview.
“The Practice of Art and Science” at the Ars Electronica Festival September 6-10, 2018 presents projects at the interface of these two disciplines. Find out more in this interview.
Every year, the Ars Electronica Festival is a get-together of the biggest names in media art, science and technology – and at the same time, a playground and experimental space for young students. Here, you can find out which program items are particularly exciting for students this year.
The Ars Electronica Festival (September 6-10, 2018) will feature several virtual reality projects once again this year. To let festivalgoers enjoy hands-on experiences with them, Vienna-based VREI Company has made a few VR devices available. VREI CEO Florian Sam provides details in this interview.