The exhibition took a closer look at the European particle physics laboratory CERN, covering its history, daily activities and the ambitious goals of the global research project.
“STUDIO(dys)TOPIA” explores how humankind can transform sustainable practices into action and serves as a metaphor for our present, in which the concepts of dystopias and utopias find themselves in a changed reality.
Latin American art meets media art: A new collaboration between CIFO and Ars Electronica aims to support the Latin American art scene and to bring a number of outstanding artists and projects closer to the international audience.
Hardly any other technology currently leaves us as perplexed as artificial intelligence. The exhibition “Mission AI” at the Deutsches Museum Bonn now also conveys a deep understanding.
At the Ars Electronica Center’s VRLab, it was possible to immerse yourself in virtual worlds and superimpose data on our reality.
The exhibition “Creative Robotics” traced how industrial robots, outside their original use, became a medium of artistic and creative expression and a catalyst for the implementation of innovative ideas.
The exhibition “The World in 100 Years” paid tribute to great thinkers and activists who were ahead of their time and worked for a vision of the future.
The interaction between the Atacama sky and clouds with the local audience in Linz: these Chilean artists will represent their home country at the Ars Electronica Festival 2022.
The exhibition “Spaceship Earth” dealt with the question of what we can learn about our planet by observing it.
Two years late, TIME OUT is entering its next round. Students from the Linz Art University’s “Time-Based and Interactive Media Arts” program are showing selected works at the Ars Electronica Center.
With the CAVE, the Ars Electronica Futurelab laid the foundation for this experiential environment in the 1990s. “Deep Space EVOLUTION” is Ars Electronica’s next chapter when it comes to immersive visual worlds.
The exhibition Mirages & miracles at the Ars Electronica Center staged augmented reality in a virtuoso and imaginative way.
MIT-Medialab’s inFORM application addressed the question of how to get the digital back into the physical world.
Outside is winter, inside we harvest our own grain. Three months we have struggled, spent more than 400 euros, but harvested less than 800 grams of barley.
Share your future visions with the world – “Memo Futurum” makes this happen until the end of the year. Only in 2046 they will be recalled.
On its anniversary on September 9, the Ars Electronica Futurelab celebrated the lab’s visionaries. With talks and discussions, guided tours and performances – and lots of new ideas for the future.
After a year of Corona-related postponement, EXPO 2020 is finally getting underway. The Ars Electronica Solutions team is playing a key role in the Austria Pavilion.
Is democracy digital and how democratic is the digital? We have put together a collection of festival projects on the topic of “Digital Democracy”!
Trust is one of those things. With a bit of luck, we gather more good than bad experiences, fall back into a – trusted – network when we stumble, and can face new experiences positively and without any worries.
A wide variety of projects at this year’s Ars Electronica Festival on the theme of “Another Tech is possible” demonstrate how new technologies and inventions can help us to deal with challenges in the future.
…others go to Ars Electronica. Public space/privacy – how do they intertwine and can we trust promises about privacy? This core theme is also represented in the form of festival projects.