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This is Sónar+D
Sónar+D – Sónar Festival's creative technologies conference – is an international congress exploring how creative minds are changing our present and imagining new futures, in collaboration with researchers, innovators and business leaders from all sectors and industries.

AI x Music Festival: Bot Bop Musikalisches Gestalten und Innovation mit AI
Andrew Claes (BE) and Dago Sondervan (NL)
Musical phrases are fed in real-time to a live coded machine learning model. The emerging virtual agent reacts and is again reacted to, creating an organic feedback loop. Utilising improvisational, instant composing and algorithmic musical techniques, listen to the duo becoming a trio during the course of this performance.

Genetic Biotech through the Eyes of Artists
BOZAR presents a talk on genetic modification, featuring Sandra Lorenzi (FR), Kuang-Yi Ku (TW), Christophe De Jaeger (BE), and 2 scientists from the Vlaams Instituut voor Biotechnologie – VIB. The talk will be preceded by a video streaming of a guided tour in the VIB facilities in Gent (BE), with Sandra Lorenzi (FR – artist of the Studiotopia programme), Kuang-Yi Ku (TW – artist of the Studiotopia programme), Sofie Bekaert (BE – VIB) and VIB scientists Roosmarijn Vandenbroucke and Sofie Goormachtig, presenting their current research.

Acte de Fe
Marc Vilajuana, Adrià Grandia, Carlos Martorell
Act of faith (Acte de Fe) is an exploration of our relationship with technology, its similarities with the one we have with religion, the tools involved in both processes, and its impact on us and in our sacred/private space. Mise-en-scène will consist in a liturgy performed by Marc Vilajuana (voice, effects, hand drum), Adrià Grandia (acoustic and MIDI hurdy-gurdy, modular synth, laptop, aerophones), Carlos Martorell (coding, synths, motion sensors, artiphon) and a real-time reactive AI trained with religious scores.

Interdependence with Richie Hawtin: AI for humans
Holly Herndon, Matt Dryhust
In dieser Diskussion sprengen wir die binäre Trennung von Mensch und Maschine im Prozess des Musikmachens, untersuchen Möglichkeiten, wie KI-Systeme dazu beitragen könnten, dass mehr Menschen bezahlt werden, anstatt verdrängt zu werden, und diskutieren die Notwendigkeit, dass KünstlerInnen im Prozess der Entwicklung von KI-Tools teilhaben.

Dance the distance
Ariella Vidach (IT), Claudio Prati (CH), Paolo Solcia (CH), Riccardo Santalucia (IT), Sebastiano Barbieri (IT), Francesco Luzzana (IT), Giovanni Landi (IT)
Live Guided Tour in a Dance Virtual Studio. MEET’s second project Dance the distance is a live guided tour through a virtual dance studio. Participants as avatars will be able to meet the virtual dancers and join an open rehearsal for a VR dance performance in progress.

Meet the Media Guru
William Myers (US/NL)
Within its Meet the Media Guru format, MEET presents a talk by William Myers about the emerging practice of integrating biological processes into art and digital creativity. An exhibition curator and lecturer based in Amsterdam (NL), Myers is the author of two widely acclaimed books about the intersections of design, art, and science: Biodesign and BioArt.

CNMAT ODOT
John MacCallum(USA), Jeff Lubow (USA)
In diesem Workshop geben wir eine kurze, praktische Einführung in ODOT, eine dynamische, multiparadigmatische Programmierumgebung, die mit Open Sound Control arbeitet. ODOT wurde Anfang 2007 an der CNMAT entwickelt und hat sich zu einer leistungsstarken und robusten Suite von Werkzeugen entwickelt, die in einer Vielzahl von Kontexten nützlich sind, von der Signalverarbeitung für Gesten bis hin zur computergestützten Komposition. Während dieses Workshops werden wir den aktuellen Stand des Pakets und die Zukunft des Projekts diskutieren.

The QuBits VR Space
Jon Kulpa
Jon Kulpa is available to host a live online demonstration/performance of QuBits VR. The QuBits project is a virtual reality (VR) environment built by the composer that offers an expanded medium for musical experience with integrated space and visuals. The environment was designed to explore a musical aesthetic valuing sound mass, spatial sound, evolving sound, and algorithmically generated sonic structures. The user of the VR system plays a key role in shaping these musical elements. The user first discovers what behaviors are possible through exploration and chance encounters. They can then shape each discovered behavior with nuance if they choose. The system provides a unique experience each time it is run. The sounds are a mix of real world sampled sound, granular synthesis, and real-time generated synthetic sound.

Performance of CORAIL
Edmund Campion
There is no pre-defined score for CORAIL (CORAL). CORAIL is a software environment that performs audio analysis of an incoming live signal that generates and organizes sound through the computer and the CORAIL algorithms. Persistence inside any one environment causes the program to move toward greater sound generation and machine autonomy.

ORCHIDEA with Composer and Lead Researcher at CNMAT
Carmine Cella
Carmine Cella is available to host a live online demonstration/workshop for ORCHIDEA, a framework for static and dynamic computer-assisted music orchestration. Orchestration consists largely of choosing combinations of sounds, instruments, and timbres that support the narrative of a piece of music. The ORCHIDEA project assists composers during the orchestration process by automatically searching for the best combinations of orchestral sounds to match a target sound, after embedding it in a high-dimensional feature space.

ALICE, ALICES UNCHAINED, and THE FLOWER MATRIX
Edmund Campion and Claudia Hart
ALICE, ALICES UNCHAINED, and THE FLOWER MATRIX is a long-term collaborative project between media artist Claudia Hart and composer Edmund Campion (CNMAT). Since 2013, they have collaborated on the ALICES project, a series of artworks, loosely connected to Alice in Wonderland, and appearing through the years as a series of pieces that migrate from performance-based multi-media theatre, video, gallery installations, to virtual reality environments. This film documents the history of the on-going project with excerpts from several of the works along with interviews with the artists and collaborators.

Live Performances in occasion of the AIxMusic Opening ceremony
Edmund Campion, CORAIL with Steve Adams of the Rova Saxophone Quartet, and Andrew Blanton, WAVEGUIDE, Claudia Hart, Edmund Campion
Edmund Campion, CORAIL with Steve Adams of the Rova Saxophone Quartet, and Andrew Blanton, WAVEGUIDE, Claudia Hart, Edmund Campion WAVEGUIDE - 2017 - percussion, distributed audio and electronics: Music composition and performance by Andrew Blanton Text by Yvette Granata Composition and software by Andrew Blanton Special thanks to Neal Riley for technical support. CORAIL - version 2020 - improvising saxophonist and interactive computer system: Composition and computer environment design by Edmund Campion, Director, CNMAT Tenor Saxophone by Steve Adams Software contributions by Manuel Poletti, Matthew Wright, Edmund Campion (and a host of others) This concert is being streamed live from the Center for New Music and Audio Technologies (CNMAT) and made possible by CNMAT Researcher and Technical Director, Jeremy Wagner

On a Journey with Alma
Giulia Tomasello (IT)
Alma ist ein tragbarer Biosensor zur Überwachung von Vaginalsekreten. Wir engagieren uns für die Unterstützung und Aufklärung von Frauen über ihre Intimgesundheit durch Technologie. Giulia Tomasello, Designerin und Mitbegründerin von Alma, führt durch die Forschung und Prototypentwicklung am Fraunhofer IZM TexLab in Berlin.

Fermenting Futures
Prof. Diethard Mattanovich (AT), Prof. Ingeborg Reichle (DE), Anna Dumitriu (UK), Alex May (UK), Sonja Schachinger (AT)
Das Projekt wird einige der Tausenden von Hefespezies und ihre Eigenschaften sowie Methoden der Synthetischen Biologie vorstellen, um neue Hefestämme mit außergewöhnlichen Fähigkeiten zu schaffen, die unser Leben besser machen und gleichzeitig den Planeten erhalten.

Eebo Video Tutorial
eebo (AT)
Eebo ist eine Videoplattform in Uganda, die kreativ Schaffende dabei unterstützen soll, ihre Inhalte an ZuschauerInnen zu vermarkten. Die Strategie von Eebo besteht darin, so viele öffentliche WiFi-Hotspots wie möglich zu öffnen, damit die NutzerInnen ohne Internetkosten auf diese Inhalte zugreifen können.

Communication with the Invisible
Pei-Ying Lin (TW)
Ungewissheit ist überall. Sie ist das, was wir erleben, wenn wir dem Unbekannten gegenüberstehen, aber auch, wenn wir versuchen, mit dem Unsichtbaren zu kommunizieren oder zu verhandeln. Sie zeigt sich auch im künstlerischen Prozess, während ein Projekt entsteht. Pei-Ying Lins Reise erforscht diesen Aspekt, indem sie den Entstehungsprozess ihres Projekts Proposal of Collaboration with the Viral Entities (dt.: Vorschlag zur Zusammenarbeit mit den viralen Entitäten) offenlegt.

Between
BeAnotherLab (INT)
Als kollektive Praxis existiert Beanotherlab in den Räumen zwischen Disziplinen, Gemeinschaften, Geographien und Methodologien. Verteilt, aber voneinander abhängig. Dieser Rundgang präsentiert eine Meditation über die Unsicherheiten und Sensibilitäten der transdisziplinären Zusammenarbeit.

Prosthetic Memory
M Eifler (US)
When I tell you I have memory loss, you'll likely say "I forget things all the time! A name, my keys, where I parked, constantly." But do you remember being a sticky wild-eyed kid? Or maybe you have a story from your early 20s you love to tell, laced with seedy details. I have none of that.

Adriatic Garden
Robertina Šebjanič (SI), Gjino Sutic (HR)
Adriatic Garden nimmt die ZuschauerInnen mit auf eine Reise durch das Adriatische Meer.