The Spaxels were just the beginning of a long journey into the future of the Ars Electronica Futurelab
In 1987, the Prix Ars Electronica, one of the world’s most important competitions for media art, was launched. Every year at the Ars Electronica Festival, the best works can be admired in the CyberArts exhibition. This year, again.
Exploring new sounds – with great joy in experimentation and a healthy dose of passion.
With the Ars Electronica Festival 2021 at Johannes Kepler University being around the corner, let’s take a look back at the location that re-invented the Festival as a platform – the POSTCITY.
Veronika Liebl and Kristina Maurer dedicate the eighth episode of “Inside Festival” to the topic of “New Realities“. They present two projects from our Festival Gardens and an artistic project and give us a sneak peek into the create your world program.
Since its foundation in 1987, the Prix Ars Electronica has always served as a trend barometer and platform for the collection of current and future visions of artists on the theme of “Art, Technology and Society”.
Even more numerous, even more exciting and even more diverse: Here comes Part Two of the highlights of the Ars Electronica Festival 2021.
The reality as we experience it around us, we create ourselves. It is constructed and at the same time changeable and unstable.
Some people think Alexa and Siri only listen when they’re supposed to. Others go to Ars Electronica.
How art can make complex structures tangible
Clouds have been telling us all kinds of stories for ages. With the project “Cloud Studies”, the collective “Forensic Architecture” once again looks up to the sky and uses technological tools to re-read clouds of smoke, poison and gas.
1996 was a major turning point for Ars Electronica as an institution. For around four years a background process had been underway to fundamentally change Ars Electronica: the creation of the Ars Electronica Center.
…others go to Ars Electronica. We present you a selection of projects and gardens that deal with questions around the topic of ecology.
Christl Baur, Head of Ars Electronica Festival and Maaya Makino, Garden Manager, Ars Electronica dedicate the seventh edition of “Inside Festival” to the topic of “Robotinity” and present a total of four projects that addresses this topic.
With Oribokit™, a DIY kit for origami robots, Matthew Gardiner aims to collectively cross the boundaries between art and science towards the future.
Can artificial intelligence help us become more environmentally sustainable? How can we reduce the growing energy requirements of cryptocurrencies? And how can we free the IT sector from fossil fuels?
Christl Baur, Head of Ars Electronica Festival and Hannes F. Franks M.A. Producer Performances, Ars Electronica dedicate the sixth edition of “Inside Festival” to the topic of “Sound Experiments” and present a total of six projects that addresses this topic.
From Festival University to Pre-Opening to Innovation Day: these are the highlights of the first days of the Ars Electronica Festival 2021 – A New Digital Deal!
How can we inspire people to actively design our common future?
Veronika Liebl and Karla Spiluttini take a look at the microcosm and macrocosm on the basis of some of the projects that will be shown at the Ars Electronica Festival 2021.
On September 18, 1979, the very first Ars Electronica Festival saw the light of day and laid the foundation for the Ars Electronica success story.
A “Symphony of Absence” in the Keplerhall is meant to remind of all those celebrating their own festivals outside of Linz.
The topic of “Critical Journalism” is the focus of the fourth edition of Inside Festival with Veronika Liebl and Andrew Newman.
Education is one of the core aspects of the European Platform for Digital Humanism, which is only natural, as historically education has always been fundamental to what we understand humanism to be.