The first STARTS Prize competition was conducted by Ars Electronica on behalf of the European Commission this year. The mission: recognizing excellence at the nexus of science, technology and art. Here’s an overview of the winners as well as a few very interesting runners-up and nominees.
Prof. Hiroshi Ishii is the director of the MIT Media Lab’s Tangible Media Group. His team’s mission is to envision new forms of human-machine interaction and to enable us to experience and grasp the ideas of tomorrow today. His vision of RADICAL ATOMS also inspired this year’s Ars Electronica Festival theme.
“Can you hear me?” was a temporary network that artists Christoph Wachter and Mathias Jud set up above the rooftops of the German government district in Berlin to downright force intelligence agencies to listen in on what they and thousands of other people were saying. Besides getting the agents’ attention, the artists are also the…
Mind the date: From September 8 to 12, 2016, the PostCity, the former former postal service’s letter & parcel distribution central railway station in Linz, again will be a central point of the Ars Electronica Festival.
We zoom into a world that’s incessantly in motion, one in which everything is connected to everything else and the figures are constantly morphing. This animated film by Boris Labbé has been singled out for recognition with a Golden Nica by the 2016 Prix Ars Electronica.
In this interview with Gerfried Stocker, Ars Electronica’s artistic director elaborates on the theme of the 2016 Ars Electronica Festival and provides some impressive examples illustrating it. Here’s a preview of what awaits festivalgoers in September 2016 in Linz.
At the Ars Electronica Festival in 2014, three participants in the Ars Electronica Futurelab Academy Programme presented SquareTalk. The project recently won the ‘expression’ category at the prestigious 2016 IXDA awards.
MAXON, a Germany-based software developer, has been creating 3-D graphic tools since the mid-1980s. Cinema 4D is one of them. In association with Maxon, the Ars Electronica Animation Festival will showcase prizewinning works of computer animation in September 2016.
The idea of tycoons and governmental institutions being able to know more about us than ourselves by tracing our internet behavior, is a rather frightening one. But in reality, they know less than we think – that point has been proven by Mark Shepard, Julian Oliver and Moritz Stefaner with their project “False Positive” which…
With last year’s topic of the EU project „Connecting Cities“, the focus was on making the invisible visible. In the course of the 2015 edition of the Ars Electronica Festival, the subject-matter “In/Visible City“ was impressively staged via a media installation called “Flame” by the artists Tamer Aslan and Onur Sönmez. With this interview, you…
The experimental/industrial/techno duo raum.null delivers the musical accompaniment to a nightmarish vision of mass extinction hopped up on disturbing visuals courtesy of VJs VeroVisual, voidsignal and Flockaroo.
You have left everything behind and have just arrived at a refugee camp. Now a period begins in which you are only noticed as a number. In his lecture development worker Kilian Kleinschmidt persuaded that this does not need to be this way.
Ferry wheels, historic buildings and cactuses – it does not always have to be a flat and limiting screen, where animations can be projected on, as shown in the video mappings by Romain Tardy.
In 2050 about two-thirds of the world’s population will live in cities. Geeta Mehta, professor at the Columbia University, is thinking about our living together in the future.
2015 Golden Nica winner Alex Verhaest and Pascal Floerks, this year’s winner of an Award of Distinction, talked with jury member Erick Oh about their animations and motifs behind.
Day 5 and thus the final day of the 2015 Ars Electronica Festival is over! We thank all who have made this festival so memorable: all artists, scientists, activists and contributors! Here is a look back at the last day.
Sunday was Citizen Day in the PostCity with projects designed to get locals to rethink Linz and to discover and develop new perspectives. In the evening many artists and symposia speakers already had to leave. We take a look back on an eventful festival Sunday.
Informative, entertaining, spectacular. The third day of the 2015 Ars Electronica Festival is already over. We have recorded a few moments of this day.
Day 2 of the 2015 Ars Electronica Festival is over and it was symposia day! But also in u19 – CREATE YOUR WORLD and the theme exhibition was a hustle and bustle.
The first day of the 2015 Ars Electronica Festival already marks the wide range of exhibitions and events – and gives a foretaste of the following four festival days in Linz.
Two days before the start of the Ars Electronica Festival, the research vehicle Mercedes-Benz F 015 Luxury in Motion made a stop on the main square of Linz for an European premiere.
We are all astronauts. The new exhibition “Spaceship Earth” at the Ars Electronica Center in collaboration with the ESA is dedicated to the fascinating and revealing satellite images of our planet.
In less than 72 hours we go, the Ars Electronica Festival 2015. We have been looking at the PostCity, the central location this year.
Through Myriads Salvatore Iaconesi and Oriana Persico want to establish a peer-to-peer ethnography of a city: a diffused participatory observation in which the myriads of public micro-histories become a commons and are performed through art, education, citizen engagement, tactical usage, starting from margins.
The 2015 Ars Electronica Festival kicks off on September 3, 2015. Whoever wants to take it all in and benefit from expert commentary along the way should definitely join the Openings & Introductory Parcours led by Ars Electronica Artistic Director Gerfried Stocker.
The Habitat 21 exhibition at the Ars Electronica Festival 2015 considers the process of urbanization going on worldwide. One part of this exhibition is the Urban Design Laboratory – an experimental design methodology combining people-centered planning and urban strategies.