You can get an impression of the feelings and attitudes of people in Linz towards the environment, mobility, security, the housing situation and the public sphere from the Smart Citizen Sentiment Dashboard (SCSD) on the Ars Electronica Center.
People of different origins, with varied interests, from diverse social strata dovetail into a current and flow through town. The emotional highpoint of the 2014 Ars Electronica Festival is a major CHANGE-based production!
To mark the 10th anniversary of Interface Cultures, a master’s program at Linz University for Art and Design, the annual Interface Cultures-Campus Exhibition at 2014 Ars Electronica Festival is being expanded to include a program including network talks, an alumni meeting and a Bring Your Own Art event.
Computers that recognize faces in clouds, cat faces, which are perceived as human faces, mirrors in which you can’t take a look and much more will be presented by the Featured Artists Shinseungback Kimyonghun at the 2014 Ars Electronica Festival.
Golden Nica winner Takeo Saijo succeeded in setting up a digital community that mobilized thousands of volunteers to help those whose lives were devastated by the 2011 earthquake and tsunami in Japan.
Projection mapping is being raised to the next level of artistic development in “Archifon III”, an interactive installation that Czech artists Tomáš Dvořák and Dan Gregor are staging at the grand opening of this year’s Ars Electronica Festival.
“Everyone should have the possibility of exploiting the same tax benefits that major corporations are constantly taking advantage of” ,Paolo Cirio stated. He describes his project as an attempt to democratize tax avoidance.
The featured guest institution at this year’s Campus exhibition is the ARTS2 art academy in Mons, Belgium, the 2015 European Capital of Culture. In this interview, Professors Michel Cleempoel and François Zajéga offer a close-up look at the school’s multidisciplinary Digital Arts program.
The Ars Electronica Center’s new “Device Art” exhibition features an extraordinary array of odd devices. What they have in common: whimsical outer shells with serious concepts inside. Hiroo Iwata has been a trendsetter in Device Art since its inception in 2004.
Contemporary life is full of rapid changes, the virtual collides with reality, chaos is the ultimate master. At the 2014 Ars Electronica Festival the exhibition Buddha on the Beach presents Taiwanese works that take up the topic.
The 2014 Ars Electronica Festival is quickly approaching and the lineup of events is shaping up nicely. So, this would be a great time for a sneak preview of some featured presentations and exhibitions. Here’s a peek at what you can look forward to at the opening on September 4th.
The CyberArts Exhibition traditionally shows a selection of works singled out for recognition by the Prix Ars Electronica. In this interview Genoveva Rückert gets a foretaste of the 2014 CyberArts Exhibition.
On the trail of the feelings of plants, Young Sun Kim goes in the course of his residency stay in the Ars Electronica Futurelab, by presenting sounds from the perspective of little flowers.
With a critical project, in the field of digital manufacturing, Matthew Plummer-Fernandez won an Award of Distinction at the Prix Ars Electronica 2014. In an interview he talks about the software application „Disarming Corruptor“.
We’re pleased to announce two great public showcases for the 2014 Ars Electronica Festival, which Ars Electronica Futurelab and Salzburg University of Applied Sciences has been developed together in the context of a research project named CADET.
Through an open call innovators and creators worldwide are invited to compete for the Future Innovators Summit and become one of 24 “catalysts of change”.
Banks, schools, shops, pubs, courtyards, playing fields, avenues and lanes, display cases, churches and their façades and roofs—these are the Linz locations at which this year’s Ars Electronica Festival will be staged. Here’s a glimpse of what awaits you September 4-8, 2014.
The 15-year-old student, Jonas Bodingbauer, developed a clock that lets you see not only the current time but also upcoming appointments. With his invention he received an Award of Distinction in the u19 – CREATE YOUR WORLD category.
“Balance from Within” is the title of the installation by Jacob Tonski, with whom he won an award in the category Interactive Art at Prix Ars Electronica 2014. In this interview he tells us what it is all about the balancing sofa.
The Australian media artist Daniel Crooks had the goal, during his artist-in-residence program at the Ars Electronica Futurelab, to overcome the limits of the screen and generate physical three-dimensional sculptures from it. Whether he has succeeded, he says, together with Otto Naderer, in this interview.
“Entangled Sparks” is the Ars Electronica Futurelab’s latest contribution to the EU’s Connecting Cities initiative. Veronika Pauser, the Futurelab staffer who heads “Entangled Sparks,” took some time out to answer a few of our questions and let us in on what the so-called LinzerSchnitte is all about.
Two examples of incredible projects that Gerfried Stocker cites as sources of inspiration for this year’s festival theme, “C … what it takes to change,” are Projekt Daniel and Solar Mamas. That’s reason enough to take a closer look at them.
The 2014 Ars Electronica Festival is set for September 4-8. This year’s festival theme is called “C … what it takes to change”. Gerfried Stocker, the artistic director of Ars Electronica, gives us his take on what it takes to change.