The 2013 Ars Electronica Festival isn’t focusing only on memory and how we deal with it. A big part of this thematic complex has to do with new forms and formats of remembering things—how we can store them to memory and document them. Two possibilities will be implemented in everyday life at the festival, and…
Meter Crawler by Keiko Takahashi (JP) is still on display in Berlin at the VW Automobil Forum Unter den Linden as part of
Orientation is an important part of our life. We use clocks to figure out our position on the time axis, and maps help us find our way in unfamiliar spaces, regardless of whether it’s a new city or a strange continent. Maps have been getting more and more detailed, generating them is an increasingly complex…
TOTAL RECALL – The Evolution of Memory starts on September 5th. The opening event is “We are here”, a transdisciplinary performance about memory, consciousness, responsibility and surveillance. We have talked to Salvatore Vanasco, one of the initiators of this project and no stranger to Ars Electronica.
Lourdes Fernández is the director of Alhondiga in Bilbao. We have talked about “Artists As Catalysts”, the exhibition, that has been curated by Ars Electronica Linz GmbH and Alhondiga.
[:de]openAIR – Accessibility in Radio Production, das faderlose Mischpult, das vom Ars Electronica Futurelab im Auftrag von Radio FRO, dem Freien Radio Oberösterreich, entwickelt wurde, ist seit einigen Wochen im Praxiseinsatz.
Starting on July 4th 2013, “Artists as Catalysts” is the new exhibition curated by Ars Electroncia Linz GmbH. Manuela Naveau, instrumental in curating this project at the Alhondiga in Bilbao/Spain, talks about the topic and the works of the exhibition.
Rejane Cantoni and Leonardo Crescenti are the creative brains behind the kinetic installation WALL, which is currently on display in Berlin and will move to Linz in a couple of weeks. During the preparations for “Like A Second Nature”, there was time for a chat.
Harmeet Chagger-Khan, expert for digital film and media, was working for 8 weeks at the Ars Electronica Futurelab as part of a residency-program. This is her story during those 8 weeks.
Aakash Odedra, a british dancer, has teamed up with the Ars Electronica Futurelab to create a dancing performance including all sorts of technological adds such as tracking, visualizations, projections and more. During his visit in April, when he came to Linz together with his choreographer Lewis Major, there was some time to talk about the…
Ars Electronica Creative Cloud is a workshop series held in the Knowledge Capital (http://kc-i.jp/en/) of Osaka in a brand-new creative hub for innovation through a fusion of human creativity and technology. 10 creative workshops will be conducted in this cultural program curated by Ars Electronica, starting June 2013 to May 2014, including cutting-edge talk sessions…
Alistair McClymont is an artist from the UK, his “Limitations of Logic and the Absence of Absolute Certainty” is showing in Berlin in the VW Automobil Forum Unter den Linden als part of “Like A Second Nature”. Find out what he has to say about his work!
From August 1, 2013, the new exhibition “Yours Synthetically” is all about the thematic topic of synthetic biology. Matthew Gardiner has put together the artistic works.
“Like a Second Nature” is the latest exhibition Ars Electronica and VW have jointly staged in VW’s Automobilforum Unter den Linden in Berlin. The opening is set for June 6th. The exhibition design is by Jürgen Haller and Christoph Weidinger, two architects going by the name of any:time. We recently had a chance to chat…
On June 2nd, 3rd and 4th, massive floodings hit Austria. The Ars Electronica Center stayed more or less dry, here’s the story.
Miraikan’s Tsunagari-Project has landed in Linz, in the Deep Space of the Ars Electronica Center. For the first time, the visualisations of the GeoCosmos, a 6 metre wide sphere covered with millions of organic LEDs, are shown outside of the biggest technology-institute in Japan. We have talked to Maholo Uchida, curator of Miraikan and member…
Murmuration, the opening-show of the Bergen International Festival, that has been developed both by phase 7 and the Ars Electronica Futurelab, premiered on May 22nd. Check out pictures and videos of the show below, or the interview with Sven Beyer, creative director of phase 7.
Voilá, those are the Golden Nicas and Awards of Distinctions of Prix Ars Electronica 2013.
Austrian game designers and their computer games will be the stars of the show at the 2nd GamesDay@AEC on May 17th. We recently caught up with Stefan Schraml to get the lowdown on the specifics (the lineup in detail) and the big picture (what this get-together is all about).
In London, the spaxels were used for promotional purposes. The Ars Electronica Futurelab received a specific assignment and successfully carried it out. But as the voestalpine Klangwolke brilliantly demonstrated, the quadcopters can take to the air in an artistic role too. We recently had a chance to chat with Sven Beyer, artistic director of phase…