How can we use AI as a creative resource in the future? An audiovisual interpretation of an AI composition invites reflection.
The year 2022 is coming to a close, and that means it’s time once again to look back on the Ars Electronica Themes 2022.
When creativity becomes visible: a unique performance of pianist Maki Namekawa, visualized live by her brain waves and body signals.
It’s the third pillar of Ars Electronica, and we’re all a part of it: In part three of our annual review, we’ll tell you what the “Society” in our name stands for.
In the second part of our Year In Review, we turn our attention not only to art, but also to the exciting stories of the people behind it.
Citizen Science has many faces, Elias Silber is one of them: His commitment optimized the energy balance of Ars Electronica within a minimum of time.
We experiment, develop and tell stories with technology. The first part of Ars Electronica’s 2022 Year in Review shows how.
Finding new ideas for sustainable mobility, with AI and Boston Dynamics’ robot: A unique event in Japan included experts and families alike.
How will future generations earn income – and how can work serve a common good? An open discussion at the Futurelab Day.
Immerse yourself in the Glockner.Luft.Raum by the Ars Electronica Futurelab: an experience in the new kärnten.museum.
Ars Electronica as a platform for art, technology and society and collaborative projects sponsored by the European Union belong inseparably together. Why is that so? We’ll tell you here:
“Virtual Anatomy” by the Ars Electronica Futurelab in cooperation with Siemens Healthineers and the JKU has been awarded at the E&T Innovation Awards.
To save Earth, humanity needs to join forces. The Futurelab Day provided unique perspectives on how to proceed.
Migration and displacement pose some of the biggest humanitarian challenges of our time. The winner of this year’s ArtScience Residency enabled by Art Collection Deutsche Telekom, Irakli Sabekia, addressed the issues of spatial justice in his project the “Archive of Spatial Knowledge”.
Technological possibilities give hints of a new humanity. The Ars Electronica Futurelab invited artists and researchers to discuss what comes next.
Let’s explore issues instead of just reacting to the media – but how? Experts shared ideas at the Futurelab Day.
The new exhibition about the Kepler Observatory at the Ars Electronica Center shows that amateur astronomers can still contribute to scientific achievements today.
Since September, the new exhibition “Me and the Machines” has been awaiting you at the Ars Electroncia Center.
With 5 interactive installations, Belgian artist Roel Heremans makes the ethical framework for innovation in our society playfully tangible.
How to bring truth to the center of collective perception? Artistic Journalism and Dataspace as ways out of the vacuum of real information.
50 years after “The Limits to Growth” Club of Rome with “Earth4All” warns about the consequences of social inequality for our planet: A Survival Guide for Humanity
How the Ars Electronica Futurelab celebrated the Festival with guests and the public – open, multifaceted and always surprising.
WebExpression, an audiovisual interpretation of data for Cisco Systems makes abstract dynamics visible, telling a story about hybrid corporate culture.
BMW, Supersense and Ars Electronica Futurelab focused on the automobile in the midst of the climate and energy crisis.
The Ars Electronica Festival 2022 is in the books! Join us as we look back on five days of unique exhibitions, exciting performances, moving lectures and countless events.
This is by far only a small excerpt of the many impressions with which the 2022 Ars Electronica Festival in Linz thrilled us in five days.
How can creativity and art help society face crises in a resilient way? The Ars Electronica Futurelab is looking for answers.